Dabbling In Idolatry And Mud

Dabbler-3logo (1)This week in The Dabbler I address the important topic of mud idol maintenance, with some simple tips on sprucing up your talismanic fetish object. This is the first article in a projected series intended to cover everything a sane person might wish to know about the subject. My people are currently in talks with a publisher, with a view to issuing the complete set as a part-work, building week by week into an exhaustive mud idol encyclopaedia, to be slotted in to ring-binders, eventually taking up an implausible amount of shelf-space. The marketing people insist that something like this will only sell if there is a “free gift” every week, so we are looking at the idea of giving away sachets of mud, sourced from a bog of mystic legend. If any readers can suggest an apt bog, please get in touch via your spirit medium.

Git On Drayhorse

Speaking of drayhorses, as we were yesterday, I could not help but notice that the phrase “Git on drayhorse” is an anagram of “Hooting Yarders”. This has the vexing implication that my average reader or listener is a git mounted on a drayhorse. One pictures a rustic lane along which a great grey drayhorse is plodding, atop which is a git, leafing through a copy of Gravitas, Punctilio, Rectitude & Pippy Bags perhaps, or listening to my radio show on a pair of headphones jammed into their gitty ears.

Now I do not wish to think of any Hooting Yard devotee as a git. Perhaps what we have here is akin to that phenomenon where otherwise staid and reasonable persons turn into psychotic maniacs when they get behind the driving wheel of a car. Does the placid and altogether lovely Hooting Yarder become a git at the moment of plopping in to the saddle of their great grey drayhorse? I suppose it is possible.

Anagrammatic determinism being what it is, all I can do is to plead with my readers and listeners to find for themselves an alternative means of pulling their carts along the country lanes. Many of you will, I know, be toiling along those very lanes today, engarbed in peasant rags, transporting your carts piled high with rustic muck from one filthy field to another, or perhaps rolling in to a market square at the centre of a squalid hamlet. And what better way to pass the time, as the wind howls through the branches of larches and pines, than to read a tale from Befuddled By Cormorants or to listen on your iHoot to a morally instructive episode of Hooting Yard On The Air? But doing so need not, must not, make you a git. So eschew your drayhorse, I beg of you, and if you cannot afford a fume-belching tractor, pull the damned cart yourself.

Retired Blacksmiths!

Oh glorious Mr Key! writes Tim Thurn – is he being obsequious or sarcastic? It’s hard to tell – It was fascinating to read about the retired blacksmiths Bim, Bam, and Nat yesterday, and I was wondering if you had any further information about them.

Well, I don’t, Tim, but I know a man who does, as they say. For no less a blockbusterist than Pebblehead has recently published a thumping great triple biography, entitled Retired Blacksmiths! The True Story Of Bim And Bam And Nat, and a cracking good read it is. In fact, it was my source for that business about the goblin colour coding, a full account of which appears in Chapter XXXVIII, and then again, almost word for word, in Chapter XCIV. One could be forgiven for thinking that Pebblehead completely forgot what he had written earlier. It would not be the first time. Whole swathes of his potted history of jugged hare recipes, Jugged!, are repeated more than once in the book, having already appeared in earlier volumes in the Pebblehead oeuvre, one a history of jugs and the other an encyclopaedia of hares. This is why he is dismissed as a hack.

Hack or no, you or I would sell our grandmother’s bones to achieve his sales figures. Retired Blacksmiths! has only been in the shops for a week, and has already sold more copies than there are visible stars in the sky. And deservedly so, for in spite of the fact that his prose is repetitive and slapdash and descends at times into mawkishness, Pebblehead wrings from his subjects a tale well worth the telling.

We learn, for example, about the lives of the threesome before their retirement. There is Bim, at the random grim forge, fettling for a great grey drayhorse his bright and battering sandal! And there is Bam, also at a random grim forge, also fettling. And Nat, too, at the next forge along the lane, and he too fettling, as the sun beats down on a rustic scene redolent of Lark Rise To Candleford. Pebblehead gives us so much detail about random grim forges and the fettling of bright and battering sandals for great grey drayhorses that the reader could, with confidence, given an anvil and a few tools, set up their own smithy’s. I did, before I had even finished reading the book. Clang clang clang, that was the sound clanging from my chalet, as sparks flew and a line of great grey drayhorses formed outside, awaiting their bright and battering sandals. My neighbours were a great help, filling nosebags with hay for the horses, combing their manes, and brushing their fetlocks with horse-brushes. So busy was I fettling and smithying that I did not have any time to finish reading Pebblehead’s book, though my place is marked. I marked it, not with a standard bookmark, of flimsy cardboard, but with a great iron slab, beaten flat upon my anvil, bright and battering.

