Unsung Victorian Genius

After I mentioned Prudence Foxglove the other day, I was deluged with post from readers avid for more information about her. I am currently working on a biography of the unsung Victorian genius which, though potted, will also be magisterial. Meanwhile, I have managed to dig out an excerpt from her play May The Light Of Our Saviour Beam Down Upon The Cripples And Paupers Of Every Parish In The Land (1894).

[Scene : A filthy hovel steeped in gloom.]

Drunken Brute : Go and get my bludgeon so I can bludgeon you about the head in a fit of intoxicated rage.

Urchin : Lumme, guvnor, you’re as frightening a brute as ever bludgeoned a poor half-blind urchin about the head!

Drunken Brute : Yes I am, and if you don’t get my bludgeon this instant I’ll box your ears as well, you urchin you.

Urchin : Oh! Did ever a poor half-blind urchin lead so squalid and unChristian a life as I am fated to do since my parents perished in an early railway accident and I was abducted from Kindly Old Ma Dropsy’s Idyllic Cottage For Pallid Infants by the Drunken Brute?

[Urchin exits to fetch Drunken Brute’s bludgeon. Drunken Brute does some comic business with a birdcage and a set of napkins. Enter Urchin, holding a prayer book.]

Drunken Brute : What now, Urchin? That looks to me suspiciously like a prayer book.

Urchin : It is a prayer book, Drunken Brute. While I was stumbling half-blind about the other part of the filthy hovel, trying to find the bludgeon, a proper posh lady dressed all in finery came and handed it to me, suggesting that I read some prayers to you.

Drunken Brute : Grrr. I’ve a good mind to give you a double boxing of the ears.

Urchin : Yes, that is quite understandable, given that you are a Drunken Brute. But perhaps the lady was right, and that if I read you some prayers you will be engulfed in the light of Our Saviour, and no longer be drunken and brutish but a reformed character of sober mien and a determination to devote your life to hard work and social advancement.

[Urchin begins to recite prayer. Drunken Brute is seized by pangs of remorse and self-loathing and collapses into his chair. Enter Prudence Foxglove.]

Prudence Foxglove : My name is Prudence Foxglove, and I am the proper posh lady who pounced upon this half-blind Urchin in the other part of the filthy hovel. And see what wonders I have wrought by bringing the word of Our Saviour into this benighted hellhole. Note, too, the daring modernism of my play, where I, the authoress, barge into the action and address you, the audience, directly. We shall leave the Urchin and the Drunken Brute bedazzled by the Lord’s light, and in Act Two we shall cast our eyes upon another scene of moral depravity and high debauch. The scene is another, filthier, hovel, where a smallpox-scarred match-girl is at the mercy of a different drunken brute, until by chance they hear a thunderous sermon from an Oxford-educated preacher, a man of stern Protestant rectitude, and their lives are transformed.

Birthday Of Gouty Man Of Letters

 

 

 

 

 

 

 

 

 

 

 

Today is the 291st birthday of Horace Walpole, as fine a letter-writer as ever lived. Walpole coined a number of words in his time, some of which are in general usage (serendipity) and others which damned well ought to be (bewolfenbuddlement).

“The whole secret of life is to be interested in one thing profoundly and in a thousand things well.”

Protect That Insect!

According to today’s Guardian, back in 1964 an Israeli newspaper reported that the music of the Beatles included “yeah-yeah-yeah howls which are capable of striking dead a real beetle”. I am sure Yoko takes a very dim view of gratuitous cruelty to insects, and I look forward to the full-page advertisements she will surely be taking out in the world’s major newspapers to express her, and her bespectacled husband’s, devotion to our creepy-crawly friends.

Pastry-Related Theatre News

 

 

 

 

 

 

 

 

 

 

 

 

 

 

This is an emotionally wrenching, yet compellingly vapid scene from Prudence Foxglove’s play Oh Lord! Let Us Give Vent To The Charitable Impulse By Offering Pies To Sordid Little Ragamuffins! (1894). Long forgotten, this knockabout tragicomic melodrama has been revived by the Bodger’s Spinney Emotionally Wrenching Theatre Troupe, currently performing a sixteen-hour version on the pier at Pointy Town.

The Dobsonmeter

“Dear Frank,” writes Richard Carter of Gruts, “This week’s New Scientist  (20 September, 2008) contains the rather stirring story of how a lone British Antarctic Survey scientist managed to give NASA a red face by discovering the hole in the ozone layer with a 50-year-old instrument assembled in a shed. The instrument was called a Dobsonmeter.”

