One Thousand

Today there is cause for celebration. No, not the Muggletonian Great Holiday, that was last week. The reason for unbridled cheer is that what you are reading is the one thousandth postage at Hooting Yard since the site was rejigged at the beginning of 2007. (I cannot recall precisely how many postages appeared in the old format, to be found in the 2003-2006 Archive, but if memory serves it is something in the region of 950.) A milestone to be celebrated, then – but how?

Ideally, you lot would cancel all other engagements, put your feet up, and spend the rest of the day rereading all one thousand postages, in chronological order, making notes in your jotter, pausing occasionally to stare out of the window as you mull over a particularly arresting item, and generally wallowing in the sheer Hooting Yardiness of it all. Always remember that a day devoted to Mr Key is never a wasted day. However, I am sensible enough to realise that most of you will have other things calling on your attention, such as feeding the hamster, waiting at the bus stop, smoking, genuflecting, pootling about, milking the cows, rummaging in the attic, taking your pills, repairing the fence down by the drainage ditch, tallying up the entries in your ledger, doing the dishes, spreading jam on bread, clutching at straws, embarking on a perilous journey downstream by kayak, grovelling in filth, putting the spuds on, intoning spells against the pestilence, mucking about, boiling your shirts, describing an arc parallel to the surface, dusting the mantelpiece, rekindling that lost love, chopping celery, going for gold, doing the odd bit of trepanning, squeezing out sponges, cutting up rough, vomiting, preening, polishing your shoon, checking the gutters, making hay while the sun shines, piling Ossa upon Pelion, folding your towels, voting with your feet, remembering a childhood idyll, splitting an atom, clocking in, lurking in the shrubbery, gathering your wits, burning an effigy, being Ringo Starr, toiling to no purpose, making whoopee, burgling the Watergate building, casting the runes, mesmerising a duck, emptying the bins, licking some stamps, darning a hole in your pippy bag, crunching numbers, thwacking a bluebottle, going rogue, distributing alms to paupers, looking shifty, holding out a glimmer of hope, pole-vaulting, caterwauling, playing pin-the-paper-to-the-cardboard, rinsing lettuce, closing the barn door, glorying in crime, sticking to the point, feeling off colour, pondering the ineffable, gargling, straining, wheedling, pining, flailing, and lying crumpled and woebegone and exhausted and hot-in-the-brain. You may have to do all of these or none, but in either case the chances are that you will be unable to devote your every waking hour to Hooting Yard, even though you yearn to do so. We shall have to come up with some other form of celebration.

It is at times like these a person’s thoughts turn to cake. It will have to be an enormous cake, to fit a thousand candles on to it. Think of all that burning wax!

I shall leave you with that thought, and press on. One could, of course, throw a party. Invite a thousand guests, and have each of them commit to memory, for party-piece recital, the text – or, as bespectacled postmodernist Jean-Pierre Obfusc would say, the discourse – of one Hooting Yard postage (including this one). The drawback to this otherwise fantastic scheme is that some postages run to thousands of words, whereas some, very occasionally, have been wholly pictorial, other than the title. Allocating all one thousand to the satisfaction of every single guest is a task fraught with difficulty, and is unlikely to be achieved without conflict and, indeed, fist-fights. Now, incidents of physical violence are not unknown among the readership. Even the surprisingly numerous Hooting Yard devotees of the Mennonite faith engage in punch-ups from time to time. Don’t even go there, as the airheads say. Taken all in all, I am not sure the party is such a good idea. Anyway, where would you fit so many people? They would not all fit into your chalet or hovel or well-appointed yet curiously pokey high-rise urban living pod, and rental fees for barns and disused aeroplane hangars have gone though the roof, according to what I have been reading in So You Want To Rent A Barn Or A Disused Aeroplane Hangar, Do You, Chum? magazine. (It’s interesting to note, by the way, that the late Harold Pinter was on the editorial advisory board of this threatening, sinister publication.)