So I have not yet read beyond the point where, newly retired, Bim and Bam and Nat are co-opted onto the World Council of Goblins and set to work on their colour coding scheme. A scan of the contents page, however, suggests that there are thrills and spills aplenty still to come, including Bim’s involvement in the Profumo affair, Bam taking a dip in the Bosphorus, and Nat choking on a mouthful of genetically-modified spinach. When I have finished fettling all those great grey drayhorses lined up along the lane, waiting patiently, patiently, I shall return to the book, and tell you what more I learn about the three retired blacksmiths, their doings, their dreams, their pangs, and their dotage.

Goblin Colour Codes

One of the more intractable problems in goblin identification has at last been resolved with the formal adoption of a colour coding system. According to a press release from the World Council Of Goblins, the new scheme comes into immediate effect, and any goblin discovered not to be wearing a tunic, badge, or dye-patch of the appropriate colour will be catapulted into the stratosphere, daddy-o.

Designed to benefit both the goblin and non-goblin communities, the colour coding is the result of decades of tireless work by Bim and Bam and Nat, the trio of retired blacksmiths who set themselves the task back at the 1954 UGINAK Conference. So much time has passed that neither Bim nor Bam nor Mat, nor any of their special rapporteurs nor aides de camp can remember what UGINAK stands for.

It is thought Julian Assange got hold of a draft copy of the press release some months ago, but failed to leak it on his website. If so, this is possibly because the Antipodean chancer is actually a goblin himself, and fears the implications of the new system. Alternatively, it could be because the press release is in the form of Tolkieny runes scratched on bark, making it worse than useless in the age of digital twittering.

Bim and Bam and Nat hit on the inspired idea to match each of the seven distinct types of active goblin to a colour of the rainbow. This is surprising when one considers that both Bim and Nat are colour-blind and Bam is so aged and creaky and stooped that he can no longer angle his head to look upon the sky. In spite of these obstacles, the threesome have arrived at a classification system which can only be described as flawless. It cannot be described in any other way whatsoever, so don’t even try to use another word.

We employed a team of unpaid interns to translate the runes, locking the scalliwags in a cellar lit by a single Toc H lamp until their work was done. Then we had them deported to a remote atoll, to live on barnacles and rainwater, from motives of simple cruelty. This is what they came up with:

Red : Hobgoblins.

Orange : Fat Goblins.

Yellow : Pilfering Goblins.

Green : Teutonic Forest Goblins.

Blue : Goblins found under sinks.

Indigo : Wet Goblins.

Violet : All other goblins not classified above.

We cannot swear to the accuracy of the interns’ translation, but for the time being this will have to do.

Aguirre, The Wrath Of Candleford

Exciting news from the BBC. Werner Herzog has been persuaded to direct a forthcoming episode of twee bucolic period drama Lark Rise To Candleford. This follows the unprecedented global success of the scene where the peasant sprawled in the drainage ditch recites Captain Beefheart’s Old Fart At Play.

Herzog is currently working on the screenplay for his episode, which is likely to feature either a conquistador and a gang of howler monkeys laying waste to Dorcas Lane’s Candleford post office, and/or an attempt by a deranged impresario to build an opera house in the squalid village of Lark Rise.

lark-rise-to-candleford

Otter Sanctuary Sandwich Paste

Sometimes, though rarely, Dobson’s heart would swell with a charitable impulse, and on one such occasion he hatched the plan of inventing a novelty sandwich paste, the profit from sales of which he would donate to his local otter sanctuary.

“I shall call it Otter Sanctuary Sandwich Paste,” he explained to Marigold Chew, “The better to fix in the minds of my customers the eventual destination of their pennies.”

“It is a capital idea, Dobson,” replied Marigold Chew, “But it has a fatal flaw.”

Dobson’s face soured.

“Oh? And what might that be?” he asked.

“We do not have a local otter sanctuary,” said Marigold Chew. And she tossed a pebble off the bridge across which they were ploughing, into the tumultuous river below.

Later, back at home, the out of print pamphleteer racked his brains for a way to salvage his scheme, for the charitable impulse was still throbbing. After a prolonged bout of pencil-sharpening, which he found conducive to concentrated thought, Dobson made a Eurekaish grunting noise and ran out into the garden, where Marigold Chew was busy with a pair of pruning shears.

