Chucking-Out Time At The Cow & Pins

The Cow & Pins was a singularly squalid tavern, much frequented by human scum. Once, long ago, it had been a coaching inn, but the construction of an efficient canal system destroyed the coach trade, and bargees passing by aboard their barges upon the canal were a salubrious lot who drank tea from flasks and read improving literature. The Cow & Pins stood crumbling and forlorn on the lane parallel to the towpath of the canal, and soon only the crumbling and forlorn, the indigent and misbegotten, the violent and the psychopathic ever set foot upon its rotten sawdust-covered floor.

One psychopath who became a tavern regular, the ferocious Babinsky, took over as the landlord after chopping up the existing incumbent with an axe and feeding him to the pigs. The pigs, who lived happily in a pig sty a little way down the lane from the tavern, did not of course know their swill that day contained the ground-up remains of their pal from the Cow & Pins, who used to commune with them, in a hearty man-to-pig way, whenever he got the chance. With Babinsky at the helm, things changed. Babinsky hated pigs, and after that first feeding, he shunned the sty, some said in fear that the spectre of the man he had chopped up and then ground up and then stirred in with the pigswill lay in wait for him there, to wreak revenge from the realm of death. It is more likely, however, that Babinsky was too busy being mad and bad and dangerous in the tavern where he now held sway.

He tore down from the walls the showbiz memorabilia that had most recently adorned them. Gone were the photographs of the previous landlord arm in arm with Rolf Harris and Val Doonican and Edith Sitwell. Gone were the autographed portraits of Ken Hom and Tammy Wynette. Gone were the posters advertising pantos with Keith Chegwin as Buttons and George Galloway as Pol Pot. In their place, Babinsky pinned up his weird, hand-written screeds, pages and pages ripped from the exercise books which he filled with gibberish. Out went the barrels of ale and the bottles of champagne and liqueurs and rare expensive brandies, out went the soft drinks and the mineral waters, and in their place was installed a single vast trough, into which was poured, and out of which was ladled into dented tin beakers, disgusting bilge made of god knows what. Its taste was foul, but it was cheap, and just a beakerful or two sufficed to ravage the drinker’s brain to zombiedom. Babinsky himself allowed no other fluid into his body, which probably accounted for what one might charitably call his eccentricities.

Under his predecessor, there had been a jukebox in the Cow & Pins, well-stocked with the gems of prog rock. Babinsky smashed it up with his axe and sharpened the edges of the discs inside so he could use them as missiles, slicing through the air to hit and sever a jugular or other important vein through which the blood relentlessly pumps. Then he dug a deep, deep pit and fed wires down it, wires at the end of which were microphones that picked up the constant agonised howling and screaming of sinners being tormented for eternity in the pits of Hell, amplified and blaring at ear-splitting volume from speakers placed all around the tavern. It was a rough and raucous place, perilous for the weedy toper who might once have sat in the snug watching coaches rattle by. The snug itself had been demolished by Babinsky and the space it had occupied was now a charnel-ground stacked with the bleached bones of those he slew, when he was in the mood for slaying, which was most days. Sometimes the villain would pole-vault across the canal, like Spring-Heeled Jack, for the sole purpose of setting upon a poor innocent orphan or cripple plucking flowers for a nosegay from the canalside shrub beds. Babinsky carried out his killings with impunity, for a type of amnesia stalked the land, and even the police officers blundered about in a hypnagogic daze.

The one law that was rigorously enforced in this land of efficient canals was that which regulated the licensing hours of taverns. Even Babinsky, yes, Babinsky himself, was terrified of the Tavern Time Trio, three brutes who patrolled on horseback to ensure that every tavern was locked and bolted and dark and silent as the clocks struck the witching hour. Their horses were as brutish as the trio themselves, gigantic fierce beasts with repulsive fetlocks and manes matted with muck, whose merest whinny was a thousand times more hideous than the infernal muzak of the Cow & Pins. Freeman, Hardy, and Willis, the horses were called, but nobody knew the names of their riders, for nobody ever dared to ask, just as no taverner ever dared to let his tavern stay open for one second past closing time. Nobody could even remember when the law had been broken, so nobody knew what punishment would be meted out by the Tavern Time Trio. The sheer size of the horses, and their rank stink, and the thunder of their hooves as they galloped from tavern to tavern, and the brutishness of the trio themselves, in their gold lamé tuxedos and snow white spats, and the piercing whistles they blew as they rode, and the official documents poking out of their pockets, these things were enough to cow each and every tavern keeper, Babinsky included.

