The Piddingtons

So, I was thinking, as I so often do, of the golden age of the Bodger’s Spinney Variety Theatre, and then, over at Ragbag, I came upon this marvellous list of music hall acts:

“The joy, perhaps as much in memory as at the time, was in the variousness: the magician Ali Bongo (‘The Shriek of Araby’), the illusionist Cingallee, the pigeon act Hamilton Conrad, the animal and bird impersonator Percy (‘I Travel the Road’) Edwards, the drag act Ford and Sheen, the mind-reader The Amazing Fogel, the lady whistler Eva Kane, the male impersonator Hetty King, the foot spinner and raconteur Tex McLeod, the yodelling accordionist Billy Moore, the human spider Valantyne Napier, the mental telepathists The Piddingtons, the novelty xylophonist Reggie Redcliffe, the speciality dancer Bunty St Clair, the pianist Semprini, the aereliste Olga Varona, and many, many others – inhabitants of a lost world.”

Later today I will be attempting to contact The Piddingtons, via mental telepathy of course, and I shall keep you informed of the ensuing revelations.

Almost A Quiz

In a whimsical moment, I wanted to set a quiz in which readers were challenged to identify a quotation. But one drawback of what in Flemish is known as het internet is that pretty much any phrase can be tippy-tapped into Google and instantly (or within 1.7536284 seconds), there is the source blazoned upon your screen. It is all very well pleading with you not to cheat, but the fact that you can discover the answer for yourself after whatever brain-wracking time you choose to allow inevitably puts a dampener on things.

Anyway, my not-quite-a-quiz is as follows:

Who wrote ” I am you. Yes, you – that whole great majestically startling mentally epic burning model of heaven.”?

The first time I read that string of adjectives I gasped with glee.

ADDENDUM : “His eyes are bulging like the belly of a hungry chaffinch!” Do, please, follow the link provided by Outa_Spaceman in the Comments.

Marching This Way And That

In his later years, Rayner Heppenstall described himself as a “freelance reactionary”. Here is his amusing capsule summary of les événements of 1968, from The Sex War And Others : A Survey Of Recent Murder, Principally In France (1973):

“Paris always had the best riots. Those of May 1968 marked the clear emergence of a new criminal class, that of the Western World’s countless superfluous undergraduates. Our own welfare kids had done a fair amount of marching this way and that and shouting ‘Fascist!’. This word they had no doubt picked up from their Left-wing parents, for none of them had been born when fascism ended at least in Western Europe. One kind of seasonal marching had ended when the actress Vanessa Redgrave decided, doubtless on doctor’s orders, to stop planting her fair bottom on the cold stones of Trafalgar Square. The French students had heard of Freud and Marx, whose names had bored Britons of my generation to a state verging on hysteria before the war but had somehow skipped Paris, where they had their own anarchist tradition. In Régis Debray, they had a little Che Guevara of their own, and for some reason they had paid more attention than our own young to the government-organised wrecking or cultural revolution in China the previous year…

“At least on the routes of marches, public lavatory attendants get a chance to start cleaning up as soon as the procession has passed, while in general Pop fans congregate in the open air, so that the dead grass can afterwards be sprayed. The Paris undergraduates blocked up the drains in theatres and university buildings until the stench became too much even for them. Then they moved out and left it all to the cleaners and decorators. Even now atavistically respectful of the plumbing, German and Anglo-Saxon undergraduates also occupied fine premises, but in smaller numbers and for shorter periods.”

Gleanings In Bee Culture

A letter arrives from Miss Kimika Ying, with important bee information:

Dear Mr. Key : I have been reading a biography of one of the early pioneers of flight  (Wings of Madness: Alberto Santos-Dumont and the Invention of Flight by Paul Hoffman) and today I came upon a delightful passage which made me feel as though I had wandered into Hooting Yard. From page 226:

“The Wrights’ historic first flights, and subsequent ones in Ohio over the next two years, received little publicity. Indeed, the first journalist to watch them pilot the Flyer biplane in Ohio wrote up what he saw in a magazine for apiarists, Gleanings in Bee Culture, and the account did not appear until more than two years after Kitty Hawk. No other invention of monumental importance was ushered into the world so quietly.”

