Docking Hack

Here is an old favourite, written over thirty years ago. Two words have been changed from the original version. I have no idea what it means, but it might be diverting to subject it to piercing critical analysis. Does anybody want to have a go?

Hats are off in Docking; caps are being doffed. The council’s got a town plan. The maths are on a chart. Pips have been spat out and drudgery is bye-byed. Chocolate puddings seem to be in everybody’s pantry. And here comes Pebblehead père. He caught a shark in waters. His sou’wester’s been askew since 1954-ish. Bubbles surge from froth. The chemist’s shop is shut. There’s pills & pills & pills that no Docking man could swallow. Suffering aborted. The council in a caucus. The shaven heads of heads of state are battering the doors down. The city gates, the turrets, the alleys, roads & mews: Docking has its ears all go for red alert decisions. Language has been no-no’d, the bamboo men are wailing, the breakage rate is scheduled: the system has been broken. Crayons pink & stacked, the burnt sienna packaged. Vandals clash at nightfall, but Docking has its crackers. Plastic wrapped in plastic. The Docking coffers emptied. Idiot brawl saloon bar, a gorgeous snag-tooth babble. Prepared to dance a hoo-cha, not a tear or boo-hoo. Thousands of museums stacked with golden maps. Misshapen trunk road closures. Big stone reconstructions. Docking’s cottoned on: it’s a town about a tower. The frame is out of kilter, the coughing’s filling coffins. Oh, but I want to go back to that Docking, Docking hack.

Bedtime Stories

One of the most valuable lessons life has taught me is to know the difference between salvation and salivation. It is so easy to confuse the two, especially in one’s youth. When I was a young whippersnappernipper, long ago, I would regularly insert an i when one was not needed, or omit an i where the high heavens cried out for one. I know I was not the only pimply young shaver to commit these errors. Over the decades, I have had conversations with, ooh, hundreds if not thousands of people who were – and in some cases still are! – fuddled by the difference. It should go without saying that confusing the two can have serious ramifications.

That is another word, incidentally, with which I had problems. I would commonly omit not just an i but also an a, giving it as ramfictions. This was because I thought it had something to do with stories about sheep. My dear departed Ma would regularly read to me a bedtime story about a sheep named Dolores, whose fleece became snagged on a wire fence at the edge of a field on a farm in a fictional place called Dippydopeyland. As her name indicates, Dolores was a ewe rather than a ram, so even if such a thing as a ramfiction existed, which it did not, except within my little head, her story would not have been one. But that was just something else that confused me as a child.

When I heard the word ewe I thought the speaker was referring to a yew. I suspect this was because, when it was my dear departed Pa’s turn to read me a bedtime story, he invariably chose to recite, in an eerie voice, “The Moon And The Yew Tree” by Sylvia Plath. The result was that I found Ma’s story of Dolores frankly incomprehensible. The Plath poem, on the other hand, with its fumy spiritous mists and sea like a dark crime and bonging bells and bats and owls and the moon bald and wild and the blackness and silence, I found almost unbearably thrilling, so much so that I began to salivate. I would often slobber on to my pillow before Pa got to the end of the poem.

Of course, I confused my salivation with salvation, and imagined Jesus was about to come and pluck me from my bed, and take me to his bosom, and up to heaven, where he wanted me for a sunbeam. Now, as it happened, if Ma and Pa were called away to a night rally, my dear departed Uncle Ned read my bedtime story, which for him was always Chapter V of Part III of Travels into Several Remote Nations of the World. In Four Parts. By Lemuel Gulliver, First a Surgeon, and then a Captain of Several Ships. That is why, throughout my childhood, I was convinced I was a cucumber.

More Moo

Further to this and this, there’s this …

Apparently, “Escape Henry Cow is a new point & click escape game free from ajazgames. A cow from a nearby village is grazing near the forest and enters it without realizing it is being watched by a tiger. The cow needs your help to escape to safety .Find the clues to help the cow escape and feel satisfied over saving a life .All the best, have fun playing the free escape game from ajazgames.”