So it was that in spite of the clamour and uproar of the Cow & Pins, easily the most exciting part of the day was chucking-out time. Human scum, their brains and bodies jangled by whatever it was they’d been gulping down from Babinsky’s trough, would be startled by the sudden cessation of the amplified agonies of the netherworld, their ears assailed instead by Babinsky’s hooter. Those of you familiar with this contraption will know that it was the most powerful hooter that ever existed on earth, or on any other planet in any other universe, a hooter par excellence, the ne plus ultra of hooters, a hooter the like of which we shall never hear again, for which, in truth, we should be thankful. Babinsky parped his hooter just once, to signal that the Cow & Pins was closing for the night, and once was all that was needed. To imagine hearing that hooter hoot twice in succession is more than the mind can bear, whether the mind is sane and sober or blasted to fuddlement by dented tin beakerfuls of disgusting bilge. Not that the sane or the sober would be found among the human wreckage who, hearing the hooter, drained the last drops of bilge from their beakers and tossed the beakers into the trough. Then out of the tavern they tumbled, a jumble of chaos, many of them toppling into the canal, others falling and lying flat on their backs where they fell, in the mud, where they would remain insensible until the Cow & Pins opened its doors the next morning.

And inside the tavern, Babinsky, who never slept, filled with bilge all the beakers that had been tossed into the trough and lined them up on the counter. He put on his superloud Bang & Bangbangbang quadrophonic headphones and switched his subterranean microphones back on. As he listened to the shrieks of the sinful, he worked his way through the line of beakers one after another, and when he was done he wrote one of his weird screeds and pinned it to the wall, and then he lumbered out into the dead of night in search of something to slaughter.

The Cow & Pins was, of course, Dobson’s preferred tavern, but by the time the out of print pamphleteer came to patronise it Babinsky was long dead, and it was once again the kind of place where a weedy toper could sit in the snug and scribble a pamphlet. Not that Dobson was weedy, exactly. He occasionally got into fights, and acquitted himself with aplomb. As for Babinsky’s hooter, when the new landlord took over the tavern he had it dismantled by specialists from a hooter dismantling squadron. To be on the safe side, they buried the parts separately, in deep lead-lined wells, unmarked, and scattered across six continents. Foolishly, though, the captain of the squadron made a map pinpointing the locations, to keep as a souvenir, and last week it was reported in The Daily Hooter that the map had been stolen. Yes, friends, it is a horrible possibility that even now, somewhere out there, a madcap genius is hard at work putting Babinsky’s hooter back in one piece! You may well say “Eek!” I know I did.

The Spirit World

When you go to a séance, it is highly likely that at some point jets of ectoplasmic goo will spurt around the room, and startle you. It is important in these circumstances to maintain your insouciance. Instead of waving your arms around and shrieking, go and lean against the mantelpiece and regard the scene with an air of amused nonchalance, as if you are an actor in a 1930s drawing-room comedy. If you smoke a pipe, this is the perfect time to light it. The ectoplasmic goo will soon disperse, or even vanish entirely, and your fellow séancees, cowering and trembling, will be mightily impressed by your unruffled elegance. Then, as they recover their wits with an air of embarrassment, you may intone a litany of awful dread in a booming voice from beyond the grave, expose the horns upon your head hidden until now by your bouffant, snap your fingers, and consign your chums to the fiery flaming pit.

Thanks to David Thomson for the picture.

Mops Held High

“Wring out your mops! Let your buckets clang! Peel off your protective gloves and shove them down a hygienic waste chute! Let us spray our polish against the burning sky!”

These were the stirring words bawled from a podium by Seg Merv, the janitor-revolutionary who led the so-called Janitorial Uprising. From a broom cupboard in a corridor in a large public building, he marched at the head of no fewer than five or six other janitors, mops held high, to the very gates of the Princeling’s palace. There, they were not cut down, as they half-expected to be, by the swords and catapults of the Princeling’s Palace Guard. Instead, they were met, just outside the gates, by a seedy and wheedling emissary, who took them into the broom cupboard of a palace annexe and plied them with mugs of steaming tea.

We do not know what the rebellious janitors were promised in that stifling cupboard. But forever after Seg Merv was a bitter and beaten man, shunned by other janitors. It was said that the incandescent fire of his revolutionary praxis had been doused by something as simple as a hot drink, without sugar. Certainly it is true that before the day of the historic march was done, all the janitors were mopping floors again, Seg Merv himself mopping not just floors but the impossibly grandiose floors of the Princeling’s palace itself!

The story, or a version of it, is retold in a new film by trendy goatee-bearded director Chippy Van Bang. Merv/Princeling imagines that the seedy and wheedling emissary was in fact the Princeling himself, in heavy disguise, and that his seedy and wheedling ways were more than a match for the severely flawed praxis of Seg Merv. It was a praxis, of course, which had been hammered out in a thousand janitorial broom cupboard meetings held in secret, by candlelight, with much cigarette smoke and gruff shouting by Slavic janitors with tremendous moustaches. Although his sympathies are with Seg Merv, Van Bang shows that the tides of history were in the Princeling’s favour. The director, who also wrote the screenplay, worrying away at it for over twenty years, suggests that integral to the Princeling’s triumph was the Blearsy-Blunkettiness of his vision, which simply swept Seg Merv’s moppy rhetoric aside. There may be a slight problem there with a vision being able to sweep aside rhetoric, but in the spirit of this extraordinarily powerful film I am not going to let niceties get in my way. Chippy Van Bang certainly doesn’t, for as usual with his work, any niceties are obliterated much as if they had been thoroughly mopped from the floor of a corridor and wrung out into a bucket.