Miss Ying adds that in pursuing her researches, she found a link to a volume of Gleanings in Bee Culture, from which she has extracted a couple of quotations readers will no doubt find instructive:

“W. F. Clark says in Annals, ‘Happy is the bee keeper, who can get possession of an old fashioned, black lace veil.’ I think I understand him. With a veil made as follows, no gloves, and a pair of fine tweezers to draw out the little beard that sometimes breaks off in the flesh, as you take away the sting, you may work with very little fear. [some details of veil-making omitted ]  N. B. – If you have any very prominent features, don’t draw the veil too closely.”

And, in response to a gentleman’s question in which he mentioned his wife’s health:

“If more of our American women were bee-keepers they would know better what health and happiness is possible for them in this world of ours.”

This is surely nothing but the truth, unalloyed. Many thanks to Kimika Ying for drawing it to our attention.

The Man Who Ate His Own Head

The Man Who Ate His Own Head is the new paperback potboiler by Pebblehead, the latest in his series of novellas featuring “Being Of The Future” David Blunkett. The fictional superperson ought not, of course, be confused with the Labour politician of the same name, though some people do get them mixed up. Much the same collision of political fact and speculative fiction occurs in Norman Spinrad’s “agonizing science fiction adventure novel” of 1967, Agent Of Chaos, in which, to quote the back cover blurb, “The scene [is] Dome One, Mars. The terrible dictatorship ruling the planet was the Brotherhood of Assassins, and Boris Johnson, head of the Democratic League was plotting to overthrow the Hegemony and to restore democratic rule. The Hegemony, that mysterious group that controls the entire solar system, was now threatening to control the entire human race and render Man extinct! The entire galaxy in chaos; now bloodshed, then infinity…?” (You can read more about fictive Boris Johnson here.)

spinrad - agent of chaos-w

In The Man Who Ate His Own Head, the Being Of The Future sits down at some sort of futuristic dinner table, picks up his futuristic knife and futuristic fork, and tucks in to a futuristic meal piled on his futuristic plate. It is unclear what is so futuristic about the meal, as it consists of peas and gravy and jugged hare and cauliflower and cream crackers. Be that as it may, a robot valet appears at Blunkett’s side and, through some form of futuristic mind control, persuades him to eat his own head. This he accomplishes, though not without difficulty, and Pebblehead is very sketchy about the precise sequence of events.

I will not give away the ending. Suffice it to say that the paperbackist unleashes some of his finest narrative pyrotechnics, and we are introduced, at the last, to the Being Of The Future’s futuristic guide dog, Skippy, with the clear indication that this thousand-eyed zinc, tin, titanium, bakelite, and leather hound, stuffed with excelsior, will feature in the sequel, due out next week. Even as I write, Pebblehead is tapping away in his chalet o’ prose, brow furrowed, pipe clenched in his infected teeth.

Pointy Town

Today’s Grauniad has an article asking if Brighton is the “hippest city in Britain”, whatever that might mean. (I have not provided a link to the piece, for I feel sure Hooting Yard readers have better things to do with their time.) I mention it only to note that a far more cogent question would be “Is Pointy Town The Pointiest Town In The Known Universe?” Unfortunately, this would not fill much space in a newspaper, as the answer is quite obviously “Yes, it is”. One could I suppose extrapolate upon the most pointy of the pointy attractions of Pointy Town, and perhaps one day soon I shall do so. But will the Grauniad publish it?

The Hen House

I looked out of the window, and in the moonlight I saw a man with a grey untidy beard standing next to the hen house. For a moment, I thought it was the Archbishop of Canterbury, but I blinked and rubbed my eyes and looked more attentively and saw that it was not. Stupid me. Why on earth would the head of the Anglican church be standing next to my hen house in the middle of the night? But then, why would anyone be standing there, bearded, motionless, hands in pockets, silent?

I pulled on a pair of stylish Pierre Mépris trousers and a boxy Funkster jacket over my pyjamas and crept down the stairs. They creaked, but then wood always creaks in the night, for reasons to do with moisture and air and shrinkage which I barely understand. Before slipping my feet into a pair of ticketyboo winklepickers, I paused in the darkened parlour, took the lid off the tank, and sprinkled some food for Dan and Googoo and Penfold and Hobbes. They are my foursome of terrapins. They do not usually get fed at night, and I cannot explain why I fed them now, but I did, I did, as the evidence shows. I think you will find the relevant passage in Bundle Four.