The Dobsonmeter was invented by a certain Gordon Dobson, who may or may not have been related to the out of print pamphleteer whose doings are so assiduously chronicled at Hooting Yard. Judging by these excerpts from the New Scientist piece, there is a definite affinity:

Without [Joe] Farman, the truth [about the ozone layer] might not have been discovered for several years or more. But he couldn’t have done it without his trusty Dobsonmeter, first assembled in a shed outside Oxford more than 50 years earlier by another dogged researcher, Gordon Dobson from the University of Oxford‘s Clarendon Laboratory…

The odd thing about the Dobsonmeter is that for a quarter-century it was an instrument without much use. It finally came into its own during the International Geophysical Year of 1957, when researchers decided to make global measurements of the ozone layer. They put in an order for around 50 Dobsonmeters with the London instrument maker, R. & J. Beck.

Farman remembers going to Oxford to pick up his machine from Dobson in 1956. “Even after 25 years, they hadn’t completed the instruction manual,” he recalls. “That only arrived the following year.” Farman still has his original copy. For best results, it recommends wrapping a quilt round the instrument to keep it warm.

Only about 120 Dobsonmeters were ever made, of which some 50 remain in use. Each is known by its number. Dobson’s original, No 1, is in London‘s Science Museum. Farman made his discoveries with Nos 37 and 51. Probably the oldest still in use is No 8, now 73 years old and sitting on the roof of the Norwegian Polar Institute in Svalbard. Dobson died in 1976, so he never saw his instrument’s finest hour.

Angels Of Huts

A couple of days ago, we looked at angles of hats, and today we turn our attention to angels of huts. One of the least rewarding periods of Blodgett’s life was when he had a job managing a collection of huts, each of which had its resident angel. These were battered and dilapidated rustic huts, rather than more well-appointed beach huts, or chalets, the type of hut Blodgett understood them to be when he accepted the post. Imagine his distress when the train taking him to his new office delivered him not to a sandy stretch of coastline but to a filthy countryside backwater ankle-deep in muck.  This was particularly galling because at the time he was being followed about by a film crew working on a documentary called Blodgett On The Beach. The film had been commissioned by an ambitious but airheaded young git from Channel Bilge, and once it became clear that Blodgett was not going anywhere near the seaside, the airhead cancelled the project and sent his crew to cover a dramatic reconstruction of the credit crunch instead.

So it was a solitary Blodgett who was deposited from the train at a deserted railway station in the middle of nowhere. He fumbled in his pocket for the hand-scrawled map his masters had given him and set off on his squelchy way to a distant barn, in a corner of which a desk with an anglepoise lamp and a pencil sharpener and a vase of spurge had been provided as his operational base. Just as the United Nations has its special rapporteurs, and Olympic teams have their chefs de mission, Blodgett’s job title was French and sounded important, and he was, at least at this point in his life, naȉve enough to swell with pride as, approaching the barn, he paused to pin his badge on his lapel. To their credit, his employers had no truck with such execrations as the contemporary laminated name-badge, and Blodgett’s badge was brass and heraldic and lively with beaked and taloned and winged beasts of myth and with Latin inscriptions. Blodgett had neither French nor Latin, so he had no idea of the meaning of either his job title or of the motto upon his badge. What he did have were unparalleled map-reading skills, and he was soon installed at his desk in the corner of the barn, having improvised a crate as a chair, and plugged the anglepoise lamp into a generator.

The many huts for which Blodgett had responsibility were scattered all over the place, in no discernible pattern. This rapidly became apparent to him when he stuck pins into a map tacked up on the barn wall, each pin representing one of the huts. Blodgett did this, with much enthusiasm, as preparation for what he foresaw as regular rounds of visits to his huts and to their resident angels. So great was the distance he would have to travel that he wondered if he could afford to rent a horse or a jalopy. He was counting out his coinage on the desk, just hours after his arrival, when he was interrupted by a visitor, who brought news that blasted Blodgett’s plans and left him sobbing.

