Archive for the 'Prose' Category

Chambers And Hiss At The Chamber Of Hissing

Alger Hiss and Whittaker Chambers were skulking along a corridor in a top secret intelligence facility under cover of darkness when they heard, from a heavily padlocked chamber, the unmistakeable sound of hissing.

“What do you suppose that hissing sound is, Hiss?” whispered Chambers, “It sounds like a writhing tangle of asps.”

“I very much doubt that it is the hissing of asps, Chambers,” replied Hiss, “Consider where we are.”

Whittaker Chambers looked perplexed.

“You perplex me, Hiss,” he said, “How can I know where we are when the entire point about the siting of this top secret intelligence facility is that it is unmarked upon any map, and that to get here we had to crawl through subterranean tunnels which twisted and turned in such convolutions that all sense of direction, indeed all sense of mental balance, is lost, and lost utterly?”

Alger Hiss smiled at his alleged friend, and stooped to remove from the hollowed-out heel of his shoe a small mechanism, fitting easily into the palm of his elegant hand, that looked much like a compass.

“By heavens, Hiss!” hissed Chambers, “You have a compass!”

“Not so, Chambers,” replied Hiss, “This is in fact a miniature savage rotary magnetic machine, akin to the one devised by Dr Henry Hall Sherwood of New York but designed for quite a different purpose from his original.”

The pair were now directly outside the chamber door, and the hissing sound was louder, and more hissy than ever.

“Brilliant, Hiss!” whispered Chambers, “To use a magnetic machine of American design to help facilitate the ultimate overthrow of the capitalist system. Stalin would approve such cunning. But what does it tell us?”

“Well, Chambers,” said Hiss, “Note the savagery of its magnetism and rotation, which increases the closer we get to the door of the chamber. If I am not mistaken, beyond that door is the bottomless viper-pit of Gaar!”

Whittaker Chambers’s eyes nearly popped out of his head.

“The bottomless viper-pit of Gaar did you say, Hiss?” he said.

“I did, Chambers,” said Hiss.

“B-b-but how in the name of Lenin…?”

Alger Hiss told his alleged friend that the time for explanations would come later. For now, he said, it was enough that they had located the top secret bottomless viper-pit. It was time to turn back, make their way through the twisty turny subterranean tunnels, and meet up with their Soviet contact, in heavy disguise, at the cocktail bar of a swish hotel. He stowed the savage rotary magnetic machine back in his false heel, and, taking Whittaker Chambers by his shabbily-suited arm, led him away from the mysterious door, behind which the hissing of untold numbers of vipers continued, growing fainter and fainter as the duo skulked away along the corridor.

Chambers And Hiss At The River Basin

Alger Hiss lay sprawled on the jetty in his wetsuit. Oops, there ought to have been a space there… in his wet suit. It was a stylish and elegant suit, from Gabbitas & Thring, and it was sopping wet because some minutes earlier, Alger Hiss had toppled into the river basin, inadvertently, and had to haul himself back on to the jetty with no little exertion. He was still panting, and making a half-hearted attempt to wring out his soaking cuffs, when who should come striding along from the direction of the ice cream kiosk but Whittaker Chambers? Alger Hiss hailed his alleged pal with a weedy wave of his besuitsleeved arm. Whittaker Chambers waved back, and came lolloping along the jetty. His suit was less stylish, less elegant, and its crumpling was born of neglect rather than fashion.

“How now, Hiss,” he said, “I see you have been for a swim in the basin.”

“Not so, Chambers,” Hiss replied, his panting somewhat abated, “I am afraid I fell in, clumsily.”

Whittaker Chambers removed a shred of lettuce from between his blackened rotting teeth and flicked it to the ground, but it sank gently in the air and came to land on the natty shoulderpiece of Alger Hiss’s suit.

“Do you insult me, Chambers, for my clumsiness?” cried Hiss, shattered and woebegone.

“Forgive me, Hiss,” said Chambers, “I did not aim that lettuce-shred at you, and its falling upon you was as accidental as your toppling into the basin.”