Unlatching the back door, as quietly as I could, I felt in my jacket pocket for a weapon. The man with the beard could be benign, but equally he might mean me harm, and I wanted to be able to protect myself. As I hoped, there was a sap in my pocket. Ordinarily I used it to thump nothing bigger than a squirrel, but I knew that its previous owner, a copper, had stunned many a malefactor caught red-handed in the prosecution of a crime.

My heart was beating unnaturally fast, so before swinging the door open, I turned back into the kitchenette and filled a beaker with water from the cold tap, to wash down a couple of pills I took from a bottle in a drawer. They were Dr Baxter’s Calmative Preparation Tablets. I swear by them. Passing the parlour door, I saw out of the corner of my eye that I had neglected to replace the lid on the terrapin tank. Hurriedly, I made good this omission, but not before counting the terrapins to ensure all four were present and correct. They were. Penfold looked a bit peaky, and I resolved to observe him carefully over the next few days. I thought, you see, that I would have those days to fritter.

Approaching the now unlatched back door again, I pondered whether the wearing of a hat would be advisable. The bearded man by the hen house was bareheaded, I had noticed, but that did not mean I too should go hatless. I turned to my rack of hat hooks and plucked, more or less at random, a Chepstow titfer, battered with age but perfectly moulded to my rather peculiarly shaped head. I have always had trouble buying hats. Oddly, this one I had obtained secondhand, from a used hat shop. Lord alone knew how old it was, or how many heads it had adorned before mine.

I opened the back door and stepped out into the night. The moon had vanished behind a cloud and it was darker than I expected. I peered towards the hen house and saw the silhouette of the man with the beard. So far as I could tell, he had not moved a muscle since I watched him from my window. I wondered if it would be a good idea to rush at him across the lawn, fell him by a bash on the head with the sap, and ask questions later. That, I recalled, had been the copper’s technique. But then it occurred to me that Jellicoe, my peasant helpmeet, had been toiling in the grounds the previous evening, and he would likely have left a rake or a spade lying about, obscured in the gloom, over which I might stumble and fall, thus giving the beardy man an advantage. Jellicoe is a tireless and diligent worker, but he has slapdash ways. On the other hand, he knows more about potatoes than any man alive. But that is by the by.

Without taking a step forward, I decided to call out to my mysterious nighttime visitor.

“Ahoy there, man with beard!” I cried, “Why stand you there loitering next to my hen house in the night?”

There was no reply, save for the rustling of a small nocturnal mammal somewhere in the hedge and, distantly, the hoot of an owl. After a few seconds, I repeated my enquiry, slightly louder and changing the word order. Again, nothing. The man with the beard, still only visible to me as a looming shape against the hen house wall, remained utterly still and silent. I judged that he was an inch or two taller than me, and bulkier, though the latter might be accounted for if he was wearing, say, a B De Groot overcoat or similar padded winterwear. I had a B De Groot myself, and thought I ought to have donned it instead of the Funkster, but then I remembered it was at the dry cleaner’s. Jellicoe had spilled some sort of horticultural fluid on it when I loaned it to him, one freezing day, out of the goodness of my heart.

Still unsure who, or what, I was dealing with, I took the sap out of my pocket, ready to strike if need be. Its weight was reassuring. Then the moon emerged from behind the clouds as they scudded westward in the night, and I was able to see the bearded man more clearly. His beard was indeed untidy and grey, almost white, and he did in fact bear a distinct resemblance to the Archbishop of Canterbury, though he was unbespectacled. Spectacles would have been of no use to him, for I saw now, in the light afforded by the moon, that his eyes were milky white and sightless. He was a blind man with a beard. He had neither stick nor dog to guide him. Acting on impulse, I shouted.

“If you have come to steal my hens, sir, you are on an errand to nothing, for the hen house is empty!”