“How now?” shouted the newcomer as he burst into the barn, “You must be Blodgett! I am Simon Sebag Costanza and this is my theme tune!” He pulled a portable parpophone from his pocket, depressed a knob, and a short burst of Hindemith’s Concert Music For String And Brass Instruments, Op. 50 (1930) roared at deafening volume and made the barn shake. It also made Blodgett shake, so much so that he lost his footing and toppled to the floor, where he remained hidden from his visitor’s view as Costanza continued, having redepressed the knob and popped the parpophone back into his pocket. “There is much you will need to know as the new manager of the many scattered huts with their resident angels, and I am here to tell you what’s what, even though you are crumpled on the floor behind your desk. It is all the same to me if you stay there throughout your tenure, so long as you keep up with your paperwork. I will be out and about on my visits to the huts, for I am the Milk Man. No, no, not the sort of milkman you may think, pootling around the lanes in an electric float delivering bottles of milk, as happened in days of yore. A pox on such ninnies! No, I am the Milk Man who calls upon the angels of the huts and monitors their intake of angel milk! There are recording angels and fumigating angels, there are angels of mercy, moon angels and archangels, but what all angels have in common is that they are reliant upon angel milk for their sprightliness and spark. Thus it falls to me to keep a proper check on the angels of our huts, lest they fall prey to ennui and Weltschmerz through neglecting their milk diet. Your job, meanwhile, is to sit at your desk, or crumpled on the floor behind it, and, by the light of the anglepoise lamp, to enter my daily dictated reports into a ledger. We measure milk by the pint here, Blodgett, so you will need no knowledge of fractions. But you must tally up the daily pintage and do much other tiresome and exhausting drudgery, and never once set foot outside the barn, not even to contemplate the cows in the fields or to chuck breadcrumbs on to the duckpond, for at any time of day or night I, the Milk Man, may come a-calling with my reports, and you must be at your post, diligent and miserable, for such is the way we do things in these parts and if ever you forget that you will be at the mercy of the cacodaemons, Blodgett, the cacodaemons with their curdled milk and their unspeakable yoghurts.”

With a second blast of his theme tune from the parpophone, Simon Sebag Costanza, the Milk Man, swept out of the barn. From behind the desk came the sound of sobbing, as Blodgett realised the full horror of his situation. He was stuck there for years, for years and years, at a desk in the corner of the barn, in the middle of nowhere, when all he had ever wanted was to stride purposefully from hut to hut, huts he was in charge of, preferably at the seaside.

Angles Of Hats

This is a transcript of a handwritten piece read today on Hooting Yard On The Air on ResonanceFM. If you do not already keep your bakelite wireless tuned in to the station twenty four hours a day, for god’s sake get a grip!

It occured to me to write something on the bus on the way to the studio, to give this week’s show a really contemporary feel. I know that Hooting Yard listeners rightly expect a programme that has its finger on the pulse of the times, that is truly up to the minute. Well, this week it certainly is, because what I am reading to you was written within the past hour.

And I am reading it with some difficulty, actually, because a bus journey does not lend itself to the practice of exquisite copperplate handwriting. I am trying to make sense of what can only be described as a semi-legible scrawl. Buses bump and clatter and shake, and at times it is akin to being a sock or a napkin in a tumble drier.

God, this is dull. Let me turn to another, non-bus-related topic.

Recently I referred in passing to my Flemish cheesecloth suit, and as a result I received letters from several listeners who, showing great good sense, sought my advice on matters of style and fashion, of dash and élan. Strikingly, no fewer than four of these letters concerned the wearing of hats at a rakish angle.

“Dear Frank,” wrote one listener, somewhat over-familiarly, given that I have no idea who he is, “Can you tell me how best to calculate the exact angle at which I should wear my hat, or titfer, to maximise its rakishness?”

Well, for that correspondent, and for the others who raised this important issue, I am preparing a small pamphlet, not yet in print, which addresses the question with more vigour and panache than I would guess have ever been attempted since people began wearing hats, caps, bonnets, Tam o’ Shanters, berets, fezzes, and all sorts of other headgear, which as you are probably aware was an immensely long time ago, back in what we often call the mists of time, and certainly before you were born. By my reckoning, it took several centuries from the first wearing of a hat to the insight that to tilt said hat at a rakish angle lent the wearer a certain cachet among the other members of their tribe, or what, following Hazel Blears, we would now call their community.

Of course, there were many false starts. Some angles are simply not rakish, and never will be, but they were tried and tested, often with the use of protractors and sextants and astrolabes, and we should be grateful to those tireless but flawed hat angle experimenters, for without their work we would doubtless still be going about our modern gleaming city streets wearing our hats at ludicrously unrakish angles. Some people still do, of course, including one or two of my fellow-passengers on this bus. I think it is my duty, once my pamphlet is in print, to carry a carton of them with me where’er I roam, handing out free copies to the insufficiently rakish.