The Golden Age Of Noodling

A small error crept in to the piece Scenes From The Past Lives Of Tiny Enid, where it was said that sixties psychedelic rocker Basil Groove had hung up his plectrum. In fact, Basil Groove was the drummer in the band Turquoise Eye Of The Lobster King, so it would be more accurate to say that he had stowed his drumsticks in a cupboard.

Soft-spoken and hairy, Basil Groove used to thump his drumkit with gusto. To interviewers, he would quietly explain that “the drums do my talking for me”. If that was really the case, it is very difficult to know what Basil Groove wished to communicate, for his thumping could be skittish and haphazard, as besuited a band given to twenty-minute bouts of noodling. Such instrumental pieces were given titles of mythological resonance, often involving wizards and dwarves and mist, but neither Basil Groove nor his bandmates had a knack for writing lyrics. Instead they claimed to conjure up an atmosphere, and wore ridiculous clothing.

What made the band so compelling was the authenticity of their sound. This was no accident. Basil Groove was taught to play the drums by a genuine wizard, a figure as hairy as he with a long grey beard, who was accompanied by a dwarvish assistant, both of them always enshrouded in mist. He first encountered them while still a schoolboy, on his way home after a long afternoon of Latin declension. Passing a cave, he was startled to see the wizard and the dwarf loitering at its mouth, in mist. It was a no-smoking cave, and the eldritch figures were taking a quick cigarette break. Seeing young Basil Groove, the dwarf began to gibber in a high-pitched caterwaul.

“As it is destined, here he comes! The boy we’ll teach to play the drums! Not yet as hairy as he’ll be, but wait and see! Wait and see!”

And then the dwarf pounced upon the boy and dragged him into the cave.

Basil Groove emerged five years later, grown and hairy and possessed of an idiosyncratic drumming technique. On the very same day, he answered an advertisement in the underground newspaper Felix Dennis’ Capitalist Truncheon and joined the Turquoise Eye Of The Lobster King. The age of groovy noodling was upon us.

It was a golden age, whose memory we treasure, when hairy men’s music gave us such pleasure. They were groovy and fab and their beards were so wild. When they noodled their noodles we were all beguiled.

Scenes From The Past Lives Of Tiny Enid

During one of her thrilling adventures – it may have been the time when she rescued some ducks from a toxic puddle – Tiny Enid suffered a clonk on the head. Thereafter, every so often, she began to have visions, and she became convinced that she was seeing tableaux from her previous lives. It had never before occurred to the plucky tot that she might have lived before, under other guises, and that “Tiny Enid” was but one character her Gaar, or essence of being, had inhabited. Her mysterious mentor, whom we have a very vague picture of from earlier Tiny Enid adventure stories, pooh-poohed her visions and recommended that she eat heartier breakfasts, but Tiny Enid was wedded to her morning milk slops and had an independent spirit. Although she valued her mysterious mentor’s sage counsel, she also thought him a bit of a doddery old foolish person, and she picked and chose which pieces of advice to follow. In many ways Tiny Enid’s personality was akin to that of Charles Lindbergh, the aviation ace, daring and reckless and with a fascist bent. Chronologically, of course, it was impossible that Tiny Enid could be the reincarnation of Lindbergh, and in any case, in all her past life hallucinations she was a girl. Most of the time, too, she was tiny.

Contemporary fans of the heroic infant, those who keep her memory alive, often seem embarrassed by this aspect of Tiny Enid’s character. They prefer to think of her as level-headed and no-nonsense and gritty, and of course she was all these, but drawing a veil over her post-head-clonk belief in various types of ethereal woo does her a disservice. To see Tiny Enid in the round is to accept that she thought her Gaar was as real as a pebble she could hold in her hand and as important as a telegram alerting her to the imperilment of some ducks in a toxic puddle.

One Tiny Enidist who is keen to pay due attention to this sort of guff is Basil Groove. The name may be familiar to those of you who grooved to the fab sounds of the sixties, for Basil was a member of the psychedelic pop group Turquoise Eye Of The Lobster King. Having hung up his plectrum, Basil Groove has been scouring the world’s picture libraries seeking illustrations which depict figures who may be Tiny Enid avant l’Enid, as it were. He has compiled these into an album to be published later this year, entitled Scenes From The Past Lives Of Plucky Tot Tiny Enid, and it is with great pleasure that we are able to show one of the drawings here. It shows a small female child, armed only with a pin-cushion and a pencil sharpener, confronting a dreadful knight. She may not have a club foot, but, as Basil Groove says, “who else could this possibly be than the fearless infant heroine whose venturesomeness delights us all?”