“On this occasion I shall believe you, Chambers,” said Hiss, marshalling his dignity, though he still lay sprawled, “Though you cannot claim to have been distracted, as I was when I toppled.”

“Oh?” said Chambers, “And what was it that distracted your attention and caused you to lose your footing at the very edge of the basin?”

“My gaze was fixed upon the immensity of the heavens above us, rather than as it more wisely would have been upon the muddy path along which I trod,” said Hiss.

A glimmer of understanding flashed across Whittaker Chambers’s face.

“Ah,” he said, “You were looking up hoping to spot perhaps a Soviet spy plane scanning our terrain for valuable intelligence?”

“Not at all,” replied Hiss, clambering at last to his feet, “I was lost in contemplation.”

Whittaker Chambers looked at his alleged pal in some surprise.

“What is there to contemplate?” he asked, “The sky is blue, and has clouds in it, and, fugitively, now and then, birds. And, if we are lucky, spy planes. But…”

“Oh Chambers, Chambers!” said Hiss, interrupting him, “Be mindful of what Chalmers said. What is seen may be nothing to what is unseen; for what is seen is limited by the range of our instruments. What is unseen has no limit; and though all which the eye of man can take in, or his fancy can grasp, were swept away, there might still remain as ample a field, over which the Divinity may expatiate, and which He may have peopled with innumerable worlds. If the whole visible creation were to disappear, it would leave a solitude behind it – but to the Infinite Mind that can take in the whole system of nature, this solitude might be nothing; a small unoccupied point in that immensity which surrounds it, and which he may have filled with the wonders of his omnipotence. Though this earth were to be burned up, though the trumpet of its dissolution were sounded, though yon sky were to pass away as a scroll, and every visible glory, which the finger of the Divinity has inscribed on it, were to be put out for ever – an event, so awful to us, and to every world in our vicinity, by which so many suns would be extinguished, and so many varied scenes of life and of population would rush into forgetfulness – what is it in the high scale of the Almighty’s workmanship? a mere shred, which, though scattered into nothing, would leave the universe of God one entire scene of greatness and of majesty. Though this earth, and these heavens, were to disappear, there are other worlds which roll afar; the light of other suns shines upon them; and the sky which mantles them, is garnished with other stars. Is it presumption to say, that the moral world extends to these distant and unknown regions? that they are occupied with people? that the charities of home and of neighbourhood flourish there? that the praises of God are there lifted up, and his goodness rejoiced in? that piety has there its temples and its offerings? and the richness of the divine attributes is there felt and admired by intelligent worshippers?”

Alger Hiss paused, and Whittaker Chambers took the opportunity to suggest that they stroll together, arm in arm, to the ice cream kiosk. Hiss nodded in agreement, and continued.

“And what is this world in the immensity which teems with them – and what are they who occupy it? The universe at large would suffer as little, in its splendour and variety, by the destruction of our planet, as the verdure and sublime magnitude of a forest would suffer by the fall of a single leaf. The leaf quivers on the branch which supports it. It lies at the mercy of the slightest accident. A breath of wind tears it from its stem, and it lights on the stream of water which passes underneath.”

“Just as my dislodged shred of lettuce lighted upon your natty shoulder,” said Chambers.