Cake, burning wax, and party all proving prohibitive, what are we to do? Well, in extremis, one can always turn to Mrs Gubbins for some outré ideas. For once in her life, the octogenarian crone is not helping police with their inquiries, in spite of that dodgy business with the pile of mysteriously bleached bones and the trained vulture, and she is to be found snugly ensconced in an attic room at Haemoglobin Towers, furiously unravelling tea-cosies. Where once she did knit, now she unravels. By heck, there will be a glut in the used wool market by the time she is done! It is possible this is part of yet another criminal scheme, but if so it is one that is far too complicated for my puny and innocent brain. Best to ask no questions, and leave La Gubbins to her unravelling. I popped my head in to her sanctum, though, just to ask if she had any bright ideas for a Hooting Yard Thousandth Postage celebration. She looked up, fixed me with that unnerving gaze, like a blind person looking at a ghost, and pronounced the single word “Nobby”. Then she went back to her unravelling.

It was difficult to know what to make of this. The only Nobby that sprang to mind was Nobby Stiles, the popular Manchester United and England midfielder of the 1960s. His joyous capering on the pitch after England hoisted the Jules Rimet trophy in 1966 had captured the imagination of the press in those more seemly times, so perhaps that was what Mrs Gubbins was recommending – joyous capering on a field of grass. Or was she suggesting that I should enlist Nobby Stiles to help with planning a celebration? It seemed unlikely, though not of course impossible, that the retired footballer was a Hooting Yard fan, but even if he was, I did not know him, had never even collected his autograph when I was a tot, and had no idea how to get in touch with him. I entertained the thought that perhaps the crone had said “knobby”, with a K, meaning that which is characterised by having knobs, or the quality of knobbiness, such as, for example, a gnarled tree-trunk, or the backs of certain kinds of toad, but that seemed even more unfathomable. La Gubbins being the kind of woman she is, it is likely that her pronouncement was a sweeping one, containing all possible meanings of “(k)nobby”, with and without a K, plus additional meanings thus far unrevealed to the common timber of humanity. But I am afraid I had to dismiss, as wildly impractical, the idea of getting Nobby Stiles, and perhaps some other lesser-known Nobbys, to assist me in arranging a celebratory caper, of people and toads, round and round a tree in a field, much as it was appealing.

It was back to square one, and as we all know, deep in our hearts, the question always to be asked at square one is “What would Dobson do?” The beauty of the question is that if we are able to arrive at a half-way sensible answer, we know the guidance given will be infallible. Working out a valid Dobsonian response, however, is to blunder along a path strewn with nettles and serpents, unless of course one is satisfied with the generic answer “Write a pamphlet!”, which is, admittedly, correct ninety-nine times out of a hundred. Even in the present case, I can think of few methods of celebration more apposite than that every one of my readers should sit down at their nearest escritoire and pen a pamphlet. But think of the logistics. Someone would have to collate all the screeds, typeset them, print them, and distribute them to an uncaring world. I try my best to retain an attitude of breezy optimism, but I cannot see it happening. And I have not seen any vans driving past recently announcing, from the lettering on their sides, that they are in the business of Pamphleteering Solutions.

But “Write a pamphlet!” is not, invariably, the answer to the question “What would Dobson do?” Very, very occasionally, by deep analysis of the question, exercising the brainpans to their fullest extent and beyond, a different answer is revealed. To find out what this is we need to have an encyclopaedic knowledge of the complete Dobson canon, and to have pieced together as much biographical information on the out of print pamphleteer as we can, not excluding rumour, hearsay, tavern mutterings, and wild surmise. That is why I put the question to Aloysius Nestingbird, who knows more about Dobson than anyone else alive. As it happens, Nestingbird is only barely alive, following a calamitous bobsleigh accident. Quite what a frail ninety-two-year-old was doing plunging down the Caspar Badrutt Memorial Perilous Ice Declivity at the Pointy Town Antarcticorama is a question for the bigwigs at the Fédération Internationale de Bobsleigh et de Tobogganing, who I understand have already empanelled a Board of Geriatric Investigation to be headed by the fiercely independent, because ignorant of bobsleigh matters in general, Ant, or it might be Dec, the taller of the pair, the one with the glassy eyes of death.