Puckington Postscript

These are dark tunnels, these Puckington Tunnels, and I have dwelt within them, since snacking on that carton of yoghurt, for over a hundred years.

That innocent little sentence, the conclusion to a piece about the Puckington Tunnels, caused a good deal of consternation among the Hooting Yard readership, and brought to the postbox a number of letters of complaint. This one, from Olivia Funnel, is typical:

Dear Mr Key, she writes, I am well aware that the Hooting Yard canon is riddled with inconsistencies, inaccuracies, and indeed with sheer ignorance, but this time you have outdone yourself. At the end of The Puckington Tunnels we learn that the narrator has been trapped in said tunnels for over a century. This makes a nonsense of much of the preceding text. Even if we take at face value the unlikely longevity of the narrator, we are left with a number of problems, to wit:

None of the genres of lit referred to – chick, git, and zadiesmith – existed one hundred years ago, so how is the narrator aware of them? How, too, does he or she know about David Lammy’s lamentable appearance on Mastermind? If the tunnels are a magnet for tourists and part-time troglodytes, and one cannot escape from the system once one has entered it, surely the place must be teeming with bewildered folk? There are other stupidities in the text, but those will do to be going on with. I think your devoted readership deserves clarification of these matters, otherwise I will not be the only one whose life will be blighted irreparably by flummoxment. Yours sincerely, O Funnel (Ms).

I was not a little perplexed by these matters myself, so I asked the narrator to address them. It was a simple enough matter to communicate with him using the awesome power of Woohooboo. Here is his reply:

I am pleased your correspondent does not take issue with my remarkable longevity, but it is still worth explaining that it is accounted for by certain properties of the air within the tunnels. What these properties are I cannot say, but I know I have never felt fitter in my life and that my lung capacity is that of a fifteen-year old. I tested it myself, only yesterday, with a plastic-and-cellophane lung analysis kit, so that is no idle boast.

With her queries about my knowledge of bang up-to-the-minute popular culture, Ms Funnel makes broad assumptions without pausing to think things through. Can she really imagine that there is a spot on the globe, albeit a subterranean spot, that has escaped the ubiquity of zadiesmithlit? If anything, I would say that in the Puckington Tunnels we outdo much of the world in our devotion to the trendily headscarved faux intellectuelle writer. There is a cult of Zadie down here, and the totems of Jeanette Winterson have been toppled at last! And of course we receive regular consignments of chicklit and gitlit to keep the troglodyte zombies out of mischief. I confess that it is unclear to me how our lit is delivered. It is, I think, something to do with motors and rails and pulleys and vacuum tubes.

Regarding the appearance of the numbskull Lammy on Mastermind, my knowledge of that came to me in a vision of almost Blakean intensity. Enough said.

I have spoken of “we” and “us” and it is true that I am not alone in the tunnels, that we have a thriving community here, kept busy crawling on our bellies and reading lit. But there are fewer people than one might imagine, given the number of tourists and weekenders. When he constructed the tunnels, the “human mole” placed near the entrance a bottomless viper pit, modelled on the one at Shoeburyness, and a majority of visitors plummet down that, screaming. He was a proper caution, that Puckington.

It is to be hoped that Olivia Funnel and the other serial whingers are satisfied with this compelling report from our man in the tunnels. What he has to say makes complete sense to me, and if holes remain in his narrative, then let it be a narrative with holes. Dennis Beerpint once wrote a poem with holes in it, and it proved to be his most popular work, far outselling his usual twee doggerel.

Mud Idol

Here is a photograph of Mr Key’s mud idol. As is de rigueur with mud idols, nails have been driven into it. In this case, each nail represents the immortal soul of a badger, or of an otter. During secret ceremonies, Mr Key prostrates himself on his stomach before the mud idol and, in guttural ululations, beseeches it to pulverise his foes using the maleficent Gaar, or energy, of the badgers and otters impacted within its mudness.

The Puckington Tunnels

It was a big fort, with delightful crenellations, and many flags, and it had the shiniest portcullis outside of Navarre. This was Fort Hoity, sister fort of Fort Toity, and an extremely interesting fort in its own right. For underneath Fort Hoity ran the Puckington Tunnels, those tunnels you may have come across in your reading, if, that is, you have been reading about tunnelling systems as a change from your usual diet of chicklit, gitlit, and zadiesmithlit.