“Indeed,” said Hiss, “In a moment of time, the life we know, by the microscope, it teems with, is extinguished; and an occurrence so insignificant in the eye of man, and on the scale of his observation, carries in it, to the myriads which people this little leaf, an event as terrible and as decisive as the destruction of a world. Now, on the grand scale of the universe, we, the occupiers of this ball, which performs its little round among the suns and the systems that astronomy has unfolded – we may feel the same littleness, and the same insecurity. We differ from the leaf only in this circumstance, that it would require the operation of greater elements to destroy us. But these elements exist. The fire which rages within, may lift its devouring energy to the surface of our planet, and transform it into one wide and wasting volcano. The sudden formation of elastic matter in the bowels of the earth – and it lies within the agency of known substances to accomplish this – may explode it into fragments. The exhalation of noxious air from below, may impart a virulence to the air that is around us; it may affect the delicate proportion of its ingredients; and the whole of animated nature may wither and die under the malignity of a tainted atmosphere. A blazing comet may cross this fated planet in its orbit, and realize all the terrors which superstition has conceived of it. We cannot anticipate with precision the consequences of an event which every astronomer must know to lie within the limits of chance and probability. It may hurry our globe towards the sun – or drag it to the outer regions of the planetary system – or give it a new axis of revolution; and the effect, which I shall simply announce, without explaining it, would be to change the place of the ocean, and bring another mighty flood upon our islands and continents. These are changes which may happen in a single instant of time, and against which nothing known in the present system of things provides us with any security. They might not annihilate the earth, but they would unpeople it; and we who tread its surface with such firm and assured footsteps, are at the mercy of devouring elements, which, if let loose upon us by the hand of the Almighty, would spread solitude, and silence, and death, over the dominions of the world.”

“Your own footsteps were not so firm and assured when you toppled into the river basin,” said Chambers, “But I should not tease you. Let me buy you a choc ice.”

The pair had arrived at the ice cream kiosk.

“Just one thing,” added Chambers, “When you speak of the Almighty, I assume you refer to Stalin?”

“Hush, Chambers!” hissed Hiss, putting his finger to his lips, “Be careful. The fellow behind the ice cream kiosk counter may be a Federal Agent!”

Whittaker Chambers slapped his forehead dramatically.

“Dammit, Hiss, you are right of course. I am sorry.”

To be on the safe side, he made a great show, as he purchased two choc ices, of saluting the paper stars-and-stripes fluttering from the kiosk’s shingle roof.

Munching their confectionery, as cold and chilly as the Siberian steppes, Alger Hiss and Whittaker Chambers walked off together in the blazing sunshine.

*

Further reading : Discourses On The Christian Revelation, Viewed In Connection With The Modern Astronomy by Thomas Chalmers D.D. & LL.D. (1817)

A Duck In A Pond

A duck in a pond, a pond near a swamp. Sometimes, the duck walks across the mud from the pond to the swamp and, standing on the edge, looks into the stagnant filth, like a duck Narcissus. On the horizon there are trees – larch, beech, sycamore, pine. Having gazed, unblinking, at its reflection, blurry, blurry, the duck turns about and walks back to the pond, into which it plashes, and often times upends itself, so to a passer-by only its fundament and feet are visible, its head and upper body submerged in the water. When a breeze gusts, as it usually does, the leaves on trees on the horizon rustle. If the breeze becomes a gale, the trees sway. Once the wind grew so strong one of them, a beech, crashed to the ground, its topmost twigs and branches falling into the swamp at the swamp’s edge. Fortunately for the duck, it was in the pond when this happened. The sky was black, for the wind was howling in the night, and there were no stars to be seen, because of clouds. The duck was terrified.

If ever you pass by that pond, chuck some stale breadcrusts to the duck. If you are on your way to the trees, to take measurements, or to carve your initials and those of your sweetheart into the bark on a trunk, be sure to skirt the swamp. Even the stoutest and most voluminous wading boots will not save you from sinking into the murk and slime, glubb glubb glubb. If you take the proper route to the trees, you will pass the memorial garden where stones and piles of pebbles and rugged wooden crosses mark those whose souls the swamp has claimed. The duck has seen some of them, from the safety of its pond, as they sank, flailing and helpless and screaming. It is a traumatised duck.

The Flanders Air

Disconcerted by days of unaccustomed silence at Hooting Yard, boffins have been poking and prodding at Mr Key’s pea-sized yet pulsating brain, trying to account for the lack of activity.

“What we have gleaned,” said one, a particularly astute and beardy boffin, “is that our beloved Mr Key has had his head buried in books for the past few days, interspersed with certain hiking adventures in high winds. This has diverted his attention, as both writer and reader, from the exciting 21st century world of blogs and blogging. We have recommended that to snap him out of his silence, he is to be sent for a few days to his glorious Motherland – that is, Belgium – in the hope that upon his return he will start tippy-tapping away as he usually does. Word has it that he may yet be ready to unleash a series of rattling yarns about Alger Hiss and Whittaker Chambers. It is unclear whether these tales will be based on historical fact, or whether Mr Key intends simply to make use of the names for a fictional ‘dismal duo’. Either way, we shall all look forward to some mighty prose issuing from the Key cranium when it has been refreshed by the Flanders air.”