End of bus journey now. I shall lay down my pen, and speak to you soon.

Owls In Art

It has come to my attention that an art person called Alan Disparte has a “work on paper” entitled Hooting Yard, depicting transmogrified owls. Go and look at it here, and at his main page, or portal*, here. Hommage or coincidence? Who can say? I cannot help but notice that his name is an anagram of Natal Despair.

* Do people still refer to “web portals”, or has that phrase gone the way of “the information superhighway” and other once thrilling coinages? This is not the kind of thing I know about, although I think this very page you are reading ought to be known as The Hooting Yard Portal, or Lobby, or Vestibule.

Dobson’s Dinghy

For a long time, for years and years and years, I have been meaning to write about Dobson’s dinghy. It is a subject which I am convinced will be hypnotically fascinating to my readers, and yet whenever I settle to the task, as I did yesterday morning, with the nib of my pen polished to a gleam and a fresh stack of blank rectangular paper, I found myself once again baffled and plaintive. It is not that the contents of my skull seized up, like a polar ship in pack ice, for I had done my usual crack-of-dawn brain exercises, flexing the synapses using a set of techniques culled from a Victorian Everyday book. Some might say that synapses are not things you can flex, and they may be correct, but I am sure you understand what I am driving at. The point is that I was in tiptop writing condition, hunched over my desk, nib gleaming and paper stacked and blank, and outside my window crows were stalking across the grass, fat and black and Ted Hughesy, and the sight of crows seldom fails to inspire me, no matter what I am writing about. Sometimes I have filled pages and pages blathering on about crows, and then cleverly crossed out every mention of the bird and substituted it with another noun, for example windscreen wiper or bazooka, or even with a dozen different nouns, whimsically, in a great creative outpouring the like of which would put Dobson himself to shame, were he still with us. I have tried this technique over the years when trying to write about Dobson’s dinghy, as a weapon against my bafflement, but it never quite works, and those pages are turned into scrap or made into paper aeroplanes or paper hovercraft or paper Hindenburg airships, depending on my mood of the moment. It can be very relaxing to fold one’s abandoned manuscripts into toy forms of transport. Once, I was so thoroughly relaxed after folding half a hopeless novella into a paper fleet of milk floats that I fell into a coma. Other writers find different uses for their discarded scribblings. The poet Dennis Beerpint, I learned, tears his disjecta into thousands of pieces, with untold savagery, cursing and fuming as he does so, while Pebblehead, the bestselling paperbackist, binds all his up into a bundle with butchers’ string and carries it down to the beach and throws it into the sea. Frankly, I am surprised that a writer as successful and prolific as  Pebblehead ever has aborted works to so dispose of, but I am told that he is seen upon the sands at least once a week, casting his bundles upon the briny. Dobson never launched his dinghy into the sea. On very rare occasions, when the fancy took him, he would push it into a pond and clamber in and paddle it across, alarming any ducks, such as teal and coots, who got in his way. The dinghy was yellow, and made of rubber, and Dobson bought it at a closing-down sale from a ruined ship chandler’s. There. There is the essence of my bafflement and my plaintiveness. I have just told you everything I know about Dobson’s dinghy. Every time I have a mind to write about it, I reach the same impasse. I have exhausted the topic, and have nothing else to say. Give me a week, or a month, and no doubt I will wake up one morning and feel impelled, yet again, to try to write dozens of pages of vigorous and impassioned prose about Dobson’s dinghy. I will mention the pond, the yellow colour, the rubber fabric, and the ruined ship’s chandler, and that will be that.

Advice Regarding Vinegar

The best thing to do, in certain circumstances, is to lie on your side, upon the grass, in a meadow, and have an acolyte pour vinegar into your ear through a funnel. When you stand up, in the middle of the meadow, and tilt your head, shaking it a little, the vinegar will be expelled from your ear and you will feel the benefits.

It is important that you have an acolyte who can properly adjudge the amount of vinegar to pour into your ear. Too little, and the whole exercise is pointless. Too much, and you will be tilting your head and shaking it until the cows come home, and you will find it very difficult to expel all the vinegar.