Anyway, I bluffed my way into the clinic where Nestingbird languishes, using the techniques prescribed by Blötzmann in his Methods Of Dissimulation To Be Employed When Entering Restricted Medical Facilities (Second Series), an invaluable work which I always carry with me, just in case. Nestingbird was almost invisible beneath a panoply of tubes and wires and monitors and bleepers and what have you, but I ripped them out of my way and put my mouth to his still-bloody, gored ear, and put to him, in a dulcet whisper, the question. I want to arrange a celebration of the thousandth Hooting Yard postage. What would Dobson do? Nestingbird groaned, and some sort of despicable fluid bubbled out between his bloody lips, but he managed to tell me the answer, albeit in a croak so weak I barely heard it. But hear it I did. He said “Nobby”.

Returning home via the funicular railway, I racked my brains to see if I could wring any sense from this. Put in my position, it appeared, Dobson would “do Nobby”, or, I suppose, “do a Nobby”, as if that made any difference. Neither was a phrase I had ever heard before, and nor had any of my fellow-passengers, whom I badgered about it, growing, I am ashamed to say, rather hysterical, to the point where I was bundled off the train as soon as it reached the base station and taken round the corner, past snow-covered shrubbery, and handed over to Detective Captain Cargpan and his toughs. It is lucky for me that Cargpan is a fanatical devotee of Hooting Yard, otherwise I feel certain I would have ended up back in the clinic, and in a much worse state than Aloysius Nestingbird. Instead, the doughty copper let me off with a mussing of my tremendous bouffant. He didn’t know what “doing Nobby” was, either.

I had the sinking feeling that if I sought advice from anybody else, from born-again beatnik poet Dennis Beerpint, for example, or from Old Farmer Frack, I would get the same response. When I eventually arrived home, I made a cup of tea and heated a couple of smokers’ poptarts. Perhaps the celebration would have to wait upon the two-thousandth postage. Or perhaps I should be grateful for my simple snack. I sat down at the table, slurped the tea and shovelled down the bitter poptarts. Was this, after all, “doing Nobby”?

The Sinus Chambers

So here they are then, the sinus chambers. Not, as you might think, inside somebody’s head, but out in the open, in a field, enormous, built of some tough metal, with rivets. They can be seen for miles around, for this is a flat country, parts of it below sea level, though we are far from the coast. Though so easily visible, lots and lots of people have come to the field to get a closer look. There are picnics taking place, some in the shadow cast by the mighty sinus chambers beneath the sun glittering in a cloudless blue. Awestruck tinies gasp, as do their parents, who forget the picnic sausages and lemonade as they gaze up at the giant construction.

It being a field, we have field officers stationed here and there to keep order. We have people on the ground, too, lying flat, at regular intervals, all the way from the coach park to the ground just yards from where the sinus chambers tower over us. Both the field officers and the people on the ground have been issued with badges as identification. The badges are enamel, and have upon them a device showing the sinus chambers in miniature and an arrow pointing up towards their own, inside-the-head, sinus chambers. Everybody has had to be very careful when pinning on their badges to ensure they are correctly aligned. Imagine the rumpus if an arrow pointed in the wrong direction.

During the afternoon the huge metal sinus chambers slowly fill up with liquid. It has been specially prepared by boffins using a formula they have kept secret from rival boffins, some foreign, some bad. When the fluid reaches a level marked upon the side of each sinus chamber in fluorescent zalemba, a hooter will be sounded, and the draining will begin. The piping and the siphons and the funnels and the nozzles have been checked and re-checked by a specialist team flown in from a far off country of which we know little.