Bairdboard Bombardment Box

It can only be a matter of time before those weirdly culture-dim and overpaid noodleheads at the BBC realise that what the world needs is Hooting Yard – The TV Show. I may or may not agree to do it, of course, but in anticipation of the day when they come crawling to me waving fat chequebooks aloft, Outa Spaceman has been hard at work producing the opening titles…

Watch them here

NOTE : “Bairdboard Bombardment Box” was James Joyce’s name for the television set. Incidentally, my mother’s sole recorded pronouncement on Joyce, in her Flemish accent, was “Dat man is a fool!”

Boogie Woogie

One of the most common difficulties facing newcomers to the teachings of Trebizondo Culpeper is the complete absence, anywhere, of boogie, coupled with the almost terrifying prevalence, throughout, of woogie.

In his magisterial if incoherent Syncretic Glossary Of The “Way” Of Trebizondo Culpeper, J K Pox devotes some three hundred pages to what he calls “the boogie-woogie conundrum”. One can argue that there is no conundrum, but that doesn’t stop Pox harping on about it. As ever, he is flamboyant, and one must admire his refusal to define his terms, as if in doing so the magic, if magic it is, would leach out of them.

“When thunder claps and wolves howl,” he writes, “When the sedge is wither’d on the lake, and gigantic mutant crustaceans come a-clattering on to the sandbanks, then, then! my sweet dear ones, is when we are most tempted to admit into our souls some sort of boogie. Squash the very thought underfoot, as one might a fig during a fig-glut. No, there is not and never has been and never will be boogie, if we follow the Way with eyes bright and brows clean. There is only woogie, blessed, blossoming and blanketing, at once tough as nails and chewy as the king and queen of toffees. So we are taught by Trebizondo Culpeper and so we have embroidered upon our pullovers. Link arms and sing, as snow falls and tinkly things tinkle. Sing!”

Pox does not go on to say what song it is his readers and students should be singing. To do so may have been psychologically impossible for him, for as we know he was, when young, expelled from the Conservatoire before his studies had properly begun, following the incident described in pages 45 to 64 of Pebblehead’s bestselling paperback The Gummed-Up Tuba And The Worm-Eaten Spinet.

Bonkers Maisie

Bonkers Maisie in her cart, trundling past the madhouse wall. Has she read The Intellectual Part by author Rayner Heppenstall? Yes she has, a hundred times, it is the only book she owns. She can act it out in mimes while juggling several traffic cones. She trundles ‘long the rutted lane, heading for the distant sea. Sprites cavort within her brain, a brain no bigger than a bee. Dainty is her air and mien, though her cap is set askew. She is in love with Lothar Preen, the maestro. He is bonkers too.

By the sea they shall be wed, then sail away in a barquentine. Hearts of tin, hearts of lead, they shall yearn and they shall pine for the land o’ pomposity they have quit, where Mrs Gubbins’ll sit and knit commemorative tea cosies by the score, for Preen and Maisie, on the shore, like King Canute upon the beach. In the squall huge seabirds screech.

The cart’s abandoned. It will rot. There’s a moral lesson there, is there not?

Pebblehead Goes To Porlock

Some years ago, I wrote about Dobson’s foolish theory that the person from Porlock who fatally interrupted the composition of Kubla Khan by Samuel Taylor Coleridge was, in fact, some kind of pod person from a parallel Porlock beyond the stars. I noted at the time that Dobson had never seen fit to devote a pamphlet to this twaddle, leaving us in some doubt as to the nature of this pod person, and in utter ignorance about the Porlock from whence it came.