There is a regrettable temptation to neglect the literature of tunnels and to be sidetracked by less meaty subject matter, by ephemera and winsomeness and the outpourings of knaves. I am not immune to such distractions myself, and in truth I ought to have done a lot more tunnely reading than I have, especially once I put my mind to writing about the Puckington Tunnels. There are huge chasms in my knowledge, and if I faced a quiz on the subject I suspect my score would be embarrassing. Perhaps not so bad as that of clueless David Lammy – unbelievably, the government minister for Higher Education – whose recent appearance on the television show Mastermind elicited such delights as his belief that Henry VII succeeded to the throne after Henry VIII, and that the surname of the Nobel prizewinning scientists Pierre and Marie was Antoinette. The nitwit was not asked any questions about tunnels, but we may safely assume he would have fluffed them.

Speaking of fluff, there is a surprising amount of it in certain sections of the Puckington Tunnels. Layers, or perhaps clouds, of dust would be explicable, but it is difficult to account for the incredible fluffiness to be found underneath Fort Hoity. After all, there is not a speck of fluff in either Fort Hoity itself or in Fort Toity, and though both forts contain their fair share of dust and orts and scum and grease-stains, all fluffiness has been eradicated, forever and ever, yea, e’en unto the Last Trump, by the installation of modern fluff obliteration technology developed by the computer giant Macrohard™. Yet take the staircase down from the Fort Hoity broom cupboard and enter the Puckington Tunnels, take a left and a right and a second left, and you will be in the section of tunnel dubbed the Fluffy Zone by those in the know. There are spits and spots of fluff elsewhere in the system, but in this part it is quite simply overwhelming. Nobody knows why.

Nor does anybody know why the tunnels were dug in the first place. We know who dug them, because they are named after their digger, Puckington, the so-called “human mole”, and we know when they were dug, for every time he turned a corner or began a new stretch or created a tributary tunnel, Puckington stuck pins in a panel to form the numbers of the date and hammered the panel with nails to the tunnel wall at head height, head height for Puckington being considerably higher than for most men, for he was eerily tall, and thus all the tunnel junctions are unexpectedly cavernous, quite unlike the tunnels themselves, through which Puckington himself could only move when stooped, or by crawling upon his belly like a creeping thing as mentioned in the Bible, a pocket-sized edition of which, in the Huckabee Version, he carried in his pocket wherever he went a-digging, as a sort of charm or talisman which he insisted protected him from tunnel collapses and subterranean mudslides. Obviously there must have been one occasion when he went out with his spade and his jackhammer and his crate of dynamite and his pickaxe and his other tunnelling paraphernalia but forgot to tuck the Bible into his pocket, for on a very rainy Thursday Puckington perished, buried under a ton or two of soaking wet soil the weight of which proved too much for the wooden props with which he had shored it up in the tunnel he was digging that day, a brand new tunnel far away from the tunnels he had dug under Fort Hoity and which bear his name still and attract many a tourist and many a weekend troglodyte.

It was as a sightseer with a bent for the loveliness of crenellations that I discovered the Puckington Tunnels. I came to Fort Hoity to see the fort, as did all those in my coach party. We were a gang of fort-freaks. It happened that I became detached from my pals when, straggling at the back of the group padding through the famed Fort Hoity corridor of cupboards, I stopped to buy a carton of yoghurt from the yoghurt cupboard person. So delicious was the yoghurt that I spooned all of it into my mouth there and then, only to find that the group had gone ahead without me and I was all alone. I blundered into the broom cupboard and followed the staircase down and thus found myself at the entrance to the tunnels. I was awestruck, as who would not be? At the time I jumped to the rash conclusion that the tunnels led directly underground from Fort Hoity to Fort Toity where, I supposed, a second staircase would take me up to the sister fort’s majestic pantry, an architectural wonder of the pantry and larder world if ever there was one.

I did not know, then, that the Puckington Tunnels were the work of a madman, dug without purpose, or direction, or sense. I did not know, then, that the tunnels led nowhere, that all their twists and turns and rises and plunges ended, if they ended at all, tapering ever narrower, in blockages of black adamantine stone. I did not know that Puckington had, in spite of their apparent chaos, designed his tunnels with a lunatic genius for precision, such that he, and only he, could ever find the way out. These are dark tunnels, these Puckington Tunnels, and I have dwelt within them, since snacking on that carton of yoghurt, for over a hundred years.

Lars Porsena Of Clusium

Lars Porsena of Clusium, by the Nine Gods he swore that the great house of Tarquin should suffer wrong no more. Over in Rome, Lucius Tarquinius Superbus had been overthrown, and he asked Lars, as a fellow Etruscan, for help. Lars thought about it for a bit, and it was when he decided to march to Tarquinius’ aid that he did the sweary bit with the Nine Gods. That took a good deal of time, as some among the Gods demanded that when they were sworn by, the swearing had to be an elaborate invocation of rolling phrases, complex rhymes, and repetitive beseeching. Lars Porsena was well-prepared, taking a packed lunch and a big flask filled with a foamy hallucinogenic potation up into the Etruscan hills where he planned to do his swearing.

