Conspiracy Of Silence

My grassy knoll potsage the other day prompted a keen-eyed reader to bring to my attention something called Project Unspeakable. According to its Facecloth page, this “project” aims to “challenge the silence surrounding the assassination” of President Kennedy and three other “leaders for peace” (Robert Kennedy, Dr King (as we must always call him), and Malcolm X).

Er … what silence is that, precisely? There are so many books about the JFK assassination that even Vincent Bugliosi hasn’t had time – in the twenty-plus years he worked on his book – to read all of them. Not to mention the magazine articles, television documentaries, and feature films. The deaths of the other three have not attracted quite that level of attention, but they have hardly been ignored and cast into the dustbin of history (© Leon Trotsky, another murderee who surely ought to be on Project Unspeakable’s list. Oh, hang on, he wasn’t American, and he was ice-picked by a Stalinist agent, so in Unspeakable circles that’s probably all above board.)

The “conspiracy of silence” is about as silent as Hooting Yard, which as you know hardly ever shuts up.

Buying Macaroni

For reasons too convoluted for my puny pea-sized brain to comprehend, I found myself the other day embarking on a spot of research into the Norwegian writer Alf Prøysen (1914 – 1970). He is best known for his tales of Little Old Mrs Pepperpot, a woman who every so often shrinks to the size of a small teaspoon, which explains her original Norwegian name of Teskjekjerringa, or the teaspoon lady. In looking through a list of pot-spoon-woman stories, I was struck particularly by the one entitled Mrs Pepperpot Buys Macaroni.

It is worth noting here that, if ever one were stupid enough to trust the Wikipedia, this is a perfect example of its unreliability. As any fule kno, the true title of the tale is Mr Pepperpot Buys Macaroni.

Be that as it may, Mr or Mrs, the important thing is that Prøysen, wittingly or not, invented a completely new fictional genre, the “buying macaroni” story. In the years since Mr Pepperpot, or Mr Teaspoon or whatever his name is, went out and bought that macaroni, it is a theme which dozens, if not hundreds, of creative artists have found rich and rewarding. Novels, plays, films, ballets, operas, opera bouffes, art installations cobbled together from grainy black-and-white video tapes and coathangers, all have been grist to the buying-macaroni-artist’s mill. Bloody hell, even the greatest visual artist of this or any other generation, Steve McQueen, is said to be following the most brilliant film ever made by anybody anywhere, 12 Years A Slave, with an even more brilliant film, 12 Years Buying Macaroni. And not only that, but McQueen is paying homage to Prøysen by casting in the lead role the greatest musical genius of our times, Tinie Tempah. Mr Tempah is reportedly as tiny as Mrs Pepperpot during her teaspoon-shrinkage phases. At least that is my understanding.

A poor scribbler such as myself cannot, of course, hope to compete with these titanic geniuses, but in my own tiny way I hope to make a modest contribution to the genre with a piece called Dobson Buys Macaroni. I have already refilled my propelling pencil in preparation.

download

Alf Prøysen performing one of his timeless macaroni-buying songs

Dabbling With Dagobert

Dabbler-3logo (1)

Over at The Dabbler today, the tale of Little Dagobert, The Strongest Boy In The Universe. This acts as a preview for the imminent Kindle anthology By Aerostat To Hooting Yard : A Frank Key Reader, published next week by Dabbler Editions. I shall have more to say about this definitive collection next Tuesday, when it will become available. In the meantime, please bear in mind that you lot will be harried and hectored relentlessly until you have (a) bought a copy, and (b) harried and hectored, in your turn, every single person you know to buy a copy, and (c) propelled it, if not to the very top of the e-bestseller lists, at least to the point where I am in with a chance of winning the mrs joyful prize for rafia work.