Most people who have studied the matter conclude that the person in Dobson’s theory was a flesh-eating space zombie hatched from a pod, the pod itself brought to the vicinity of the Exmoor cottage in which Coleridge was staying by a primitive interplanetary cargo ship, intentionally or otherwise. But if this were so, and one such pod person came bashing upon the cottage door, how did the poet survive such an encounter? Survive it he did, of course, going on to live a long(ish) and fantastically talkative life thereafter.

Other questions surround the matter of Porlock, whether – in the theory – the pod-packed cargo ship crash-landed in the Somerset village of that name, or whether there is, somewhere in the mighty universe, a planet Porlock where are bred pod persons.

The latest writer to turn his attention to this fascinating business is Pebblehead, whose brand new bestselling paperback is entitled Person From Porlock! Note the missing Pod prefix. Pebblehead’s book is a first-person narrative, as if recounted by the “person on business from Porlock” himself, beginning a week before he strides o’er the loam to the cottage where Coleridge is ensconced, and ending, years and years later, as he faces death in a Victorian Porlock workhouse, his business, and his wits, having failed. In a tremendously exciting passage, Pebblehead has the raving and babbling person from Porlock imagining, on his deathbed, an encounter with his pod-doppelgänger who, it transpires, has been skulking about in his wake, like the familiar in the story by J Sheridan Le Fanu, ever since the fateful day in 1797 when he rapped upon Coleridge’s cottage door.

Several readers have pointed out the efforts Pebblehead takes to emphasise that this part of his narrative is, in his own words, “the hysterical drivel of a brainsick maniac”, and taken this to be a barb aimed at Dobson. Could it be that the paperbackist is limbering up for his long-rumoured unauthorised biography of the out of print pamphleteer, a work in progress which, it is said, will topple Dobson from his plinth in the pantheon of pamphleteers? No word comes from Pebblehead’s “chalet o’ prose”, only the sound of the indefatigable hammering of his fat fingers upon his battered and bloody keyboard.

Person From Porlock! by Pebblehead is published by Hefty Airport Bookstall Paperbacks Ltd, and is available from all good airport bookstalls.

Uncake Day

In some cultures, it is traditional for Uncake Day to take place shortly after Pancake Day. On Uncake Day, sacks of flour are hidden away behind wooden partitions, eggs remain uncounted and ignored in their nests and cartons, and milk from cows is used to make pap or slops for the benefit of bedridden invalids. No pan may be used for the making of a cake, on pain of excommunication from whichever faith one professes, or execution, by the severing of one’s head or the ripping of one’s heart, bloody and throbbing, from one’s chest, depending on the savagery of that faith.

It has been said, by Clunk among others, that the savagery of a religious tradition is in direct correlation to its cake dogmas. Woolly-minded, cardigan-wearing followers of weedy milksop faiths will have few if any prohibitions on the eating of cake, including the pancake, that most panny of all cakes. Such vapid belief systems also use cake as a celebratory foodstuff at every opportunity, rather than acknowledging its numinous quality by restricting cakey joy to one or two days a year, as the barbaric and blood-drenched religions do.

In a certain light, when cooked just so, a pancake resembles a miniature edible sun. That, surely, tells us all we need to know.

Pancake Day

[This piece ought to have appeared on Tuesday. Mea culpa.]

Dobson adored Pancake Day. Every year, in the weeks leading up to Shrove Tuesday, he grew ever more hot-brained and excitable, gathering sacks of flour, carrying out repeated Orwellian egg counts, and begging Old Farmer Frack for churns of milk from the mad old rustic’s cow collection. Every year, too, he revised, polished, embroidered, and sometimes even rewrote from scratch his pamphlet Pancakes : Food Of The Gods? (out of print).