There has been some debate about the precise identities of the Nine Gods. E Cobham Brewer has them as Juno, Minerva and Tinia, or Tin, or Tina, the three chief Etruscan Gods, joined by Vulcan, Mars, Saturn, Hercules, Summanus, and Vedius. But his list finds no place for such exciting Etruscan deities as Catha and Usil, Selvans, Turan and Laran, nor Thalna, Turms and Fufluns, sometimes known as Puphluns. It seems scarcely credible that a king like Lars Porsena would leave Fufluns out of his swearing on a hillside. We might want to consider the alternative godly roll-call given by Pebblehead in his bestselling paperback Lars!, where he gives pride of place to Tina and Fufluns, and chucks in seven others mentioned above. It is true that his book is a novel rather than a history, and that he veers off into a subplot about Tina and Fufluns canoodling in the Etruscan forests, but Pebblehead has studied these things and has the benefit of a number of scholarly works published since Brewer’s day, including Dobson’s pamphlet The Sane Person’s Guide To Swearing By The Etruscan Gods (out of print).

So there was Lars, a few days before he set out for Rome, up in the hills under a louring sky. He ate some bite-size cottage pie-style snacky chunks and washed them down with several gulps from his flask, ensuring that his brain underwent preliminary dislodgement. Then he gathered some sticks and tied to each stick a colourful ribbon he had brought with him in his kingly Etruscan pippy bag, and he poked the sticks into the hillside muck to form a magick pattern, nine sticks in all, one for each God. He took a few more swigs from his flask, further shattering his reason, and then he sprawled in front of the stick tied with a beige ribbon, representing the God Usil, and began screaming his head off.

“Usil, Usil, Usil!” he bawled, “Ooooo! Sil! Ooooo! Sil! Grant me the will to kill, Usil! Let me not dilly dally nor be ill, Usil! If I catch a chill, Usil, up in these hills, give me some pills, Usil! Oooo! Sil!”

And so it went on, for hours, with an occasional pause for more foaming hallucinogenic potation from the flask, until Lars Porsena was completely cracked and exhausted. The God Usil let it be known that it was satisfied with the king’s swearing by sending a shower of sparks to dance around his head and half-blind him. Lars Porsena fumbled about, untying the ribbon from the Usil stick, and burning both the ribbon and the stick, and stamping unsteadily upon the embers, and he ate another bite-size cottage pie-style snacky chunk and gulped from his flask, and then he took a nap. One God down, eight more to swear by.

We shall not bother to run through in detail the other swearings, although it has to be said that when it was Fufluns’ turn Lars Porsena outdid himself. It took the best part of a day to complete what was the sweariest of the swearings by any stretch of the imagination. So wild and loud and crazed did the king become that he attracted the attention of a little knot of Etruscan peasants who were heading down the hillside after a hike. They recognised Lars Porsena by his kingly garb and were shocked to see him in so demented a state, alternately screeching fantastic ululations at a stick in the ground and shovelling mouthfuls of soil down his gob.

“One wonders what will become of Clusium, ruled by such a king,” said one peasant.

“I fear that it may be swallowed up by the nascent Roman republic and vanish from history,” said another peasant.

The third peasant in the knot chivvied his colleagues to continue down the hillside into downtown Clusium so that they were home in time for their Etruscan supper.

There was no such comfort for Lars Porsena. He still had two more Gods to swear by, and, having eaten the last of his bite-size cottage pie-style snacky chunks, had to grub about in the muck for barely edible roots before taking his next nap. By now, of course, his brain had been bent and cranked to such an extent by his potation, of which much still remained in his huge flask, that his naps were accompanied by strange and terrible dreams. He dreamed he was a pair of ragged claws scuttling across the floors of silent seas. He dreamed he saw his head, grown slightly bald, brought in upon a platter. He dreamed he was in rats’ alley where the dead men lost their bones. And he dreamed twit twit twit jug jug jug jug jug jug.

When he woke up, in the hills, it was raining. Hard fat drops of Etruscan rainfall hammered upon the king’s head. It did not take him long to swear by Turms, for Turms was an easily-assuaged God. Lars Porsena remembered with brilliant clarity the words he had learned as an infant at his Royal Etruscan Faith-Based Community Education Hub. He had had an excellent teacher, a beardy robed figure with a squeaky voice and a genius for arresting similes. “The God Turms,” he had said, “Is like a silken girl bringing sherbet and at the same time like a camel man cursing and grumbling.” Lars had never forgotten that, it had been beaten into him with a stick, a stick rather bigger than the stick he now burned upon the hillside together with the ribbon he had unfastened from it. He had one more God to go, and when all nine sticks and their ribbons had been burned to nothingness he would be ready to follow the peasants’ trail down the hillside and march off in aid of Lucius Tarquinius Superbus.