Municipal Notice

The Terracotta Army Parade Ground at the salubrious end of Sawdust Bridge is closed to allow pointless works to take place. Much heavy machinery has been moved into place from the important roadworks on the Blister Lane Bypass, causing snarl-ups. The loudest of the machines will be switched on before dawn and chug and hiss and hoot all day every day for the foreseeable future. Citizens without earplugs who find themselves deafened should join the queue outside Dr Fang’s Clinic. Appointments will be made on an unthinking-fidelity-to-the-regime basis, but may be postponed until such time as Dr Fang is released from protective custody. Every citizen is expected to take part in the prevention of wolf attacks. The kiosk under the viaduct on the lane leading to Pang Hill Orphanage is currently shrouded in mist. It is an eerie and inexplicable mist, populated by seething teeming minuscule flying and buzzing things which sting. Soothing ointments can be procured from the Woohoohoodiwoo Woman, if she can be found, for she is wandering in the wild woods, jabbering under her breath, and communing with tadpoles. There is a new, so-called “modern windsock” at the aerodrome. Verses in its praise should be sent to the poetry editor of The Daily Hysterics for his consideration. Toffee is hereby forbidden.

Signed this day on behalf of the more irrational members of the Pointy Town Chamber of Tyranny by Ned Mudbag, wretch and scrivener.

On The Grassy Knoll

Yesterday I went to the library, and I emerged into the bright winter sunshine clutching four Clarice Lispectors and a Gertrude Himmelfarb. If we consider only the writers’ names, it was one of my most spectacularly gratifying borrowings. I have not yet begun to read any of the books, but when I do I shall be sure to share with you lot anything startling I come across.

The reason they must remain set aside for the time being is that I am immersed in my current reading. Like a mad person, I am deep into Reclaiming History : The Assassination Of President John F. Kennedy by Vincent Bugliosi. This majestic if preposterous tome weighs in at over 1,600 pages and comes freighted with a CD-ROM containing the equivalent of a further 1,000 pages of notes. Bugliosi’s aim is to prove conclusively that Lee Harvey Oswald acted alone, and that the multiplicity of conspiracy theories are a disservice to history. To achieve this, the magnificently grumpy prosecutor hammers away at every last detail of “what did happen” and tears to shreds every ditzy bit of fanciful doo-dah of “what did not happen”. In theory, of course, the book, published in 2007 after over twenty years’ work, would be the final word on the subject. But Bugliosi knows that in spite of his mightiest efforts, the nutcases will not be silenced. As he writes (page 444):

unfortunately we know that the notion of a conspiracy in the Kennedy assassination will be alive and well for centuries to come. I suppose it is a given that there will be [others] who will breast-feed the conspiracy loonies for generations to come with their special lactations of bilge, blather, and bunk.

I have been obsessively interested in the assassination since, as a ten-year-old, I borrowed from the library the JFK issue of a long-forgotten and never-since-seen series of historical works for children. These were not books, but pocket files crammed with information sheets, facsimiles of historical documents, and – in this case – a cardboard cut-out model of Dealey Plaza for assembly by the awestruck tot (me).

I can only conclude, with Thomas Mallon, that I may not be “of the Grassy Knoll”, but I am most certainly on it.

download

In Dingly Dell

I tripped and toppled and tumbled down and down and came to land flat on my back in Dingly Dell. A bump or two to the head during my tumble conked me out, and by the time I awoke, flat on my back in Dingly Dell, the sky was growing dark. Up above, I saw the first flickers of stars. Closer to the ground, too, I saw two small points of light. I reasoned they must be the glittering eyes of a nameless dell-dwelling beast, and I sat up.

Was it a wolf? Was it a badger? It has been said of me that I am insanely courageous when confronted by unknown quadrupeds. I picked up a pebble and chucked it, aiming at a point directly between the two lights.

“Ouch!” I heard.

It was a human ouch, an all too human ouch. I felt immediately mortified. I concur with Terence, who said “humani nihil a me alienum puto”, or “nothing that is human is alien to me”. I was ashamed that I had so thoughtlessly pelted one of my own fellows with a pebble.

“Forgive me!” I cried, before the figure had even emerged from the dusk-struck Dingly Dell duff. When it did so emerge, I saw that it was a man oh! very much like me, but of considerably smaller stature. That explained why the points of light were nearer to the ground, why I had mistaken them for the eyes of something inhuman that crawls upon the earth on all fours.

“Forgiveness is not in my nature,” said the little man who now stood before me, “I am vengeful, and when panic-stricken, irrationally so. Watch!”

And then he performed what I can only describe as a dazzling if incomprehensible fanfaronade of acrobatic imbecility.