Embittered Dentist Riven By Crackers

Concentrate, look carefully, and you will see an embittered dentist riven by crackers. The crackers are of a circular, unsalted variety, sealed in a cellophane package, itself further packaged inside a cardboard carton. The carton is primarily red, but has upon it a hyperrealist illustration of several circular unsalted crackers executed, for a hefty fee, by the noted hyperrealist Rex Hyper.

The embittered dentist bought the carton of cellophane-wrapped crackers when, one morning, he popped in to his local corner shop. The shop was not actually located upon a corner. Nonetheless, in its ownership, size, opening hours, and range of items stocked, it fell so close to the common understanding of a corner shop that we may as well call it a corner shop, as most of its customers did, including, neatly, our embittered dentist.

Along with the carton of crackers, the embittered dentist made purchase of a (plastic) bottle of milk, a newspaper (The Daily Embitterment), and a keyring to which was affixed a small rubber toad with a jewel embedded in its forehead. It was not a real jewel, but it sparkled brilliantly in the sunlight, or would, when the sun shone. But this was Hooting Yard, forever overcast, with drizzle threatening to become a downpour.

Upon leaving the corner shop, clutching a paper bag in which the shopkeeper had placed with care his crackers and milk and paper and toad, the embittered dentist turned to his left, and pranced for perhaps five or six paces, before wheeling about and prancing in the completely opposite direction, to his right, towards ruins.

These ruins were ancient, the ruins of what once had been a grand palace, much of which had crumbled as centuries passed. At the time it was built, so solid, so new, there were no dentists, as we would understand the term. Nor were there any hyperrealist illustrators, for the techniques of hyperrealist illustration were yet to be devised. It was a very long time ago.

In the lee of a ruined nook, affording some shelter from the drizzle, the embittered dentist sat down upon a fragment of ruined wall. He took from the paper bag the newspaper, The Daily Embitterment, and read that day’s main headline.

EMBITTERED DENTIST RIVEN BY CRACKERS, it said.

Inside the bag, the small rubber toad with a false jewel embedded in its forehead suddenly twitched and squirmed. It had come to life!

NB : This is not part of the planned scheme of interconnected prose pieces to which I referred the other day.

Eeuurrgghh Update

Blimey! That was a bloody awful start to the year. On New Year’s Eve I began to feel as sick as a particularly sick dog, and I then spent most of January sprawled in bed, moaning weakly. Only in the past few days do I at last seem to be recovering my pep, or what passes for pep in these parts.

It now behooves me to set Hooting Yard back on course after a whole month of silence. To this end, I have devised a foolhardy scheme, a planned series of interconnected pieces o’ prose, none of which I have yet written. We shall see how that pans out in the coming weeks.

Meanwhile, I ought to draw to your attention the annual fundraiser at ResonanceFM, in the hope that you will give generously. You lot may be particularly interested in bidding for this year’s Hooting Yard auction item, a unique bespoke paperback to be issued in an edition of one.

I shall try to be back tomorrow, with some new prose …

Eeuurrgghh

The old year came to an end with me vomiting on arrival at Heathrow Airport. The new year, thus far, has continued in much the same vein. I am confined to bed, whimpering occasionally. Normal Hooting Yard service will resume when I feel vaguely human again …

Ten Tarleton Tales – X

Note : As with the first of our Ten Tarleton Tales, Tarleton plays only a bit part in this final one, yet in many ways his bit is key to the whole damn thing.