When the cows come home they may be disconcerted to find you in their meadow, with your tilted head, and some of them may become fractious. Fractious cows can be dangerous, so it will help if you have your acolyte armed with some sort of cow-protection device. This might be made of corrugated cardboard, or alternatively of tin foil. Best to consult a catalogue of cow-protection devices beforehand, with your acolyte at your side.

Choosing an acolyte to whom you are prepared to entrust the pouring, and the cow-protection, is a fraught business, believe you me. It is a process during which you can expect much heightened emotion, many tears, a certain amount of wailing, and, now and then, fencing contests, with flashing épées. It has even been known for rival acolytes to bash each other about with spades, so it is advisable not to give them access to the keys to the potting shed. You will probably have at least one set of duplicate potting shed keys, hanging from a hook in the pantry, so make sure you keep the pantry out of bounds to your acolytes, save for those who need to enter it to fetch tins of tinned plums and tinned radishes and other tinned goods. It is a simple matter to give but one acolyte the responsibility for the fetching of tins, and that acolyte can be disqualified from even the possibility of pouring vinegar into your ears in the middle of the cow meadow, while you lie on your side, by having him blinded or having his legs broken and confining him to the house.

Another thing to bear in mind when choosing the appropriate acolyte is that they must be able to get you from the house to the middle of the meadow with the minimum of fuss. Fuss is corrosive of the soul and has been known to result in horrible bodily eruptions such as sores and boils and suppurating patches of pus in such tender places as the groin and the armpits. You will want a level-headed and charming acolyte, one who, confronted by menacing geese on the way from the house to the meadow, will soothe them by singing something by Kevin Coyne in a deeply lovely voice. Geese are usually placated in this way, even the most ferocious ones.

You will probably want to be carried from the house to the meadow on a palanquin, given your preening self-regard. You will thus require additional acolytes to do the carrying, one of whom can also be the vinegar-pouring acolyte, if you so wish. It is therefore a very good idea to have some distractions at hand to entertain those who, once their carrying is done, have nought to do until you command them to carry you back to the house when you have flushed the vinegar out of your ear. Most acolytes can be happied by board games. Poopy, The Kronstadt Rebellion, and Waiting Around In A Meadow While Vinegar Is Poured Into The Ear Of Your Hero are splendid and complicated games using dice, counters, and the feathers of placated geese, but of course there are many other games, board-based and otherwise, which you may consider packing in your pippy bag when making preparations to be carried from the house to the meadow. If you have acolytes who are resistant to the allure of exciting board games, it is probably best to dismiss them, with their tails between their legs, as the saying goes.

The dismissal of acolytes can be problematic, particularly if they are clingy. Clinging acolytes are known to use gum to affix themselves to fixtures and fittings, such as the doors of pantries and the railings bordering manses. Be on your guard against them. Rifle fire tends to deter all but the clingiest, who may have to be detached from their gummy emplacements with gum-dissolving fluids in spray canisters. When making a purchase of these canisters, you may be asked to fill out a form declaring that they will not be used to dissolve the gum affixing an acolyte to the railings of your manse. In these  circumstances, just lie. You will go to hell, but would you not rather be in hell than be subject to the fawning of a gummed acolyte?

The Roads To Jaywick

Jean-Paul Sartre’s trilogy The Roads To Freedom has fallen out of fashion somewhat – as if that mattered – yet it remains a classic. But for a book with a bit more existentialist heft, I recommend Pebblehead’s bestselling paperback The Roads To Jaywick. That blighted, benighted, dilapidated seaside town, has of course, provided fodder for any number of potboilers, including Jaywick – West Of Clacton and The Sordid Sands Of Squalor, but Pebblehead’s is a fundamentally serious work, and there is a lot about cows in it, which is always a good thing.

In an interview with The Literary Dunderpate, the author explained the genesis of his novel. “One morning as I was eating marmalade straight from the jar with a spoon,” he said, “It occurred to me, in a flash of insight, that, if one is so minded, all roads lead eventually to Jaywick. Once you approach the shabby resort itself there is but the one road, pitted and unlovely and dismal, but to reach that road one must travel along many other roads, depending on where you start from. You might be in Gore Pit or Fingringhoe or Vange, or even in Messing or Fobbing or Dengie: it doesn’t much matter, for there will be a road wherever you are that will lead you inexorably to the windswept collapsing hovels of Jaywick. Lord knows, even from Mambeg and Clynder, if you have Jaywick in your soul you will find a road to take you there.”