“Allow me to introduce myself,” he said when he was done, as if nothing dazzling and incomprehensible and acrobatic and imbecilic had happened, “I am the dwarf Crepusco, helpmeet and factotum to Prince Fulgencio, who lives up yonder far from Dingly Dell in a benighted and crumbling castle swarming with mice and bats. The word most often applied to me, apart from dwarvish and Machiavellian and too clever by half, is indispensable. And it is my very indispensability which caused the green entwining tendrils of envy to form in the heads of Prince Fulgencio’s more dimwitted and brutish henchmen, tendrils that grew so rapidly they choked off what little sense was lodged in those henchmen heads, until come last Thursday several of them lay in wait for me behind an arras anent a balustrade hard by the castle crenellations, and when I passed by with my nosegay and the Pin-Cushion of Gaar, they waylaid me and stuffed me into a sack and carried me off I knew not where. I screeched and struggled to no avail, for I am of diminutive frame and the henchmen are huge great brutes, like giant oxen.

“It is worth noting that just before they tied the sack shut, I saw them trample my nosegay underfoot and toss the Pin-Cushion of Gaar over the castle crenellations, so I can only assume it fell into the moat and is now sopping wet if it has not been devoured by one of Prince Fulgencio’s snapping scavenger fish. The Prince regularly checks their stomach innards with a fiendishly intricate X-ray scoping contraption I devised for him, and Lord knows what will happen when he discovers whatever remains of the Pin-Cushion of Gaar. If he puts two and two together – and I have to say that is a big if, for Prince Fulgencio has a tiny brain like all his forebears – he will learn of his henchmen’s perfidy. His wrath will be apocalyptic. But without me by his side to direct his actions, he will no doubt muck everything up, blaming the alignment of stars in the heavens, hanging the wrong henchmen, and splattering his morning porridge on the castle walls.

“What he will not do is think to send out a search-and-rescue helicopter to search for and rescue me. I am going to have to take care of that myself, though it is beyond even my wit to know how to expedite such a mission. I was thinking hard on that very matter, hidden in the duff, when you pelted me with a pebble, jolting my cranium and thus wreaking havoc with the fine tuning of my elegant cogitations. Now I shall have to begin again.

“You are probably wondering how I know I am in the Dingly Dell, given that I was delivered here while tied up and muffled in a sack. Yes, those traitorous henchmen carried me here all the way from the castle, before depositing me in that dell-ditch over there. By the time I managed to make my escape from the sack and clamber up and out of the ditch, the henchmen were gone. But being ineradicably stupid, they had left behind the steam-powered satnav that had guided them hither. It was almost exhausted of power, and was about to hiss and splutter to a halt, but I just about had time to read the co-ordinates on its display. All I need do now is recover from the effects of that pebble-blow, then work out how to contact the search-and-rescue helicopter control tower. An ordinary, dense person would be helpless, but I am the dwarf Crepusco, and nothing, nothing!, is beyond me!”

I must admit that while the little man was telling me all this, I dozed off. I have only been able to transcribe the entirety of his speech because he left behind him a Dictabelt recording, similar to the Dictabelt recordings made by the police motorcyclists accompanying the presidential motorcade in Dallas on 22 November 1963, that is, acoustically bewildering and fuzzy. But I managed to make out Crepusco’s words after having the recording enhanced using the most up to date new techniques.

I was awakened from my doze by the whirring of helicopter blades. By the time I sat up and rubbed my head and took a sip of Squelcho! from my canteen, the helicopter was gone, taking the dwarf Crepusco with it. I wished the little man well, stood up, placed my empty Squelcho! can in the Dingly Dell Municipal Waste Chute which, as I learned in a lantern lecture I once attended, terminates at the earth’s core, pounded my chest with my fists like a large and energetic monkey, and wended my way, up and out of Dingly Dell, towards the worst horror of all.

Dobson’s Abortive Bandicoot Pamphlet

“Remind me, Dobson,” said Marigold Chew one morning over breakfast, “Did you ever write that pamphlet you planned about the bandicoot?”