Snitby blubbing on the causeway. A death in the family. The priest is on his way, astride his elegant horse, along the clifftop path. Candles lit in the cottage, and blood on the pillow. The dog is being sick in the gutter. Snitby’s dog, with its corkscrew tail like a pig’s. Call My Bluff on the wireless. Nobody wants to turn it off. Robert Robinson says: cagmag. Nobody is listening. Birds are shrieking in the sky, an impossible blue, not a hint of cloud. Snitby’s tears extinguish his gasper. It is too wet to be relit so he tosses it into the sea. A gull swoops to examine it. The sound of hooves, but it is not the priest, not yet. It will not be the priest at all, today, for the telegram was mistranscribed and he has set off in entirely the wrong direction. He will arrive at Taddy at nightfall and have to be put up at an inn. Here comes the crone with the winding sheet. She has a goitre and clogs. The winding sheet is filthy. Snitby stares at the sea. The gull has flown away into the far distance. It is now a speck. In the cottage, Robert Robinson says: pannicles. There is nobody to hear him, for they have all come out to greet the crone, to kick the dog, to rub its snout in its vomit. It whimpers and scampers to the causeway. Snitby pats its head. A tiny white cloud appears in the sky. A police car screeches to a halt outside the cottage. Snitby scarpers.

Snitby listening to Plastic Ono Band on his iPod.

Snitby sobbing on the jetty. Undone by art. A seaside exhibition of oils by Tarleton. Oil paintings of oily subjects, rigs and slicks and sumps. A terrible beauty. His dog tied to a post outside the galeria. Really an underused seaside civic hall. Snitby overcome with emotion. Here in Taddy where the priest is still holed up in the inn, one or more limbs paralysed. He fell from his elegant horse as it cantered to a halt. A hopeful crone came clutching a winding sheet but he let out a groan and she was sent away. Salt stains on the jetty. Salt in Snitby’s tears. He holds his gasper at arm’s length. Sea sloshes against the wooden posts. Onions on Snitby’s breath. Tarleton dead these many years but still remembered and beloved in Taddy. He was a local boy. Blond and breathless. One leg shorter than the other. Collector of cakestands. Auctioned off. Snitby wanted one but had no cash to speak of. In exile here now and for the future, where the police have no remit. Ancient laws, woolly and medieval, like Snitby himself, after a fashion. In his attic room, the priest’s shutters are shut.

Snitby reading Ruskin’s numbered paragraphs on his Kobo.

Snitby bawling on the pier. The handcuffs chafe. The sergeant has a florid face and a massive moustache. His socks are unwashed and give off a whiff. Klaxons blaring. A pier ventriloquist stuffing his gob with steak and kidney pie while his dummy prates. It is reciting a list of over six hundred birds. Snitby’s face in the sawdust. A couple of teeth loose. Police brutality, but then the sergeant does not suffer fools gladly. Kicks Snitby as an afterthought. Fills out a form with the stub of a pencil. Ten miles along the coast from Taddy, twenty from the causeway. Geographical precision. Pins on a map. The priest an invaluable source of intelligence. One arm now working perfectly, or as near as dammit. Grace abounding. Gruel for his breakfast during Lent. Fish abounding in this resort, but he pushes his plate away with his good hand. The diocese is paying his bill at the inn. Totted up in the innkeeper’s head and nowhere else. Snitby turning to prayer. Mouth full of blood and sawdust. O Lord O Lord why hast Thou forsaken me?

Snitby playing Demented Virtual Needlework on his iPad.

Snitby weeping on the quayside. Tears blurring his vision. He cannot make out the horizon, simply a blank grey blue expanse. Fussing with rosary beads in his pocket. Given up the gaspers for now. Cries of gulls and clanks of tugboats. Foghorns on a clear day. A marching Salvation Army band. Catholicism versus muscular Christianity. It’s an endless battle with no winners. Snitby asked for a nun. He was sure this seaside resort had a convent, right on the harbour. He had his resorts all mixed up. Fifty miles from the causeway on the other side from Taddy. At high speed in a Japanese car with blinking lights and a siren. And motorbike outriders. And two helicopters. Promised a nun on arrival. Not in writing. Snitby’s dog still tied to its post in Taddy. Fawned over by passing widow-women. One will untie it and take it home to a cottage in the woods. It will run away and perish on a railway line beneath a thundering locomotive. The nun will hear about the accident on a nun’s grapevine but decide not to tell Snitby, Snitby in extremis.