Picnic hampers are packed away, and the shrieks of delight and frolic die in the throats of the tinies and their parents. In the coach park, the drivers huddled by the kiosk stub out their cigarettes, and gaze towards the field. Those who hold to their Catholicism make hurried signs of the cross. Even the birds perched in the trees are silenced.

There is a deafening metallic judder and clank. And then the gurgling begins…

Uberhub

OutaSpaceman dropped me a line to inform me that when he searched Google Images for “moorhen”+”mezzotint”, nearly all the results linked to Hooting Yard. I explained to him that all interweb searches lead eventually, by twists and turns, back to here, for it is the uberhub lying at the centre of the entire network, a sort of throbbing pulse from which all else emanates. What I must do, one day, is to discover which single Hooting Yard postage lies at the very core of the hub, is the glistening jewel which, by who knows what mighty and mysterious forces, has generated everything else on the interweb. I would not be surprised to find that the postage in question is something to do with plucky tot Tiny Enid.

Speaking of whom, here is a rare picture of Tiny Enid in later life, taking a break from writing her Memoirs.

king51a

Three Types Of Incy-Wincy

Incy-wincy badger, scrubbling in the dirt. Puts some sticks together and builds himself a yurt. He’s a New Age badger, his name is Little Kurt. Careful now, his feelings are very easily hurt.

Incy-wincy goat-boy, creature of two realms. We can see you darting in between the elms. Half of you is human, the other half’s a goat. Incy-wincy goat-boy, drowning in a moat.

Incy-wincy lobster, clacking in the sea. His brain’s completely alien to that of you and me. Incy-wincy lobster, much bigger than a bee. The lobster’s very strange, and is never ever twee.

What I Like About A Farm

“It is the sublime inconsequence of a farm that I like, the confusion of noises, the sense of unreality that is given as a great and heavenly gift to human beings who live among thudding, moaning cattle, and tumbling milk-cans, and hens screeching underfoot and who, no matter how they try, can never coerce their lives into routine, but must always wait on the weather and market prices and the temperamental vagaries of their stock, and at one time spend idle weeks in the rain, and at another toil both day and night, and at yet another time waste precious hours chasing a cow which has got into the wrong field and which, in running away, impales itself eventually on the railings, or in segregating cock chickens of three weeks old who suddenly discover their sex and in one afternoon reduce each other to bleeding wisps of tow. That is what I like about a farm.”

Rayner Heppenstall, The Blaze Of Noon (1939)

Disastrous Mezzotint

Upon waking this morning, my first thoughts, as ever on this date, were of the Munich Air Disaster. Having sloshed ice-cold water on my head to dispel the pangs of loss, I then happened to read an interesting piece about mezzotints, which I recommend. Weirdly, it fails to mention the noted mezzotintist Rex Tint, but you can rely on me to make good that omission. For what I recalled, over my cornflakes ‘n’ egg à la Blavatsky, was that in the early months of 1958 Rex Tint was busy with what came to be known as “the cack-handed mezzotints”. This was a set of pieces which lack the sureness of touch and the dapper brilliance of his best work, but are nevertheless of interest, no piece more so than this rather clumsy mezzotint of the Busby Babes. So on this day, let us remember them, and remember too Rex Tint, who lost his mojo, whatever that might be, over half a century ago.

busbybabes

Rhubarb

As we know, tiny John Ruskin was allowed to jump off his favourite box on Sunday afternoons. Things were not nearly so idyllic for Augustus Hare:

“I remember that one day when we went to visit the curate, a lady very innocently gave me a lollypop, which I ate. This crime was discovered when I came home by the smell of peppermint, and a large dose of rhubarb and soda was at once administered with a forcing-spoon, though I was in robust health at that time, to teach me to avoid such carnal indulgences as lollypops for the future. For two years, also, I was obliged to swallow a dose of rhubarb every morning and every evening because – according to old-fashioned ideas – it was supposed to ’strengthen the stomach’! I am sure it did me a great deal of harm, and had much to do with accounting for my after sickliness.”