“Who says the otter sanctuary need be a local one?” he cried, “I can divert the profits to a remote otter sanctuary!”

“All well and good,” said his inamorata, “But consider something else, Dobson. Is there not a danger that your potential customers, otter-lovers every man jack of them, might construe that a paste called Otter Sanctuary Sandwich Paste is actually made out of pulverised otters? Even if they are wrong, I suspect sales would suffer, simply due to the misunderstanding.”

Dobson retreated indoors and sharpened dozens more pencils. An hour later he was back in the garden.

“Each tub of Otter Sanctuary Sandwich Paste would bear a label, a bold and bright label, on which would be emblazoned the slogan ‘Does Not Contain Otters’. That would set the otter-lovers’ minds at rest, would it not?”

“It would,” said Marigold Chew, snipping a sprig from a shrub, “But what ingredients would your sandwich paste contain, if it is to be, as you suggested while we were ploughing across the bridge earlier, a novelty sandwich paste?”

“Don’t worry about that,” said Dobson, airily, “I will think of something.”

Dobson now had two immediate tasks to accomplish, which we can summarise for the slow-witted reader as follows.

1. To identify a remote otter sanctuary deserving of the out of print pamphleteer’s largesse.

2. To concoct a novelty sandwich paste the recipe for which must contain not a trace of otter nor of the by-products of otters.

To facilitate his thinking on these critical matters, Dobson would need to sharpen a goodly number of pencils. Yet every pencil in the house had been sharpened to its utmost pointiness, as a result of which the blades of the Dobson-Chew pencil sharpener were blunted, and needed either to be honed upon a whetstone or else replaced with new blades. Thus, in addition to the tasks enumerated above, the pamphleteer faced two further challenges, viz:

1. To obtain a fresh batch of pencils.

2(a). To have sharpened the existing blades of the pencil sharpener, or

2(b). To replace the blades with brand new ones, gleaming and lethal.

A moment’s thought was all Dobson needed to realise that he could accomplish both these aims by paying a visit to the stationery department at Hubermann’s. In spite of the fact that it was pouring buckets of rain, he donned his Belgian Railway Official’s boots, lacing them so tightly he was in danger of cutting off the blood supply below his ankles, and clattered out of the house into the downpour.

One thing it is important for the reader to understand about Dobson is that, in spite of his bookish erudition, he was a man profoundly ignorant of the natural world. His witlessness in ornithological matters is well-attested. But did you know that, if you were to line up for him, as at an identity parade, an otter and a stoat and a weasel and a vole and a shrew, Dobson would have a deal of difficulty telling you which was which? He had never paid proper attention to his small mammal lessons at school, and forever after in life was lumbered with bafflement about such creatures.

Knowing this, we can grasp an understanding of what happened next. Trudging along the towpath of the filthy old canal on his way to Hubermann’s in the rain, Dobson was set upon by a trio of savage and starving small mammals roused by the smell of his Belgian Railway Official’s boots. They had, you see, recently been smeared with a protective coat of some sort of dubbin-substitute by a wizened and scrofulous pedlar who came a-knocking at Dobson’s door hawking his wares. Whatever this substance was, and however well or ill it protected the boots, it was absolutely irresistible to certain small mammals. Thus it was that, in their frenzy about Dobson’s feet, his tiny attackers caused the pamphleteer to lose his balance, and he toppled over the edge of the towpath into the canal.

The rain had reduced to a drizzle by the time Dobson, sopping wet and with bits of canal-water vegetation sticking out of his bouffant, came crashing through the door and slumped in a chair. Marigold Chew gave him a quizzing look. He told her of his mishap.

“That remote otter sanctuary won’t get a penny from my sandwich paste!” shouted Dobson, “In fact, to be on the safe side I am not even going to make any sandwich paste! That will show them!”

“But was it a trio of otters that attacked your boots, or could it perhaps have been stoats or weasels or voles or shrews?” asked Marigold Chew.

Incapable of a sensible response, Dobson fell into a sulk.

A few miles away, on the outskirts of another town, a wizened and scrofulous pedlar hawking his wares knocked upon another door. In his punnet, he had jars and jars of paste for sale. Each was labelled, but the labels were hard to decipher. In one light, they read “Dubbin Substitute”, but then, seen from a different angle, “Novelty Sandwich Paste”. The pedlar was dressed all in green, and when he spoke, the timbre of his voice cast a spooky spell, as if he were a figure from a fairytale.