That last phrase is telling. Pebblehead originally planned to call his titanic masterpiece A Jaywick Of The Soul, but decided against it. “It is true enough,” he explained, “that there is a sort of psychoJaywick that lurks within the mind of every man and woman on the planet, but I wanted to insist upon the real, physical Jaywick, that place where the sickened traveller can come to a halt and go for a pint in the Never Say Die and get their head kicked in by feral Jaywick youths.” Pebblehead goes on to describe the transfixing sense of Weltschmerz he felt when peering over the sea wall and seeing, on the gruesome beach, a big sign warning him of “Danger – Keep Off”.

As a bestselling paperbackist, Pebblehead has sometimes been criticised for being shackled to realism, and in the process of writing The Roads To Jaywick he did indeed  test out his thesis by travelling by road to those glum coastal shacks from a variety of starting points. He proved that roads from Threekingham and Scratby and Snodland, from Coffinswell and Mugdock and Crundale, from Hoo and Swillington and Catbrain and Widdop and Slack and Splat, from each of these, in a cart pulled by inelegant horses, he could, eventually, reach Jaywick. And that, he suggests, is what makes us human, arguing his case with a vivid account – taking up more than two-thirds of the book – of the famous incident known in Jaywick lore as The Day The Cows Came Visiting. The cows, of course, came not by road but, being cows, across fields, across flat hopeless fields on a misty morning. It is a haunting tale, and one to which Pebblehead’s gorgeous prose does justice.

I believe it is a great scandal that The Roads To Jaywick is not a set text to be read by tinies in all the community education hubs in the land. It is all very well filling their heads with the likes of Sartre and De Beauvoir and Norman Spinrad, but those who devise the curriculum will reap a whirlwind. Better by far, surely, to envision a nation in which our urchins sit enraptured in their study pods, lapping up the timeless words of Pebblehead? Pebblehead who, for the sake of literature, lay drunkenly sprawled in the gutter outside the Never Say Die in a wretched seaside hellhole in the spooky mist, at risk of being trampled by roaming cows whose roaming brought them, as if by some uncanny cow-controlling propulsive force, across the fields to Jaywick, west of Clacton.

The Engine Of Capitalism

The engine of capitalism is said to be the creation of desires. Advertising and allied brain-manipulation techniques persuade us to covet things we did not even know we wanted, and illusory wants soon become needs. Sprawling insouciantly in my ivory tower, it is very easy to pretend that I am above such grimness. For example, I do not own – nor covet – a mobile phone, and would much rather curl up with a copy of Jubilate Agno by Christopher Smart than go shopping for fripperies. But of course, such pretence is delusional. I am as eager as anyone else to get my hands on stuff, depending on the stuff. Thus I am indebted to OutaSpaceman for drawing my attention to a product which I did not know existed, but realise I have always wanted, no, needed. I can say in all honesty that without this magnificent item my life would remain forever incomplete, pointless, wasted.

 

 

 

 

 

 

 

 

 

I speak, of course, of the cardboard cut-out model of the Hindenburg disaster, available here.

Propulsion Tables

When consulting propulsion tables, it is extremely important that you know exactly what you are looking at. This is all the more so since there are two different sets of propulsion tables in circulation, the popular Blötzmann Propulsion Tables and the somewhat arcane Non-Blötzmann Propulsion Tables. Both sets are widely available, either as booklets or as loose-leaf plastic sheets which can be propped on a little hands-free propulsion table-holding tripod. Of course, both the Blötzmann and Non-Blötzmann tables give pretty much the same results, depending on the precise nature of your experiment, and even some of our most top-drawer propulsionists have gone on record to say that they do not give two pins which set of propulsion tables they use. But there is slightly more to it than that.

It is hardly surprising that Blötzmann himself execrated the Non-Blötzmann tables in rather fruity language. I would quote him directly, were it not that my upbringing makes me prefer the thought of throwing myself into the path of a speeding train rather than uttering some of the fruitier words in Blötzmann’s lexicon. Sheltered it may have been, and riddled with priests, but I make no apologies for the way I was brought up. Yes, I may blush when I read language like that spat from the mouth of Blötzmann, but that does not make me a bad person, merely, I would aver, one who does not wish to be sullied and besmirched. The Blötzmanns of this world may scoff at one of my refined sensibilities, and god knows they do, but I shall not waver. That is why I will not repeat the verbal abuse Blötzmann poured down upon the begetter of the Non-Blötzmann Propulsion Tables. You will just have to take my word that he condemned them absolutely.