Snitby scraping his serial number on his iSlate.

Transportation to shores afar
But the gates of heaven are left ajar
Repent while you can
Repent while you can
O you base and wretched man

O’er the sea to a distant shore
To see your homeland nevermore
Repent while you can
Repent while you can
O you base and wretched man

Snitby jumping overboard.

Ten Tarleton Tales – IX

The Paradox of Tarleton’s Pebble is a famous, or infamous, conundrum. It was first posed, not by Tarleton himself, but by his valet, the dwarf Crepusco. Legend has it that Crepusco crept into the room where Tarleton was hosting a swish and sophisticated cocktail party attended by various mountaineers, polar explorers, flappers, Jesuits, toad-headed robbers, Quakers, conjurers, reprobates, gas meter readers, spud-faced nippers, fanatics, greaseproof paper salesmen, composers, dentists, tuppenny-ha’penny tosspots, Grand Guignol performers, Chappaquiddick experts, foopball refs, tugboat captains, hedgers and ditchers, gondoliers, minstrels, troubadours, astronauts, emboldened milquetoasts, rhubarbarians, eel-men, dabblers, plotters, coppers, tanners, coopers, fletchers, tailors, tinkers, Oppidans, floozies, weathermen, mavens, bus conductors, out-of-town Pointy Towners, painters, pimps, and potters. Yes, potters. Several potters, indeed more potters than you could shake a stick at, were you minded so to do. Not for the first time, Tarleton had got the precise balance of his swish sophisticated cocktail party guest-list a little askew.

Things were nevertheless going with a swing, in spite of the potter imbalance, when in crept Crepusco. He silenced the hubbub in his usual manner, by holding aloft the gold-painted head of an antique Italianate monkey doll, through which he ventriloquised. Then, in his horrible voice, raucous as a crow, he posed the conundrum which became known as the Paradox of Tarleton’s Pebble.

The effect was instantaneous. The puzzle dizzied the brains of all those present, including Tarleton himself. It dizzied their brains and it also dizzied their bodies, so that the room became a scene of chaos, the guests reeling about, staggering, flailing, vomiting, and groaning.

Well satisfied, Crepusco crept out and returned to his pantry. He replaced the head of the monkey doll on its shrine, fixed himself a snack, and sat in his rocking chair, rocking, creaking, back and forth, through the long winter evening, on the night before the Munich Air Disaster.

Ten Tarleton Tales – VIII

Exciting news! Tarleton is back on his balcony! He is eating a plum! It is a Carlsbad plum! He gazes across the city and the wasteland into the distance, where the pinky-russet peaks of the Pinky-Russet Mountains shimmer in the haze! From one of Tarleton’s ears dangles a piratical earring, but there is no piratical parrot on his shoulder! He has, though, acquired, since last we met him, a wooden leg!

Tarleton’s brief, we might recall, was to gouge and hew. Gouge and hew he did, heroically, losing a leg in the process. But he did not complain. He showed fortitude. I was encamped at Fort Hoity, he said to himself, and then at Fort Toity, so it is only meet that, in forts, I show fortitude. No wonder Tarleton was showered with petunia petals by adoring peasants. There remain a few petals in his hair, for it is a long time since he shampooed it.

It is a long time, too, since last he stood upon this balcony, eating a plum. It is so long ago that he only dimly remembers. More vivid are the memories of Fort Hoity, with its ostriches and bandages and zinc, and Fort Toity, with champions arrayed along the crenellations, and games of spit-in-the-gutter. It was between forts that Tarleton lost his leg to a crocodile.