The out of print pamphleteer was fumbling with his fork, trying to spear on its tines one of the shrivelled boiled otter-heads swimming in a broth of gummy pap, with dockweed, in his breakfast bowl. So terrific was his concentration that he barely heard his inamorata, and she repeated the question after taking a swig of New! Breakfast Variety Squelcho! from her tumbler.

Dobson threw in the towel, put down his fork, and reached for a stick of celery-style impacted vegetable matter. Waving it in a show of flamboyance, he announced “I will never write another word about birds!”

This exchange took place during the closing stages of the battle of Dien Bien Phu, so with hindsight we are able to note that Dobson’s statement was ludicrously inaccurate.

“I do adore your non sequiturs, Dobson,” said Marigold Chew, “But do tell, I am agog to know about the bandicoot pamphlet.”

His mouth full of curiously tasteless vegetable matter, Dobson gazed at his inamorata as if she had taken leave of her senses. His table manners being impeccable, he did not attempt an immediate reply. Marigold waited upon his munching. She herself was a dab hand with the fork and the otter-heads and had finished her breakfast some minutes ago.

“Your remark regarding non sequiturs seems to me a non sequitur in and of itself,” said Dobson, eventually, then, his voice rising, shouted “Be that as it may, when I say I shall never again write a single word on the subject of birds, I mean it! And now I am going to go out in the rain to no apparent purpose.”

“I can think of a purpose, Dobson,” said Marigold Chew, “While you are out in this apocalyptic downpour perhaps you could stop by the kiosk in the shadow of the viaduct and pick up a copy of The Daily Digest Of The Doings Of Small To Medium-Sized Terrestrial Marsupial Omnivores for me?”

As he struggled to don his Eritrean Unofficial Goat Wizard’s boots, with their exceedingly complicated lacing protocol, the pamphleteer said “You don’t normally take that publication. Is there any reason for the sudden interest?”

“I think there might be something in it that I want to show you, Dobson,” she said, an enigmatic smile on her lips.

Stamping his feet to finally lodge them firmly into his boots, Dobson took his hat and coat and crashed out of the door into the rain. He wondered why on earth Marigold thought he might be interested in small to medium-sized terrestrial marsupial omnivores, when his head was filled with unrelated matters, including Hungarian football ace Ferenc Puskas, plinky-plonky piano music, weird sausages, asteroid belts, and plums.

“And one thing I am most definitely not interested in,” he shouted at a swan as he passed the pond, “Is birds, any birds, all birds, and that includes you, swan!, and your pals the teal and mergansers and buffleheads and coots and bandicoots!”

Later, sopping wet, Dobson arrived home with a copy of The Daily Digest Of The Doings Of Small To Medium-Sized Terrestrial Marsupial Omnivores which the kioskist had very thoughtfully plopped into a waterproof bag for him, at a small extra charge.

“Here is your magazine,” he said, tossing it on to the table as a puddle formed around his feet.

Marigold Chew took it from the bag, leafed through it, and alighted on a short and interesting article, illustrated with several black and white snapshots taken by tiptop marsupial snapper Rex Supial, on the subject of the bandicoot.

“When you have a moment, Dobson,” she said, “You might want to take a look at this. I shall make a pot of tea.”

And shortly afterwards, the out of print pamphleteer learned, to his horror, that everything he had intended to say about bandicoots in his projected pamphlet, hundreds of pages of scribbled notes and jottings and ill-turned sentences of foolish conjecture, was as dust, was as dust and ashes. All of it, every word, was arrant nonsense! The bandicoot was not a type of coot! It was not even a type of bird!

Dobson slumped in his chair and held his head in his hands. The cup of tea went cold.

Dabbling In Eden

Dabbler-3logo (1)

The monopod flautist Ian Anderson once sang about the time “when the Eve-bitten apple returned to destroy the tree”. I have no idea what he was going on about, and I suspect Mr Anderson may just have wanted something to rhyme with the “sea” and “to be” endings of the preceding lines in his song.