In the complete Dobson bibliography, this title appears both with and without that question mark, like Sidney and Beatrice Webb’s fatuous Soviet Communism : A New Civilization?, written in 1935 at the height of Stalin’s terror, which lost its question mark between its first and second editions. Why Dobson ever phrased his title as a query in the first place is unfathomable, for he was absolutely convinced that all divine beings subsisted on pancakes and nothing else. A glance at any sacred text or compendium of myths quickly disproves the pamphleteer’s theory, if we can call it that, though “delusional idée fixe” would express it better. Dobson spent a preposterous amount of time working his way through the foundational texts of all major religions, Tippexing out all mentions of foodstuffs and, as soon as the Tippex was dry, scribbling in the word “pancakes”. At one point he commissioned Rex Tint, the noted mezzotintist, to create a mezzotint showing the Greek gods atop Mount Olympus, stuffing their faces with pancakes. The work was never completed, or even begun, because Dobson wanted to pay the mezzotintist in eggs, flour, and milk, and Rex Tint, famously, was a “cash only” mezzotintist.

It comes as something of a surprise to learn that in spite of his enthusiasm, Dobson was a hopeless pancake maker. He could never get the mixture quite right, and his tossing technique was laughable. He tried to divert attention from his pancake ineptitude through a combination of bluster, weeping, and pointing out of the window at an imaginary flock of chaffinches. Only late in his life did he face up to the truth, in the remarkable pamphlet My Pancake Ineptitude : A Heart-Rending Confession In Sixteen Bursts Of Hallucinatory Prose (out of print). In the sixteenth and final text, Dobson makes his most compelling case for the divine nature of this simple aliment, although the prose is so hallucinatory that not even the most diligent, pancake-focused reader can work out what in heaven’s name he is babbling on about.

ADDENDUM : A better, and more accurate title than Soviet Communism : A New Civilization would have been Soviet Communism : Enemy Of Orchards, as Michael Gilleland at Laudator Temporis Acti reminds us.

William Tell : Second Statement Of Particulars

My name is William Tell and I am an archer of repute. Much of my time is spent hiking the twenty-six cantons of my Swiss homeland, firing arrows from my crossbow at that which presents itself to me as an appropriate target. In a single morning, to give an example, between breakfast and elevenses, I might shoot at a rampaging wild Swiss boar, a henchperson of the Austrian Vogt of Altdorf, or an orchard fruit. So accurate is my marksmanship, I have been known to balance an apple on my son’s head, take a considerable number of paces away from him, turn, aim, and splice the apple in two with a lethal wood and metal missile, without harming a hair on Walter’s abnormally large head. Walter is my son’s name.

Despite the size of his head, I have not yet tried to balance either a wild Swiss boar or a henchperson on it. That sort of thing would probably delight a circus crowd, between turns by clowns and performing seals, and at times of harvest failure, when the Tell chalet is short of food, I have considered it. Walter would have to be persuaded to wear some kind of brace, of metal and leather, to support his neck and his back, and I can foresee problems in so persuading him, for he is very fashion-conscious, quite a dandy in fact. Though just now it has occurred to me that slain United States President JFK wore a back-brace throughout his one thousand days in office, without the citizenry being aware of the fact. I must point that out to Walter, as reassurance, should I decide to go down the circus performing route, next time the Tells go hungry.

Over the years I have fired arrows from my crossbow in all twenty-six Swiss cantons, including those which were once officially half-cantons. But I have not shot at orchard fruits, whether balanced on Walter’s large bonce or not, in each and every one. Consulting my records, I see that no fruit has been in my crossbow-sights in Obwalden, Zug, Solothurn, or Thurgovia. I must rectify those omissions, for I am a determined archer, and a completist. I still remember the afternoon I was finally able to place an X against Ticino in my handwritten canton-list. There I was, in the market square of Bellinzona, the capital, my heart swelling with pride as a hardy band of my Italian-speaking countrymen cheered their “Guglielmo Tell” to the rafters. The rafters were those of a temporary wooden structure erected for my display of archery skills. Four wild Swiss boars had been captured in nets, by tough and fearless hunters, one boar tied to each wooden cornerpost, and I had shot them with my crossbow, one after another, spinning around with the grace of a ballerina. Walter was a babe in arms at the time, the arms being those of my wife Coco, who watched my feat of boar-slaughter-with-crossbow from a safe distance, sitting on a bench at the edge of the market square, outside a butcher’s shop selling spicy Italianate sausages.