Next, Stick The Scales Of A Seahorse To The Ceiling

“And they make moon and stars appear on the ceiling after this manner. In the central part of the ceiling, having fastened a mirror, placing a dish full of water equally (with the mirror) in the central portion of the floor, and setting in a central place likewise a candle, emitting a faint light from a higher position than the dish, in this way, by reflection, (the magician) causes the moon to appear by the mirror. But frequently, also, they suspend on high from the ceiling, at a distance, a drum, but which, being covered with some garment, is concealed by the accomplice, in order that (the heavenly body) may not appear before the (proper) time. And afterwards placing a candle (within the drum), when the magician gives the signal to the accomplice, he removes so much of the covering as may be sufficient for effecting an imitation representing the figure of the moon as it is at that particular time. He smears, however, the luminous parts of the drum with cinnabar and gum; and having pared around the neck and bottom of a flagon of glass ready behind, he puts a candle in it, and places around it some of the requisite contrivances for making the figures shine, which some one of the accomplices has concealed on high; and on receiving the signal, he throws down from above the contrivances, so to make the moon appear descending from the sky.

“And the same result is achieved by means of a jar in sylvan localities. For it is by means of a jar that the tricks in a house are performed. For having set up an altar, subsequently is (placed upon it) the jar, having a lighted lamp; when, however, there are a greater number of lamps, no such sight is displayed. After then the enchanter invokes the moon, he orders all the lights to be extinguished, yet that one be left faintly burning; and then the light, that which streams from the jar, is reflected on the ceiling, and furnishes to those present a representation of the moon; the mouth of the jar being kept covered for the time which it would seem to require, in order that the representation of full moon should be exhibited on the ceiling.

“But the scales of fishes for instance, the seahorse, cause the stars to appear to be; the scales being steeped in a mixture of water and gum, and fastened on the ceiling at intervals.”

Hippolytus (c170 – c236), Refutation Of All Heresies, Book IV

Airy Persiflage

goat-godIt is fortunate that your own dear Mr Key is such a level-headed fellow, or I might begin to suffer from delusions of L Ron Hubbarddom. Notwithstanding the enduring popularity of the hideous bat god Fatso, it seems that the Goat God Catechism has captured the imagination of the masses – or, if not quite the masses, then at least of two American podcasters.

First, the catechism was given a fine treatment by golden-voiced Norm Sherman at the Drabblecast. Now it has been picked up by one Walter O’Hara. Mr O’Hara’s podcast is called Airy Persiflage, and with a title like that we can assume he is a man of impeccable taste. Indeed, he has also essayed a reading of some twaddle I wrote about venomous serpents.

The striking thing about this new version of the Goat God Catechism is Mr O’Hara’s inspired decision to have a child read the responses. The child in question is “young Gar”, who lends a splendid piquancy to the piece. I wonder if young Gar hails from the awful, spooky land of Gaar, that place of nightmares and ill-advised picnics?

128 Pamphlets (Out Of Print)

It is that time of year when reader Mike Jennings, from his exile in a pompous land, supplies us with an update to his comprehensive Dobson bibliography. A further twenty-four pamphlets have been added to the earlier list, which you can find here. Mr Jennings has once again applied those terrifying, and terrifyingly significant, Blötzmann Numbers. Please note that, unless otherwise stated, all the listed titles are currently out of print.

105. Ivan Clank, The Bailiff, O Is He Dead Then?

106. Pancakes : Food Of The Gods?

107. Pancakes : Food Of The Gods

108. My Pancake Ineptitude : A Heart-Rending Confession In Sixteen Bursts Of Hallucinatory Prose.

109. Hell, Its Bells

110, My Terrifying Encounter With A Tiny Lethal Phantasmal Poison Frog.

111. Every Lace Has Its Own Boot.

112. Fifty Pages Of Prose About Daytime Naps In Theory And Practice.

113. The Hidden Wealth Of Werewolves.

114. The Mythical Island Where Werewolves Think They Come From.

115. A Pedestrian Memoir Of Hiking Holidays Accompanied By Noted Daubist Rex Daub.

116. A Thousand Breakfasts In Five Hundred Days.

117. Flight-Patterns Of The Common Shrike, With A Tremendously Accurate Diagram by Marigold Chew.

118. This Year’s Summer Reading.

119. Chucklesome Fripperies From The Bowels Of Hell.

120. The Poultry Yards Of The Grand Archdukes.

121. Tantalising Paragraphs About The World O’ The Future.

122. The Significance, In My Long-Ago Infancy, Of An Undigested Vole.

123. A Comparative Study Of The Metabolisms Of The Horses Of Three Knights Of The Realm.

124. An Entirely New System Of Moss Drainage, Incorporating Flexible Leather And Lead Pipes, A Plastic Funnel, And A Dobson Jar.