In any case, it is the time before the apple returned to the Garden of Eden that concerns me today, over in my cupboard at The Dabbler, the editor of which found this splendidly apt picture with which to illustrate the piece.

adam-and-eveW1

A Plea

Oi, you lot. This is a plea for money, and for once it is not an unseemly begging letter asking you to plop a few groats into the coffers of Mr Key’s Fund For Distressed Out Of Print Pamphleteers, though of course you can do that too. On this occasion, however, honour, duty, and sheer common sense calls you to send money, or indeed monies, to the world’s finest radio station. Here is what the powers that be at ResonanceFM have to say:

Dear Friends of Hooting Yard,

Resonance is currently trying to raise money to bolster its imminent application to Arts Council England. To this end, the radio station wants to build reserves – savings which indicate its financial resilience and which it can draw upon in exceptional circumstances.

If you enjoy Hooting Yard On The Air, please help us by donating to Resonance today. You can do this here on our website, or here via JustGiving.

And if you are a UK tax payer you can add value to your donation to our registered charity (number 290236) through GiftAid. All it takes is fifty listeners of Hooting Yard donating £10 each for us to reach this year’s target. Please mention Hooting Yard in your communication.

Resonance does not own a building, so has few material assets; nor does it charge for its service, so it very much relies on the generosity of you, its listeners. Please take a moment to show your appreciation of our broadcasts and secure the station’s future. Thank you!

Fig And Soup And Mop And Git

There was a fig in my soup. I had not expected one.

Oh waiter, I said, gesturing the meanwhile with my outstretched hand in which I held the soup-spoon, waiter, this fig, is it intentional?

The waiter came barrelling over, he was a rotund waiter but moved at speed.

Sir, you are dribbling soup on to the floor with your spoon. It will need mopping up, he said.

That’s quite enough backtalk from you, I said, What I want to know is whether this fig, look!, this fig in my soup is meant to be there.

I would thank sir to be more polite, said the waiter, and do you know what?, he clouted me on the head with his great hairy fist.

I was nonplussed. First I had been nonplussed by the fig in my soup, now I was further nonplussed by the clout. Before I could gather my wits, the waiter, who had barrelled away, came barrelling back, holding a mop.

Sir will mop up the dribbled soup and we may then discuss the fig, he said.

What kind of cafeteria was this? I thought the words but did not say them. I had not yet pulled myself together from my nonplusment and there was a ringing in my ear from where the clout had landed.

But it was a pertinent question, one I will strive to answer once I have recovered from the many bumps and bruises I sustained after flatly refusing to deploy the mop, whereupon several other waiters appeared, as if from nowhere, and I was subjected to much clouting and thumping before being frogmarched out onto the street, or rather mews, and dumped into a puddle, there to be spat upon by a passing horse, whose drover gave me a kicking for good measure, the drover having a familial connection with at least two of the waiters, all of whom had gone back into the cafeteria, chuckling and muttering to themselves, the words fig and soup and mop and git clearly audible, even with the ringing in my ears, yes, ears, for both now were ringing what with the additional clouts and thumps I had received, for no other crimes than querying the fig in my soup and remonstrating with the waiter for his impertinence, to speak to a gentleman so, and then, by heaven!, to clout him.

What kind of cafeteria was it? What kind of world is it?

168 Pamphlets (Out Of Print)

For the past several years, reader Mike Jennings has spent his time very usefully compiling a reliable list of the works of Dobson. Once a year, at around this time, he updates the list to include those pamphlets to which reference has been made in these pages during the previous twelvemonth. And bang on time, here he is with an additional eight titles. Each has appended to it one of those damnably clever Blötzmann numbers. Please note that, unless otherwise stated, these titles are out of print.

You can find links to earlier lists here.

161. Are There Any Moles In Outer Space? No, There Are Not!

162. On Not Toppling Into Any Of The Many Canals Of Amsterdam

163. How I Hid Under A Table During A Thunderstorm And Ruined My Trousers By Kneeling In A Puddle Of Unaerated Potato Juice, And What This Tells Us About The Human Spirit In Extremis

164. Several Observations On Kathy Kirby, Composed In A Cipher So Baffling That Centuries May Pass Before Anybody Will Be Able To Wring Any Sense From It

165. A Tally Of All The Breakfasts I Have Tucked Into Over The Past Sixteen Years

166. Stringing A Few Words Together To No Apparent Purpose

167. The Blue September Of Conference Pears

168. What I Have To Say, In Toto, About Sops And Fillips