From The Years With Mother : Being an abridgement of the first three volumes of The Story Of My Life by Augustus J C Hare (1952)

Writer-In-Residence

The people of Pointy Town were once asked, in a referendum, if they wanted William S Burroughs as their writer-in-residence. Sensibly, they rejected him, arguing en masse that he was a gun-toting drug-addled nincompoop who took himself far too seriously and was, in turn, taken far too seriously by the kind of people who don’t actually read many books. That cut-up business may have won him some fashionable fans, but it’s just pictures of Jap girls in synthesis, innit? No, the Pointy Towners prefer their prose sequential and sparky, which is why they picked Pebblehead. But the bestselling paperbackist turned them down, for he was loth to live in Pointy Town, and residence therein was obviously a sine qua non for the position. There was a half-hearted plot to abduct Pebblehead from his “chalet o’ prose” high in the Swiss Alps and forcibly remove him to Pointy Town, but it fell apart by dint of timidity and awe.

The people then called for the appointment of Christopher Smart, author of Jubilate Agno. That great poem had recently become popular in Pointy Town as a method of organising civic behaviour. A line or two would be chosen at random each day, much in the manner of bibliomancy, but rather than foretelling the future the chosen text was, as far as possible, “acted out” by all literate Pointy Towners, and used as a sort of guide to their public conduct in the streets and boulevards. It had to be gently pointed out to them that Smart was long dead, and that while, at a pinch, it may have been possible to exhume whatever remained of him and have it reinterred in L’Etoile Du Pointy Town Cemetery, there could be no expectation of any new writing being done.

Pointy Town being a town without art, the panel next made the curious suggestion that the writer-in-residence post be offered to art critic Cosmo Hoxtonwanker. The thinking was that he might be able to identify this or that which could be considered as art, or could become art if viewed through artistic lenses. This idea was dismissed as foolhardy even faster than the rejection of Burroughs.

The next name out of the hat, as it were, though there was not actually a physical hat as such, was that of Jeanette Winterson. Although it was thought by many that she was far too important a writer to be persuaded to bother herself with a dismal provincial backwater like Pointy Town, initial inquiries proved positive. The people were divided, but a slim majority found in her favour, and the panel had gone so far as to evict all the guests from the Grand Hotel on the seafront so the even grander novelist could be installed there and have the building and its lovely gardens all to herself. Alas, negotiations fell through when the great author said she would refuse to write with the Pointy Pencil Of Pointy Town, considering it to be a phallocentric symbol.

At this point, quite unexpectedly, William S Burroughs, having heard the rumours, turned up in the town. He lurked on pathways like a ghoul of dreadful countenance, injecting himself with heroin and clearly lapping up being the cynosure of a certain cast of impressionable teenperson devoted to the “edgy”. His presence grew so tiresome that eventually he was pelted with pebbles and laughed at until he left town.

Still, though, Pointy Town was without a writer-in-residence. Even twee versifier Dennis Beerpint could not be persuaded to take on the job. And so the plan was quietly dropped… on the very day that, hoving into view on the horizon, huge and terrible and drooling, the Grunty Man approached! Could he wield the Pointy Pencil in his great clumsy fist? Inside that lumpen head, were there actually any thoughts that could be put down on paper, or even any thoughts at all? Was there in all Pointy Town a barn big enough to contain him in comfort?

Read on next week in Episode Two, in which the Grunty Man wrests editorship of the Pointy Town Clarion & Big Thumping Iron Hammer from milquetoast fop Gervase Weed!