125. A Detailed Account Of How I Provided Emergency Medical Assistance, Despite Having Not A Jot Of Training, To A Flying Squirrel Exhausted And Maimed After Being Pursued And Attacked By A Small Tough-Guy Japanese Macaque Monkey Which Mistook It For A Predatory Bird, With Several Diagrams And An Afterword Quoting A Jethro Tull Song Lyric.

126. Picnics Of Disillusionment.

127. The History, Theory And Practice Of Jiggery-Pokery, From Ancient Times Up To Yesterday Morning, With Practical Tips And Cut Out ‘N’ Keep Cardboard Display Models For Your Mantelpiece.

128. Popular Games And Pastimes Suitable For Those Marooned On Remote Atolls Pending Rescue By A Ship Of Fools.

Dabblehub

Dabbler-3logo (1)Unlock the door of this week’s Dabbler cupboard, and when it creaks open you will find instructions on how to join DABBLEHUB, the exciting new antisocial faffing-about network. Aaron Sorkin is already at work on a feature film (silent, black-and-white, juddery camera-work) which will chronicle the troubled gestation of this most dabbly of hubs.

Bewlay The Landgrave

Forty years ago, David Bowie demanded “Lay me place and bake me pie!”, not unreasonably in the circumstances, as he added, “I’m starving for me gravy!” We have all, I think, been there, as they say nowadays. I have certainly had gravy hankerings of my own, most recently this very morning. Oddly enough, the first stirrings of a gravy craving stole upon me shortly after I had finished my breakfast of eggy cornflakes and smokers’ poptarts. I left the house to take a turn around the duckpond over by the viaduct, and there came a constriction in my throat, a throbbing in the head, and a pang in the belly. Gravy, I thought, I’m starving for me gravy. I was unlikely to find any by the duckpond, so I wheeled about and set off in the opposite direction, towards the parade of shops.

Past the hatter’s and the haberdasher’s and the ironmonger’s there is a pie shop. To my dismay, I saw that its shutters were down, and there was no aroma of baking. I hammered my fists upon the shutters and screeched the words of David Bowie quoted above. Clearly gravy starvation was playing havoc with my common sense, for as I well knew, the pie shop did not have an in-store dining facility, so even had it been open I could not sensibly have demanded that my place be laid. I made such a din that the ironmonger came out of his shop, next door, to see what was afoot. He was armed with a sample of his ironmongery, a wrench or a crowbar, and who can blame him? I was hardly the picture of an upstanding citizen, in my gravy-famished hysteria. He dealt me a hefty thump on my cranium and used harsh words. Sprawled on the paving slabs, I gasped an apology for causing such a racket. I was about to explain that I was starving for me gravy when the ironmonger recognised me.

“Good grief, Stipendiary Landgrave Pursuivant to the County Infanta, it is you!” he cried, and immediately proceeded to mumble his own, fawning, apology, helping me to my feet and dusting me down as he did so.

“Unhand me, tradesperson!” I barked, “Just tell me why the pie shop is shut when I am in need of me gravy!”

By such direct questioning did I learn that the pie shop proprietor had taken leave of absence to attend an important festival in a neighbouring land. He had left at dawn, apparently, in a cabriolet, both his face and that of his horse daubed with cosmetics in the guise of Aladdin Sane. I had forgotten all about the Bowiethon.

With well-practised aristocratic disdain, I tossed a coin to the ironmonger and told him to return to his shop. Then I continued along the parade towards Old Mrs Sniggleby’s Dickensian Dining Parlour, a place of grease and spoons, only to discover that she too had left town, and for the same reason, though the urchin begging outside her door told me she was an aficionado of the Berlin trilogy, and had gone to the festival under Japanese influence, in a kimono, clutching her set of Brian Eno’s Oblique Strategies cards. I needed an oblique strategy of my own if I was going to get me gravy!

I decided to pop along to the palace, to call on the County Infanta. After all, I was her Stipendiary Landgrave Pursuivant, so I was always welcome. She was a tiny little thing, being an infanta, and I suspected she had not yet graduated to solid foods. That being the case, there might well be some gravy available. I bustled past the Serjeant-At-Arms and made straight for the palace kitchen. I did not expect to see the Infanta herself in these lowly skivvy’s quarters, but there she was, gurgling away, sitting in a tin can.