In the middle ages, returning crusaders brought with them the embalmed bodies of crocodiles, which were wrapped in chains and hung from the ceilings of cathedrals. Tarleton did not think of his gouging and hewing as a crusade, but it was, oh it was.

He spits out the plumstone into the palm of his hand, makes a fist, and, taking careful aim, tosses it over the edge of the balcony down into the shallow pool around the fountain. How many Carlsbad plumstones lie there, barely submerged! He has never once missed a toss. Tarleton turns and withdraws into his chamber. His head is full of squeaking imaginary bats.

Ten Tarleton Tales – VII

Tarleton, the amateur’s amateur, had been missing for a fortnight when one evening he came crashing through the door of his consulting rooms, twitching and shattered.

Good grief, Tarleton!” cried his sidekick, companion, amanuensis and consulting roommate, Not-Tarleton, “Where in blazes have you been?”

I have been muffled, wallowing in the sink of vice that is a Limehouse opium den, if you must know,” said Tarleton, “I was in pursuit of a man with a twisted lip.”

I… I… corwumph!” expostulated Not-Tarleton, who resembled, in both manner and appearance, Old Wilkie from Linbury Court, so much so, indeed, that we shall hereinafter refer to him as Old Wilkie in order to avoid confusion with his near-namesake Tarleton.

Corwumph! away to your heart’s content. You know my methods,” said Tarleton, “The man with the twisted lip was in possession of pelf. I could tell it was pelf because he carried it in a sack slung over his shoulder with the word PELF stencilled upon it in big black block capitals. I pursued him through the streets and mews and boulevards. He was hot under the collar. I dogged his every footstep. The sky was overcast. He entered the stews of Limehouse and still I followed him. He scuttled down an insalubrious alleyway. It was a nest of opium dens. Mayhew surveyed them at one time or another, I am sure.”

And?” shouted Old Wilkie.

And I spent a fortnight in an opium-addled daze, from which I have only recently emerged. The man with the twisted lip was nowhere to be seen. But while we were both sprawled upon divans in the Oriental hellhole, I affixed to his ankle, unbeknown to him, a tracking device, which works with light reflecting booster technology developed by L’Oreal. I am going to eat some kippers, and then I shall find out where he is, with his sack o’ pelf. Having located him, I will run him to ground. If he digs himself into a burrow in the ground, like the narrator of Rogue Male by Geoffrey Household, I will entrap him, as did Quive-Smith, but I shall ensure I do not meet Quive-Smith’s sticky end.”

But how, Tarleton? How?” screamed Old Wilkie.

By wearing this metal head-harness,” said Tarleton, donning a metal head-harness, “If the man with the twisted lip tries to kill me by shooting an arrow between my eyes from an improvised crossbow, it will ping harmlessly against the metal.”

I… I… corwumph!” screeched Old Wilkie, “Was the head-harness also developed by L’Oreal?”

But answer came there none, for the amateur’s amateur was already gone.

He returned some weeks later, twitching and shattered.

As soon as I have eaten some kippers, I shall apprise you of my doings,” he announced, and as soon as he had eaten some kippers, he apprised Old Wilkie of his doings. Being, among other things, his amanuensis, Old Wilkie wrote down what he heard, and thus it is that we, too, are apprised of Tarleton’s doings, long after he ate some kippers.