Given the popularity and effectiveness of Blötzmann’s own propulsion tables in calculating all kinds of propulsiony matters, it is common to find people asking why the Non-Blötzmann set was ever devised in the first place. Oh, I don’t mean that you will be asked such a question while waiting at a bus stop or trudging along the high street or when you pop into the newsagent to buy a packet of cheap Lithuanian cigarettes. But at any gathering of propulsionists, for example at a cocktail party held to celebrate the publication in an important academic journal of a new paper on a knotty propulsion problem, or in the queue for the toilets at an award ceremony for a propulsionist who has won a ribbon or a medal, you can bet that someone present will pipe up with the old question of why on earth the Non-Blötzmann Propulsion Tables were not only created, but published in great quantities, in innumerable editions and formats, and often included a picture of Blötzmann on the cover which was deliberately scribbled upon or otherwise defaced. It is as if he is some kind of Stalin figure, wielding limitless power, who must be deposed for the greater good. Perhaps there is an element of truth in this. After all, Blötzmann was a commanding figure in the world of propulsion, with a deafeningly loud voice, the constitution of a bison, and a tendency, at conferences, to wear dazzling suits dotted with badges made from semi-precious metals. He had a curious way of carrying himself, such that even when sprawled half-asleep in a chaise longue, his belly full of cognac, he looked as if he was standing upon a plinth, gazing into a brighter future. And of course, since his death in that unfortunate picnicking accident, statues of him have sprung up wherever one looks, or at least wherever one looks in propulsionist circles, and it cannot be denied that a sort of personality cult has arisen in his wake.

It is also true that the person or persons who devised the Non-Blötzmann Propulsion Tables remain, to this day, completely anonymous. I had hoped, when I sat down to write this article, to reveal to the world their identity. Then we could at least refer, along with the Blötzmann Propulsion Tables, to, say, the Huffington or Widdecombe or Blunkett-Blears Propulsion Tables, instead of having to use that frankly irritating Non-Blötzmann formulation. It saddens me, immeasurably so, that I cannot make good on my intention. I have, you see, been “got at”, by dark and sinister forces within the propulsionist community. Tomorrow morning at dawn I begin work in the salt mines. It will, I suppose, be something of a novelty to give lectures on propulsion to salt miners as they hack away with their picks and shovels, although I am fearful that the language deployed by salt miners is a sight more fruity than the language used by Blötzmann in his denunciation of the Non-Blötzmann Propulsion Tables. Wise, I think, to pack a pair of earplugs in my pippy bag, to protect my delicate sensibilities, for which, I repeat, I refuse to apologise.

Technomumble

Mr Key is averse to the habit of computer boffins to constantly tweak and fiddle with software, even if there may be good reasons for doing so. But as you can see, Hooting Yard is undergoing some form of WordPress “upgrade”, so things may look a bit odd for a few days until the new fanglements have been ironed out. Bear with me.

Bonfire

When I spat, I spat into the fire, that fire over there, the bonfire, the one with the effigy engulfed in it, blazing, the effigy of the plotter who plotted the downfall of the regime, the dastardly plotter, he whose plot collapsed by dint of our highly efficient spying methods, for we had uncovered his plot at its very birth, when the plotter and his plotting cronies were huddled in a tent out on the mud flats, where they thought they would be safe from our spies, they picked so remote a spot out on the mud flats, in so featureless an expanse of flat mud that they thought they would know if they were being spied upon, but ho ho ho they didn’t, they had no idea that our methods were so advanced and that we had learned how to place a tiny camera and a tinier tape recorder inside a robot starling, and calibrated the tiny devices so that they worked in unison, so that later in the lab we could match sound and vision, the plotters’ hateful guttural gabbling and the X-ray film of them huddled in their tent wrapped up in their kagouls, we had everything on record, so when we put them on trial all they could do was look sheepish and terrified, good, so they should, for they had sin in their hearts, the sin of plotting to topple the regime, for which they were burned on bonfires, bonfires just like that one over there where an effigy burns, crackling and fizzing, on the anniversary of the plot’s collapse, the bonfire on which I spit and spit and keep on spitting, until my mouth is dry, and I return to my balcony and raise my hand in a salute to the teeming crowds who cheer as the effigy is consumed in flames, while the robot starling flies above their heads, filming and taping, unremarked, just as it was unremarked by the plotters, those seedy fellows who were rightly burned on a bonfire just like this a year ago today.