Zamoyski is adept at painterly scene-setting. One vivid paragraph shows the Paris revolution of 1848, which sent King Louis Philippe scurrying into exile and ignited populist insurrections across Europe, as caused by a clumsy bandsman with a big drum. After a day of innocuous, anti-climactic Paris demonstrations, a company of soldiers stationed on a boulevard corner tried to retreat from a rowdy but hardly murderous crowd into the courtyard of the ministry of foreign affairs. They were blocked because the musician carrying the drum got jammed in the porte-cochère of the ministry. As a result some soldiers had to turn and face the crowd, grew rattled, and fired shots that left over 30 dead. The mangled corpses were piled onto a wagon, which was trundled through the streets of Paris by rabble-rousers crying for revenge. It was the drummer, rather than the previous uprisings in Palermo and Naples, and the granting of constitutions in Sicily, Sardinia and Tuscany, that triggered the continent-wide uprisings of 1848.
Rupert Davenport-Hines reviewing Phantom Terror: The Threat of Revolution and the Repression of Liberty, 1789 – 1848 by Adam Zamoyski in The Spectator.