At The Coffin-Makers’

It is, by all accounts, lovely and elegant and varnished, the coffin in which I shall rot, in time to come. I chose it, in a whimsical mood, from a photographic brochure, at the coffin-maker’s workshop which I had entered distractedly, mistaking it for the pie ‘n’ pastry shop. I cannot claim this was a simple error to which any humdrum jackanape might be prone, for not only are the exteriors of the coffin-maker’s and the pie ‘n’ pastry shop radically distinct from one another, but they lie in completely different parts of town, the one at the eastern edge and the other slotted in a parade in the precinct to the south-west. It could with justice be said I was “not all there” that morning. I could blame my paramour or the postie or the weather, but to do so, in any of those cases, would be churlish and incontinent. Well, perhaps the weather. Hailstones pinging down in June? Who’d have thought it? My equanimity was disturbed, as, it seems, were the readings on my compass, for there I was, to the east rather than the south-west, and all beflummoxed, so.

There were several coffin-makers busy in the workshop, most of them engaged in sawing and hammering and sanding and planing and hewing and chiselling. One was sat at a desk, writing a tract denouncing cremations and ashes and urns. I have since read it, thoroughly, and it makes a convincing argument without betraying the base personal motives of its author. It was this chap who, looking up from his scribbling, introduced himself to me and asked me what it was I wanted. He gave his name as Ned the Coffin-Maker. In spite of my befuddlement, I had already realised I was not in the pie ‘n’ pastry shop, so I managed not to make a fool of myself. But I was rather tongue-tied, and all I managed to say in reply was “Hello there, Ned”.

There followed a confusing five minutes where Ned the Coffin-Maker mistook me for a long lost pal of his, who had run away to sea, or possibly to join a circus, many years before. Apparently, I looked startlingly similar to this fled companion, at least to how Ned imagined he might look after the passage of so many years, grayer and stooped and bewrinkled and riddled with liver spots. He assumed the bunch of chrysanthemums I was carrying was a gift for him, snatched it from me, and plunged it into a jug full of water. When we eventually escaped from our muddle, with the realisation that I was not after all his pal, I felt too embarrassed to ask for my flowers back and, indeed, Ned the Coffin-Maker made no offer to return them to me.

I was poised to leave the workshop there and then. That is to say, I had manoeuvred my body so that my toes and nose were pointed in the direction of the doorway, my left arm was outflung to sweep me fully around without my overbalancing, which is always a risk with me, quite honestly, and I was in the process of shifting my glance away from Ned the Coffin-Maker’s characterful and strangely enormous head. But then he piped up, waving his pictorial brochure at me as he did so.

“Your death is horribly inevitable. It is best to be prepared.”

I re-poised myself, facing him squarely on.

“You would be wise,” he continued, “To leaf through this pictorial brochure of coffins, and pick out the one you will want when the dread day occurs, as fate decrees it must.”

I heard a bell clang, then, but whether it was a real bell or a fancied clanging inside my head I did not know. But I felt impelled to sit down at Ned the Coffin-Maker’s desk, and while he set about chivvying along his colleagues, or underlings, I pored over hundreds of pages of colour photographs of coffins. Some were shabby, some garish. Most were wooden, but a few seemed made of tin or zinc or wolfram. Their shapes and sizes did not vary by much, and each coffin had been photographed in front of an identical map of Switzerland, tacked upon a baize-covered board, to give a consistent sense of scale. There were many, many pins stuck in the map, one for each graveyard in the whole of Switzerland. The coffins were named, rather than numbered, according to captions hand-written beneath them. I rejected out of hand The Dismal, The Alarming, and The Frankly Unspeakable, For Paupers. I dallied over The Penge Flask, The Egon Schiele, and The Stubby. But as soon as my eyes lit upon The Lovely And Elegant And Varnished, I knew it was the coffin for me. I slammed shut the brochure and called to Ned, who came lurching over to me, having donned a black cape like a shroud.

“An excellent choice, if I may say so,” he said when I told him my choice. His voice was newly sepulchral, as if he spoke from a deep dank grim and fetid grave. He explained that he would make all necessary arrangements when the time came, and for me not to worry my ditzy little head about anything, forevermore. I could have taken umbrage at “ditzy”, and smashed my fist into his gob, but I reflected that, after all, the only reason I was in the workshop at all was my earlier befuddlement.