This was a barefaced lie. There were plenty of hens in the hen house, but I could guarantee they were all away with whatever fairies haunt the dreams of hens, for Jellicoe had taken to lacing their feed with ground-up Dr Baxter’s Tablets. Still there was no response from the bearded man. Picking my way carefully across the lawn, I walked towards him, the sap in my fist. Now at last I provoked a reaction. He span around, turning his back to me, and then, unaccountably, he began to run, even to sprint, off across Jellicoe’s potato beds. How could a blind man go so fast? It was then I made a terrible, terrible mistake. I set off in pursuit of him.

I was surprised how easily my ageing creaky bones sped over the ground. I felt as if I were running on air. Usually when I run, for example to catch a bus or to waylay a squirrel, I develop an instant stitch and I pant and drool. Not now. I even managed to keep my hat on my head instead of it flying off, as it tends to do when I build up speed, in spite of its fit.

Before long we were running, the blind man and I, through country I did not know. The vegetation grew wilder, and unfamiliar, and oddly lascivious. Birds of the night flew past my head, enormous, and shrieking. The air became somehow thick and damp and fumous. And on we ran, the blind man always just ahead of me. I could not catch him.

In this night that has lasted years, I am beginning to realise that I never will. Yet I am impelled forward, ever forward, over strange new ground, in the moonlight, in pursuit of a blind and bearded man I know now was sent to summon me, for a purpose I may yet discover, if ever we reach the edge of the world. And in the meantime, there are the Bundles, dozens of them, on the table in the parlour, next to the terrapin tank, in which every detail of my life is writ, and writ in Braille.

Pitiful Flotsam

“In spite of the fact that the Ancient Egyptians enjoy rather more popularity than their contemporaries, it is evident that the books which they wrote are closed books to those who have not the glamour of vanished peoples, and the fascination of mighty cities now made desolate, strong upon them. Yet in the heterogeneous and pitiful flotsam that reluctant seas have washed to us piecemeal from a remote past, there are, as will be shown later, many things which, although proceeding from a culture and modes of thought as far removed from our own as they may well be, are worth the reading.”

Battiscombe G Gunn, Introduction to The Instruction Of Ptah-Hotep And The Instruction Of Ke’gemni (1906)

Bobnit Tivol : The Lost Interview

Poking about in a clogged flue with a wire brush, the noted historian of athletic pursuits Alonzo Potentate was intrigued to find a reel of magnetic tape. Caked as it was with the gunk of ages, he had it cleaned by professionals. And boy oh boy were they professional! Operating from a cabin on a perilously steep incline, the bods at Ancient Reels Of Magnetic Tape Cleaned Up Good And Proper With Swarfega And Jets Of Steam R Us took seven years to restore the tape to “good and proper” condition, by which time Potentate had grown a dashing moustache, bitten his nails to the quick, and sat in many stadia watching many sporting events. The day came, at last, when he could collect his find from the cabin on the incline, and he hurried home to listen to it. To his delight, through hiss and crackle, he heard the only interview ever to have been conducted with fictional athlete Bobnit Tivol. Here is a transcript of that historic exchange. Sadly, we have no idea of the identity of the interviewer.

Interviewer : I am so pleased you have agreed to be interviewed for my radio programme Magnetic Tape Recordings Of Athletes, Fictional And Otherwise, Mr Tivol. May I call you Bobnit?

Bobnit Tivol : Puff puff puff.

Interviewer : You seem a bit out of breath.

Bobnit Tivol : Pant.

Interviewer : I expect your training session sprinting round and round this running track for hours upon end has winded you somewhat.

Bobnit Tivol : Gack.

[At this point the interview is interrupted by guttural shouting. Alonzo Potentate suggests this is the sound of fictional athlete Bobnit Tivol’s all too real coach and mentor Old Halob, demanding that the spindly sprinter essay another fifty laps of the running track. The long stretch of hiss and crackle which follows indicates that he does so, leaving the interviewer presumably waiting trackside, looking on in awe.]

Interviewer : So tell me, Mr Tivol, or Bobnit, would you say that your fictional status has been a benefit to your career, or a drawback?

Bobnit Tivol : [Groaning sounds, interspersed with retching.]