As he glugged another draught of foamy hallucinogenic potation, Lars wondered if, in ages to come, he too might be known as Superbus. Lars Porsena Superbus. Or even Lars Porsena Ubersuperbus. It had a ring to it. He imagined that there might come a time when a future princeling, preparing to wage war upon a foe, might come to these very same hills and swear by him, by Lars, and burn a beribboned stick in his name, and be thus emboldened and blessed. It was not beyond the bounds of Etruscan possibility that he might become a God. Would Clusium be a fit stamping ground for a deity? He would have to ensure when he made the transformation from mortal to divine that his bodily remnants were placed in an elaborate tomb in or under the city he ruled, with a fifteen-metre high rectangular base and sides ninety metres long, adorned by pyramids and massive bells.

He polished off the sweary stuff with the final God, burned the final ribbon and the final stick, and emptied what was left in the huge flask down his throat. And then Lars Porsena stumbled away down the hillside, rain-battered and brain-bedizened, leaving behind him a pile of ashes. Soon he would hasten to Rome, and come face to face with heroic one-eyed Horatius Cocles, and make history.

Curiously, in his bestselling paperback Lars!, Pebblehead has absolutely nothing to say about this history. The novel ends with Tina and Fufluns doing goddy things in the ethereal realm, the eponymous king quite forgotten, and not remotely Superbus.

A Subscription For Saint Mungo

Glory be! ‘Tis the fourteenth of January, Saint Mungo’s Day, a landmark date in the Hooting Yard calendar, as important in its way as the third, fourth and fifth of February (the Muggletonian Great Holiday) and the nineteenth of July (the Muggletonian Little Holiday). As far as I am aware, there is absolutely no connection between Saint Mungo and Lodowicke Muggleton’s holy crew, save that the feast days and holidays of both are conscientiously observed here at Hooting Yard, for reasons which I hope are obvious.

As a special treat for readers to celebrate Saint Mungo’s Day, let me announce the new subscription scheme. I know full well that many of you toss and turn at night, victims of a vague sense of unrest, kept awake by the nagging thought that you are able to read this grand panoply of words online absolutely free. A lot of you have generously donated to Mr Key’s almost bare cupboard in the past, and I am mindful of the effort it takes to do so. So now I have devised a scheme whereby you can make regular donations without lifting a finger, apart of course from the initial setting up.

Look! At the top of the page, in the red rectangle, there is a new tab, second from the right, called “Subscriptions”. If you click on it you will be taken to a page showing you the four options available – the Tiny Enid, the Old Halob, the Pebblehead, and the Dobson. Full details are given of the cost of each subscription and the use to which your funds will be put. Having plumped for the one that best suits you, just click on the accompanying button and follow the simple instructions. You will have no more sleepless nights, and can bathe in a warm glow of righteousness that your favourite out of print pamphleteer is better placed to keep the wolf from his door.

The wolf, by the way, is named Martin, and I shall have more to say about him soon.

NOTE : At the moment, that ‘Subscribe’ button in the sidebar takes you automatically to the Old Halob option. It will be fixed, until when use the tab at the top.

Hath Thee Seen This Woman?

The Independent reports on some very sensible new rules issued by the Vatican to deal with people who have visions of the Blessed Virgin Mary, or BVM.

Anyone who claims to have seen an apparition [of the Virgin Mary] will only be believed as long as they remain silent and do not court publicity over their claims. If they refuse to obey, this will be taken as a sign that their claims are false.

The visionaries will then be visited by a team of psychiatrists, either atheists or Catholics, to certify their mental health while theologians will assess the content of any heavenly messages to see if they contravene Church teachings.

If the visionary is considered credible they will ultimately be questioned by one or more demonologists and exorcists to exclude the possibility that Satan is hiding behind the apparitions in order to deceive the faithful.

I have put my name forward as a volunteer outreach demonologist for the new scheme. Peeking behind apparitions to check for the presence or absence of Satan is, after all, a long-standing hobby of mine, and I think I have the required skills-set. I would also perform my demonology duties in a robust and transparent manner, or in a weedy and opaque manner if that is what the Vatican would prefer.

Gruel In Pewter

According to the Press Association, Scientists will serve gruel to the public today after recreating the porridge made famous by Oliver Twist. Members of the Royal Society of Chemistry produced the recipe, consisting of water, oats and milk, after consulting historic sources as well as Charles Dickens’ novel. The Victorian workhouse staple, which will be prepared by French chef Fabian in the society’s kitchen, will be ladled into pewter dishes and served to passersby at 11am by the society’s own “Beadle” at the entrance of its London home at Burlington House, Piccadilly. An RSC spokesman said: “Diners asking for more will be rejected.”