I said my farewells, and thought I heard mischievous chuckling from the other coffin-makers as I stepped out the door. I threw my compass into a hedgerow and, instead of heading home, I decided to run away to sea, or to join a circus. I would see which I came to first, the booming ocean, or the Big Top.

Boorde On Naps

As a great enthusiast for the postprandial nap, which I like to think of as a mark of civilised behaviour, I was somewhat alarmed to read the advice of Dr Andrew Boorde, writing in his Dyetary of Helth in 1542: “Whole men of what age or complexion soever they be of, should take their natural rest and sleep in the night, and to eschew all meridial sleep. But, an need shall compel man to sleep upon his meat, let him make a pause, and then let him stand, and lean and sleep against a cupboard.”

Mr Key Is Transfixed

Mr Key hereby advises that for the foreseeable future there may be very, very few postages at Hooting Yard, as he will be spending his every waking hour playing what must be the finest game ever devised. Yes, readers, ’tis Cheese Or Font?

cheeseorfont

Eternal gratitude to David Thompson for making it known.

Hark!

Hark! I hear barking! The sound of dogs! It is an unclean sound, for dogs are unclean, as are such beasts as pigs and lobsters, according to my well-thought-out worldview. I was taught early to shun dogs and pigs and lobsters, to flee from their presence if they did not first flee from mine. Without the fleeing, theirs or mine, I would become contaminated by their uncleanness, and need to wash and wash and wash with water and soap and borax and purifiers until my flesh was raw and all trace of dog, pig, lobster was wholly eradicated, even down to the tiniest speck of filth. For filth it is, so I know, for it is written. I first fled from a dog, or it may have been a pig, or a lobster, when I was so tiny I barely remember, and have pieced together the events as best I can by repeated and indefatigable questioning of Bog Horvath, the family wizard. I fled and plunged into a pond, screaming, and soap and borax and purifiers were tossed in to me by the Cleansing Monkey from its booth anent the pond. I trod water and rubbed and scrubbed and eventually clambered out of the pond and ran home, there to burn a corn dolly and make a paste of the ash and to smear the paste upon my forehead and remain so marked until the setting of the sun, as it is written. That was so long, long ago, and in the years since there have been many other ponds and Cleansing Monkey booths and corn dollies burned to ash, for the world is filled to bursting with dogs and pigs and lobsters. They cannot always be avoided, in the run of a day. Bog Horvath, the family wizard, explained to me that the unclean must coexist with the clean, to teach us. If dogs and pigs and lobsters were obliterated from the face of the planet, or even, laughably, deemed to be clean, as they are by some among the damned, then the litanies we learn would lose all sense, and that surely cannot be. I know, when I see the stain upon my forehead in a looking glass, that I am righteous, at least until nightfall, and that any further dog or pig or lobster come roaming into my Zone Of Cleanth that day will be repelled, as if by great force, for so it is written. Bog Horvath, the family wizard, has been most helpful in clarifying the status of apes and monkeys. Some are clean, as obviously are the Cleansing Monkeys in their booths by ponds and meres and lakes, but others are unclean, creatures of filth to be shunned. When I was still a child, my ma and pa had not properly grasped what Bog Horvath, the family wizard, was teaching, and they brought into the house, as a pet, an unclean ape, I cannot remember what kind exactly. It was not sufficient, then, just to burn a corn dolly. The house itself had to burn, with the ape and my ma and pa inside it, while Bog Horvath, the family wizard, and I stood outside on the path, beside the clump of vetch and the lupins, watching the purifying flames roar. When all was ash, he took me away with him to the Mad Rasta, or school, where he taught me, through a combination of magick incantations, brain probes, and a pointy stick, how to cherish all that is clean, and to despise all that is unclean, and to know which is which. That is why, today, grown aged and tall, with my huge untidy beard and thrice-bleached tunic, when I hark to the barking of approaching dogs, I fear them not, nor the grunting of approaching pigs nor the clacking of approaching lobsters. I wait until they are close enough to be seen. If they are large and fierce and terrific, I flee. If tinier, and timid, I stand my ground, and, as I was taught many moons ago by Bog Horvath, the family wizard, and as it is written, I cow them, the dogs or pigs or lobsters, by jumping up and down, as if equipped with a trampoline, and I flail my arms in the air like a wild thing, and I scream my head off. And then they flee from me, these filthy unclean beasts, be they dogs or pigs or lobsters, or certain apes and monkeys. That is the righteous way. You will not see the damned behave so. That is why they are damned, to flames and perdition, and to be eternally poked at with the pointy stick of the Supreme, the Magnificent Bog.