Interviewer : I have heard it parlayed about that the tension between your wholly fictive existence and the undeniable flesh and blood presence of Old Halob is what has spurred you on to such achievement unparalleled in the field of provincial amateur athletics. Would you agree?

Bobnit Tivol : [Gasping and spluttering.]

[Again the interview is interrupted by the catarrh-wracked bellowing of Old Halob, who this time thrusts a polevaulting pole into his charge’s hands, and commands him to vault over a dizzyingly high bar, over and over again. There is a further half hour of hiss.]

Interviewer : You knocked the bar down a few times there, failing to clear the jump. How did that make you feel, if indeed you are capable of feeling, being a fictional athlete?

Bobnit Tivol : Pant pant pant.

Interviewer : Some say your coach Old Halob, over there in his trenchcoat and Homburg, is quite a hard taskmaster, particularly given his background as a secret policeman in one of the more rigorous East European Communist regimes. Is that true, or does he treat you with kid gloves?

Bobnit Tivol : Gack.

Interviewer : [To audience] And with that, the fictional athlete goes haring off again, round and round the track in the gathering dusk. I did try to get a word in with his coach and mentor, but I’m afraid Old Halob has staggered off to a distant kiosk to get a carton of cigarettes. Such are the ways of this legendary non-fictional athletics coach.

Alonzo Potentate has taken his transcript to Hollywood, where he is in talks to turn it into a screenplay for a blockbuster movie. Word has it that Kevin Costner has expressed an interest, though that seems unlikely, as the Kevster has a very limited range of expressions, and they are, without exception, wooden.

Acts Of Homicide, And The Invention Of Pedestrians

“The [1957 Homicide] Act was criticised on many grounds and in most quarters. None criticised it more severely than those ‘abolitionists’ to placate whom the Bill had been brought in. That is perhaps natural enough. For them, it abolished too little. The nervous and those who simply saw no reason for change (known as ‘retentionists’, just as non-motorists had, to their astonishment, come to be known as ‘pedestrians’) were dismayed to find that no more than a ‘life’ sentence (averaging ten years) thenceforward awaited those who, for the first time as far as the law knew and when not actively engaged in robbery, for any reason or none, killed anyone but a policeman or prison officer with poison, cold steel, a blunt instrument, drowning, strangulation, smothering, burning, gassing, starvation, driving a car at the victim or tampering with his brakes, infecting him with a fatal disease, pushing him off a tall building or over a cliff, torturing him beyond what his constitution would bear, shutting him in with dangerous animals, inducing madness with drugs, hypnotic suggestion or sustained ill-treatment and then putting the means of suicide into his hands or leading him to believe that a fatal trap is a way to safety, anything in fact that a writer of detective stories might plausibly imagine. Apart from prison officers and policemen, the victim might be anyone at all, a child or the Queen.”

Rayner Heppenstall, The Sex War And Others : A Survey Of Recent Murder, Principally In France (1973)

Antmania!

The launch of the BBC’s season of programmes devoted to the 1980s stirred a memory, and with it faint pangs of guilt. Older readers will recall that in those far off days there was a phenomenon known as Antmania, built around the antics of one Stuart Goddard and his pop group, Adam And The Ants. They were, for a while, hugely popular, absurdly so, no doubt due to the schemings of their manager, the late Malcolm McLaren.

When the hoo-hah was at its height, my pal David Lines and I concocted what seemed to us to be a flawless money-making plot. We produced a fanzine, entitled Antmania!, using the tools of the pre-internet days – typewriters, Letraset, biros and Xerox – and advertised our eight-page publication in the small ads columns of teenybopper magazines such as Record Mirror and Smash Hits. I can’t recall how much we charged, probably about 50p plus postage, but we sat back and waited for umpteen thousand orders to come in. After all, the records were selling by the million, beloved by young and old alike. In the event, I recall only a handful of copies ever sold, so few that I think we failed to cover our photocopying costs.

What our advertisement failed to make clear, and the reason for those faint pangs of guilt, is that the content of our Antmania! was devoted exclusively to ants, as opposed to Adam And The… We had facts about ants, pictures of ants, even song lyrics about ants, including one about a leaf-cutter ant, I think.