Sadly, I read this too late to be able to get to Piccadilly in time for my free pewter pot of gruel. I could console myself, however, that it would not have been a new experience for me. I think I have mentioned elsewhere that I spent a period, earlier in my life, subsisting on a diet of gruel. This was not for reasons of ill-health or a traumatised digestive system or even abject poverty. My flatmate at the time and I undertook the gruel-only diet as an experiment in asceticism, puritanical fanaticism, and self-righteousness. Indeed, as I read the Press Association report it struck me that the RSC recipe seems rather luxurious, adding a slop of milk to the oats and water. No such treats for us!

My grueldom took place many years ago, early in the Thatcher administration, but the lessons I learned then, and the stiffening of my moral fibre, have remained with me. In fact, whenever the opportunity arises, I like to announce that “I lived on a diet of gruel, you know,” to whomsoever is listening. Curiously enough, this is almost invariably met by laughter and ridicule.

My Pellets

You asked me to tell you about my pellets, so here goes. Some of the pellets were regurgitated by cats, some were gobbed up by owls, and some are made of metal, to be fired from a shotgun. All my pellets fall into one of those three categories, I think. If I think some more, which I am not going to do, it might occur to me that some of my pellets have a provenance other than those three, but I can always issue a corrective at a later date, after I have thought some more. Even if I recall some other type of pellet, it remains the case that the vast majority of my pellets are either those vomited up by cats or owls or those made of metal meant to be shot at something, such as a crow or a scarecrow or an irritating person.

Yes, I have been known to fire metal pellets from a shotgun at persons who irritate me. I am sure that is lamentable, even criminal, behaviour, but we all have our breaking points, and if you start to moralise with me and suggest that I flip my lid a little too readily, I might well agree with you. But you and I have not sat on the same buses nor traipsed the same retail facility aisles, so you would be better off holding your tongue.

Of more interest than my metal pellets are my cat and owl pellets, which are of course organic, and often contain the barely recognisable remains of small mammals such as mice and fieldmice, or of the tinier birds. Some of these pellets have been dropped in my doorway, as gifts, and some I have collected, on trawling expeditions in the forest. It is an extensive forest and home to many owls. They perch on the branches of trees and hoot as night falls, and in the darkness they swoop upon mice and fieldmice, and in the morning they gob up pellets, and there is me, with my sack, wandering the forest at dawn, on the lookout. I wear a charm bracelet when I wander in the forest, to keep me safe from kelpies.

It is unfortunate that my charm bracelet does not protect me from irritating persons. I did try to modify it, by adding hawked-up pellets from a bird of prey, from a hawk in fact, but still I was beset, on buses and in retail facilities, by the rude and the gormless. Thus it was that I added to my collection of metal pellets, for the firing of them, from a shotgun, as necessity demanded.

Watching a cat hawk up a pellet from its innards is an educative experience. There often appears to be much undigested grass from lawns impacted in the pellet, and yet I can never recall seeing a cat feeding upon grass, much as if it were a cow, which we are used to seeing eat grass. At least, I am used to such a sight, for I often watch cows, it is my hobby. If I have been put somewhere where cows are scarce or non-existent, I will travel to find them, so I can watch them, of an afternoon, or of a morning, or even all bloody day if I am in a cow-watching mood. Cows becalm the soul. And yet as far as I know they do not regurgitate pellets, as cats and owls do.

I do not watch owls, I simply trace their presence in the forest, armed with my sack, and collect the pellets they have gobbed up. I do not think it would becalm me to watch owls, while wearing night-vision goggles, in the depths of the forest. I would always be on my guard against kelpies, even when wearing my charm bracelet. My heart would be hammering.

Irritating persons are, of course, the opposite of becalming, and impervious to the magick of my charm bracelet. That is why they have to be dealt with by metal pellets from a shotgun. Peppered with pellets, they run away screeching. Before I wore my charm bracelet, I used to run away screeching from kelpies. I would hoist my sack upon my back and go wandering into the forest, at night, to collect pellets hawked up by owls, and very often I would be pursued or set upon or threatened or menaced by kelpies, and, with an empty sack, run screeching until I was safely back in whatever hut I had been put, by the authorities. My cat and metal pellets outnumbered my owl pellets to a great degree, there was a terrible imbalance, and it was my recognition of this that led me to make the charm bracelet. I followed instructions from a pamphlet written by a man whose life had been blighted by kelpies but who had been able to deter them by wearing a bracelet of beads and baubles and pellets and bones and teeth and feathers and sugarcubes. It was, for me, always an awful temptation to suck upon and crunch the sugarcubes on my charm bracelet, for I have a very sweet tooth, but I enrolled in a twelve-step programme run by Sugarcube Suckers And Crunchers Anonymous and that sorted out my head.

You have to sort out your head, sooner or later, wherever the authorities have put you, be it a hut or a shed or an outbuilding. I found that developing an interest in my pellet collection was the thing that rescued me from a hopeless, pelletless existence. See them, my pellets, all aligned and catalogued, in my cabinets, the cat and the owl and the metal, and not a kelpie within a hundred yards of my hut. I am a happy man.