It seems that, shortly before seeing the man with the twisted lip hauling his sack of pelf along the streets and mews and boulevards, Tarleton had been approached by Old Farmer Frack. The mad old farmer was distraught, because his eerie barn had been broken into and all his farm implements and equipment, stored therein, his clodding mell and two Kentish binding rakes and a disc coulter and a subsoil pulveriser plough and a potato grading shovel and five Morris’s turnip fly catchers and two hand-cranked threshers and a seed rusky and an automatic sheaf tying mechanism and a whin bruiser and Keevil’s cheese-making apparatus and a mouldbaert and fan tackle and chogger and a Nellis fork and a plough graip and half a dozen liquid manure pumps and a pair of hedger’s gloves and Gilbert’s improved iron sack holder and four American butter separators and a cauterising iron and a mouth cramp and a charlock slasher and Blurton’s tumbling cheese rack and eight barley hummellers and an adze and a curd agitator and grinding stones and Drummond’s iron harvest sickle and a dairymaid’s yoke and a clod knocker and Biddell’s scarifier and Fowler’s self-adjusting anchor and a bitting iron and fifteen creels and two caschroms and a dung hack and a Crees lactator and five horn trainers and a fagging stick and a pea hook and two Lipmann glass stoppers and a trenching fork and Gilbee’s horse hoe and a drain ladle and hackle prongs and a flax brake and Hall’s smut machine and a heckling board and three flauchter spades and a hay tedder and an Ivel three-wheeled petrol-powered machine and Finlayson’s grubber and a potato riddle and four root pulpers and paring mattocks and Morton’s revolving harrow and Samuelson’s cake-breaking machine and a foot pick and sheep netting and two oilcake crushers and Reade’s patent syringe and various instruments for destroying moles and a barrow turnip slicer and a Paul net and a Sandwich clean-sweep hay-loader and probangs and castrating shears and Hannaford’s wet wheat pickling machine and a scutching board and a swath turner and a plank-drag harrow, had been stolen.

Tarleton put two and two together. It was blindingly obvious that the man with the twisted lip was the thief. He had sold Old Farmer Frack’s barn’s-worth of booty to a fence, and put the pelf in his sack. It was, then, a simple matter of finding the fence and bludgeoning him to death using one of the instruments for destroying moles, and restoring to the mad old farmer his rightful possessions.

Just one question, Tarleton,” said Old Wilkie, “These various instruments for destroying moles. Were any of them developed by L’Oreal?”

But answer came there none, for the amateur’s amateur, his mouth stuffed with some more kippers, had fled to a Limehouse opium den, to wallow in vice, sprawled on a divan.

Ten Tarleton Tales – VI

Tarleton was visited in his consulting rooms one April evening by a padding fellow clutching a buff envelope.

Glossary :

Tarleton, “the amateur’s amateur”.

Consulting rooms, address unknown but probably in an ill-lit alleyway off the main thoroughfare in Pointy Town.

April, fourth month of the year. Abolished during the French Revolution and replaced by Germinal (to 19 April) and Floréal (from 20 April). Tarleton’s internal “clock” was regulated accordingly, though not for ideological reasons.

Evening, latter part of the day, descending into dusk and twilight and, eventually, nightfall, wherein terrors are unloosed (see Thomas Nashe, Terrors Of The Night, 1594).

Padding, moving like a cat.

Buff envelope, an item of stationery, not to be confused with the Buff Orpington, a type of duck.

Why are you padding into my consulting rooms clutching a duck?” asked Tarleton. Then, putting on his spectacles, he added, “I beg your pardon, I ought to say clutching an envelope.”

Within this buff envelope,” said the visitor, “Are papers which, if revealed to the press, could bring about the collapse of several crowned heads, and seething unrest throughout the continent!”

Glossary:

Then, here indicating the next action or event in a sequence. Can also refer to the past, as in the model sentence “I was happy then, in my childhood, before the revolution, before the shambles wrought by our new masters”.

Spectacles, eyeglasses, two monocles stuck together with connecting wire. Often rose-tinted, though not in Tarleton’s case.

Papers, top secret quasi-official documents of world-shuddering significance.

The press, generic term for newspapers, both tabloid and broadsheet, even, great heavens to Betsy, Berliner format!, not to be confused with Papers (see above).

Collapse, can happen to puddings and soufflés if cooking times go awry.

Crowned heads, done away with, violently, during revolutionary upheavals.

Unrest, second album by Henry Cow, released in 1974. Sock on cover.