It is extremely unlikely that there is a Hooting Yard reader today who, thirty years ago, was one of the few poor teenyboppers who shelled out for a fanzine about their favourite pop group only to be sent a few pages of twaddle about ants. But if so, that person is now quite obviously sitting on a collector’s item which would sell for much more than 50p on eBay. It might fetch a pound, or even a fiver. So my guilt is somewhat assuaged.

I no longer have a copy of this seminal publication myself, alas.

The Bats Of Remorse

“The Bats of Remorse hang upside down in the Cave of Grief.” Discuss.

Model Answer : It is a fact of nature that bats, sometimes many hundreds of them, hang upside down in caves. The author is making use of this image to comment upon human frailty, specifically the emotionally disruptive lacerations of remorse and grief. Bats are linked with remorse, the cave with grief. As we read and digest the phrase, tears well up in our eyes, and we begin to sob. Our past griefs may come tumbling back inside our heads, the inside of the head very much like a cave, if we think of the skull as stone, with crags and dents. The flutterings we feel inside it, synapses snapping as we are racked by remorse, can be thought of as bats swooping in to the cave to take up their perches. Once in place, they hang there twitching occasionally, just as the lashings of remorse twitch within the porale of grief. Crucially, the writer is implying that when we stop blubbing like girlies, and dry our eyes, and grasp our Alpenstock in readiness for a healthy hike in the mountains to wash all this mawkish drivel out of our heads, the bats remain hanging there, upside down within. They do not go away. The lesson is self-evident, and is imprinted upon our consciousness, even when we are atop the mountain, panting, buffeted by a high freezing wind.

Note : Extra points will be awarded to those who correctly identify the text as a line from Dennis Beerpint’s magisterial piece Versified Outpourings From The Batcave, recently reissued by Twee Threnodies Ltd.

Rhubarb

Rhubarb is the fruit of barbarians, and we live in barbaric times. That is why you see so much rhubarb on people’s plates these days. But as we know, rhubarb crumbles. So too will the barbarians crumble, when we smite them. Smite, too, your rhubarb, before putting it upon your plate. Smite it while it is still in its rhubarb bed, in a tent, under arc lights, where it grows, so I am told. Smite the stalks before plucking them from their beds and carrying them in a sack back home, to be boiled and boiled and boiled to mush. It is food for barbarians, to be sure, eaten without utensils, shoved still hot into the mouth with your bare hands, gobbled down. You will burn your hands on the rhubarb mush, but you are a barbarian. Burns and abrasions and cuts and wounds are mere marks of barbarity. But you too will be smitten, as you smote your stalks of rhubarb. Like rhubarb, you will be pulverised to mush, by fearsome foes e’en more barbaric than you. They are gathering now, beyond the horizon, behind the hills, over which they will come sweeping, shouting, a great roar of yet baser barbarism, and look! they are armed with stalks, hard stalks they brandish in their hairy fists, stalks of raw rhubarb. They are so barbaric they do not even know how to boil their fruit. And they shall triumph.

The Neurasthenic And His Inner Concrete Lining

“Appendicitis was a disease that I spent much time in battling. I read up on it and knew all the symptoms. I went to the public library and hunted up a Gray’s Anatomy and studied the appendix. It seemed to be a little receptacle in which to side-track grape-seeds and other useless rubbish. I would no sooner have knowingly swallowed a grape-or a lemon-seed than I would a stick of dynamite. I would not eat oysters lest I get a piece of shell or even a pearl into my vermiform appendix. I was exceedingly careful never to swallow anything which I thought might contain a gritty substance. I had once heard a lecturer on hygiene and sanitation speak of the limy coat which forms on the inside of our tea-kettles from using ‘hard’ water. He stated that in time we would get that sort of crust inside of us from drinking water which contained mineral matter. I thought how easy it would be for some of it to chip off and slip into the appendix and set up an inflammation. So to be on the safe side, I thought I would try drinking spring water for a while, but it gave me a bad case of malaria. I then came to the conclusion that between being dead with chills and having an inner concrete lining I would choose the latter, which seemed the lesser evil.”

William Taylor Marrs, Confessions Of A Neurasthenic (1908)

Did the neurasthenic make the correct choice? You decide!