“I am about to feed Her Infantaness her elevenses,” said the cook, “Would you like some?”

I was appalled by the cook’s  overfamiliar tone, but so gravy-deranged that I let it pass.

“I will if she’s having gravy!” I cried,

“No, when she’s sitting in her tin can I make her swallow a couple of protein pills,” said the cook.

Dammit. I could have tried pulling rank, but I was fraught and weary. I wolfed down some protein pills, reached over to the sideboard for a helmet, put the helmet on, and climbed in to the tin can next to the Infanta. Soon, thanks to the palace’s winch and pulley apparatus, we would be floating, far above the moon. There is no gravy on the moon.

Epitaph For A Quack

Over at The Dabbler, Gaw has been taking a stroll through the “tended decadence” of Abney Park Cemetery, prompting Nige to recall a fine gravestone epitaph in his local churchyard. Which in turn prompts me to recall one of my own favourite epitaphs, that of the quack doctor Lionel Lockyer (1600-1672), whose miracle pills included sunbeams among their ingredients, in Southwark Cathedral:

Here Lockyer; lies interr’d enough; his name

Speakes one hath few competitors in fame;

A name soe Great, soe Generall’t may scorne

Inscriptions whch doe vulgar tombs adorne.

A diminution ’tis to write in verse

His eulogies whch most mens mouths rehearse.

His virtues and his PILLS are soe well known..

That envy can’t confine them vnder stone.

But they’ll survive his dust and not expire

Till all things else at th’universall fire.

This verse is lost, his PILL Embalmes him safe

To future times without an Epitaph

lockyer

Photo courtesy of Nick Garrod

Little Dagobert

I banged my head on the baptismal font, but that was only the beginning of my troubles. The font was hewn from adamantine rock, and the water it contained, though of necessity holy water, was icy. When the priest slopped it on to my bashed head, I screamed at such a pitch that a stained glass window depicting the martyrdom of St Bibblybibdib (spikes, tongs, fire) was shattered. A falling shard sliced the priest’s jugular, and he collapsed, but not before dropping me into the font. While I splashed about, bawling and freezing, minuscule organisms with which the water was riddled swam into my ears, and burrowed tiny tunnels into my brain, wherein they laid their eggs. If the organisms were minuscule, imagine how microscopically wee were their eggs! Before death claimed me, I was plucked from the font by the sexton, whose beard was so vast and hairy I was almost suffocated as he clutched me to him. Gurgling, I was passed to my mother, a woman of great dottiness who endangered my life many a time in the following months, usually by taking me to unsuitable picnics – unsuitable in that they took place in snowstorms or, during balmier weather, on steep hillsides down which I would roll, gathering pace as I approached, at the bottom, a railway line or major arterial thoroughfare along which huge container lorries thundered. Fortunately, though perplexingly, the sexton was always on hand to rescue me in the nick of time.

Miraculously, I survived into toddlerhood. Around this time my mother began to encourage me to play on the roof of our hotel during electrical storms. I was grateful for the rubber bootees and lead-lined swaddling jacket the sexton gave me. More than once I toppled from the roof into the moat, and I soon learned to swim skilfully to dodge both the sharp-fanged scavenger fish and the unexploded mines therein. Regular swimming while wearing raiment of lead does wonders to build up one’s muscular strength, and sure enough by my sixth birthday my mother was exhibiting me at circuses and freak shows. I was known as Little Dagobert, The Strongest Boy In The Universe. Sometimes I came close to being flattened by the steamrollers I pulled across lawns and village greens, until the sexton gave me a handy tip to avoid even the gentlest of downhill inclines.

Being of an implausibly rare blood group, I had to be extra careful in the vicinity of sharp knives, axes, and slicers. My caution served me well when, on my tenth birthday, my mother had me apprenticed to a well-known butcher. He was a florid, chubby, deranged and blood-drenched man, who took both pride and pleasure in his inhumane slaughtering methods. I was inconsolable for days after he slew the sexton and chopped him to bits and made him into illegal pie-fillings. I resolved to run away to sea, though we lived far, far from any coast.

One crisp autumn’s dawn I gathered my few pitiable belongings and tied them in a bundle and tied the bundle to the end of a stick, and with the stick propped jauntily over my shoulder I set out to make my way in the world. Before I got so far as the garden gate, however, the microscopic eggs in my brain all hatched at once, and let forth monsters. Though I had passed through much travail in my short life, things were about to get much, much worse.