Continent, seven known to exist, in alphabetical order Africa, Antarctica, Asia, Australia, Europe, North America, South America. There may be others, hidden or occult. Continental location of Tarleton’s consulting rooms not yet identified beyond every shadow of a doubt (Alfred Hitchcock, 1943).

Good grief!” spluttered Tarleton’s sidekick Not-Tarleton, sprawled on a beanbag by the fireplace, “If what you say is true we must act immediately to stop the collapse and unrest in their tracks!”

An enigmatic smile played over Tarleton’s lips.

May I have the buff envelope?” he asked the visitor.

Glossary:

Grief, Hardship, suffering; a kind, or cause, of hardship or suffering. Hurt, harm, mischief or injury done or caused by another; damaged inflicted or suffered; molestation, trouble, offence. A wrong or injury which is the subject of formal complaint or demand for redress. Gravity, grievousness (of an offence). Feeling of offence; displeasure, anger. A bodily injury or ailment; a morbid affection of any part of the body; a sore, wound; a blemish of the skin; a disease, sickness. The seat of disease; the diseased part; the sore place. Physical pain or discomfort. Mental pain, distress, or sorrow. Deep or violent sorrow, caused by loss or trouble; a keen or bitter feeling of regret for something lost, remorse for something done, or sorrow for mishap to oneself or others. Accidents in steeplechasing or in the hunting-field. Also in Golf. (OED). Not-Tarleton’s usage encompasses all these meanings, and more, oh! so many more, for he is that kind of chap, sprawled on his beanbag, spluttering.

Sidekick, a companion, colleague, junior partner, straight man.

Not-Tarleton, specifically in this case, Tarleton’s sidekick. More generally, can be applied to any organism, animate or inanimate, other than Tarleton himself. Thus, everything in the universe. Space precludes a complete list.

Beanbag, a large sealed bag containing synthetic beans, upon which to sprawl. Similar to the “Protean armchair” in The Confidence-Man : His Masquerade by Herman Melville (1857).

Fireplace, as the name suggests, a place of fire, of licking flames, of heat and blaze. Often located within an inglenook. Beanbags (see above) ought only be placed near to inglenooks if they are fire-resistant, otherwise a single spark from a hissing spitting coal upon the fire and, pfft!, up they go in flames. For fictional treatments of the catastrophic effects of fire upon persons, see Dickens, in particular Miss Havisham and Krook.

Tracks, “So take a good look at my face / You’ll see my smile looks out of place / If you look closer, it’s easy to trace / The tracks of my tears” (The Tracks Of My Tears, Smokey Robinson And The Miracles, 1965). In The Song Of Investment Capital Overseas (1981), the Art Bears hint at tracks without quite mentioning them : “The roads and rails run like cracks / And carry me upon their backs”.

Enigmatic smile, cliché used to impart spurious depth to a fictional character.

Lips, important parts of the mouth.

Buff envelope, remember not to confuse it with a Buff Orpington duck.

Hesitantly, the visitor handed the buff envelope to Tarleton. Without opening it, he in turn passed it to Not-Tarleton, still sprawled on a beanbag by the fireplace.

Toss it on to the fire!” he commanded.

Not-Tarleton did as he was bid, and within seconds the buff envelope, and its mysterious world-shuddering contents, were consumed by the awful flames.

I think we can say that the world is a safer place,” said Tarleton, smugly. “Now, shall we toast some crumpets?”

Glossary:

It would be a shame to add a further gloss on terms at this point. We would distract from the thrilling climax of the tale, and in any case few new words have been introduced. Hesitantly, toss, bid, awful, toast and crumpets can be looked up in any decent dictionary, and sometimes it is beneficial for readers to take the initiative, rather than having everything handed to them on a plate.

Glossary:

Plate, or platter, an item of crockery on which toasted crumpets are served in the consulting room of Tarleton, the amateur’s amateur, at the conclusion of the famous story Tarleton And The Mysterious Affair Of The Buff Orpington – sorry, Envelope.