Spem In Alium, Grunted Backwards

Relive that special day by listening to the soundtrack.

Tugboat Tales, Number Two

I disembarked from the Ship of Fools, and stepped aboard the Weltschmerz Tug that would carry me to shore. The woes of the world weighed down the tugboat’s captain, who would not, or could not, hide his disgust. I was his only passenger, and as he steered towards the Island of Pomposity, he spewed forth a litany of misery, piling one curdled complaint upon another until I had to stop my ears with corks. The sea sloshed, and smelled of rotting aquatic death. I could see the land. It was close enough that I could make out various pompous ladies and gentleman promenading upon the harbour wall, in fustian and crinoline and tweed. But hours passed and the Weltschmerz Tug never seemed to get any nearer the shore, though the engine was chugging away, belching foul black blooms of smoke, poisoning the seabirds. Was I to be stuck forever between foolishness and pomposity, trapped aboard a tugboat with a world-weary captain moaning and spitting and cursing, corks in my ears and bile rising in my throat? Yes, I was, and this, I would learn, was very Heaven.

NOTE : Tugboat Tales, Number One is here.

A Regalia For Princes And Grandees

“The quality is moderately hot, proper for winter or summer. The drink is declared to be most wholesome, preserving in perfect health until extreme old age. The particular virtues are these: It maketh the body active and lusty. It helpeth the headache, giddiness and heaviness thereof. It removeth the obstructions of the spleen, it is very good against the stone and gravel. It taketh away the difficulty of breathing, opening obstructions. It is good against lippitude distillations, and cleareth the sight. It removeth lassitude, and cleanseth and purifieth acrid humours and a hot liver. It is good against crudities, strengthening the weakness of the stomach, causing good appetite and digestion, and particularly for men of corpulent body, and such as are great eaters of flesh. It vanquisheth heavy dreams, easeth the brain, and strengtheneth the memory. It overcometh superfluous sleep, and prevents sleepiness in general, a draught of the infusion being taken; so that without trouble whole nights may be spent in study without hurt to the body. It prevents and cures agues, surfeits, and fevers by infusing a fit quantity of the leaf, thereby provoking a most gentle vomit and breathing of the pores, and hath been given with wonderful success. It (being prepared and drunk with milk and water) strengtheneth the inward parts and prevents consumptions. It is good for colds, dropsies, and scurvies, and expelleth infection. And that the virtues and excellencies of this leaf and drink are many and great is evident and manifest by the high esteem and use of it (especially of late years) by the physicians and knowing men of France, Italy, Holland, and other parts of Christendom, and in England it hath been sold in the leaf for six pounds, and sometimes for ten pounds, the pound weight; and in respect of its former scarceness and dearness, it hath been only used as a regalia in high treatments and entertainments, and presents made thereof to princes and grandees till the year 1657.”

From a 17th century pamphlet on the subject of tea, quoted in Byegone England : Social Studies In Its Historic Byways And Highways by William Andrews, (1892). He also quotes from an Edmund Waller poem, thus: “The Muses’s friend, tea does our fancy aid / Repress those vapours which the head invade”.