When my third statement of particulars is due, I plan to say a few words about sausages in Switzerland. My son Walter will be a great help, for he is apprenticed to a butcher in our home village in the canton of Uri. The butcher was at first alarmed by Walter’s gigantic head, but when he learned that his papa was the legendary archer William Tell, his ecstasy was such that it rivalled that of the Woodcarver Steiner as documented in Werner Herzog’s 1974 film. Steiner, of course, is a man of Switzerland, a skiing ace, and his first name is Walter. I like to think he was named after my son, but I have not had an opportunity to question his parents on the matter. But as I said, I am a determined archer, and I will winkle out the truth, even if I have to tie the Woodcarver Steiner’s papa and mama to the cornerposts of a temporary wooden structure in the market square of a canton capital, and take aim at them with my crossbow, primed and ready to fire.

Impenetrable Mysteries

There are certain impenetrable mysteries which tug at our imaginations and allow us no peace of mind. I am sure I am not the only person to be kept awake at night, tossing and turning, chewing the pillow, my brain fuming as I ponder in perplexity for the umpteenth time whether, for example, Badge Man was a living, breathing, armed maniac or merely a trick of the light, whether the Loch Ness Monster truly exists or is just a figment in the minds of socially inept men in anoraks who like to spend their time sitting in the lochside drizzle with Thermos flask and binoculars, whether it is permissible simply to wipe over one’s socks when performing wudhu. These are all terrifically mysterious matters, and there are many more, so many more it is a wonder we are not stunned into mental collapse.

Every now and then, we stumble upon some fragmentary clue which promises to shed light where previously there has been only darkness, ignorance, and numbing stupidity. One of the greatest puzzles gnawing away inside my head has long been to find an answer to the question: what did Tiny Enid do, once she had grown up and was no longer tiny? Though I am still unable to give a full account of her adult doings, I can, today, say one thing with a modicum of confidence – she dressed up as a bat.

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There remains some doubt whether this really is Tiny Enid. It may be an impostor, or even a hallucination brought on by a surfeit of lampreys. I am clutching at straws, dammit, but sometimes that is all we can do.

The Statement Of William Tell

My name is William Tell, and I am an archer of repute. Like Caspar Badrutt, the hotelier who pioneered winter sports, I am a man of Switzerland, country of chocolate swiss roll and neutrality.

My son Walter has a large head, and as he lolloped along the mountain paths, it tilted upon his neck and swung from side to side. He had become an object of ridicule among the goatherds.

My wife, Coco, delved into ancient books to see if she could discover a spell to shrink Walter’s head. I was fully supportive of this strategy, and entered many crossbow tournaments, the idea being to win prize monies so Coco could afford to buy more and more ancient books.

Though I won contests in every canton of Switzerland, and even abroad, in Italy, where they called me Guglielmo, and our chalet was piled high with ancient books, Coco failed to discover an effective spell.

Walter became low-spirited and unusually cantankerous. I feared for my coop of hens, towards which my son began to mutter animadversions. He was projecting his inner turmoil against harmless poultry, a psychological commonplace. Goatherds are larger, and violent when threatened.

Desperate, I sought advice from the Swiss Institute Of Deportment. I was told that the muscles in Walter’s neck could be strengthened rather than his head shrunk. The way to do this was to make him carry pieces of fruit balanced atop his crown.

That goes some way to explaining why Walter had an apple on his head when Hermann Gessler, Austrian Vogt of Altdorf, came riding by on his horse. By every Alp in Switzerland, how I hated the Vogt!

I shot the apple off Walter’s head with my crossbow to show Gessler that I was not a man he should mess with. I had a pomegranate in my pocket, and was about to balance it on Gessler’s head when I was apprehended by his henchmen.

To his credit, my quick-thinking son unlatched the hens from the coop and set the fear of god into them. He pointed at the henchmen, and yelled “Kill!” They immediately unhanded me, and fled alongside their Vogt of Altdorf.

Inside the chalet, Coco had brewed a potion from a recipe in one of the ancient books. Walter took a sip and spat it out, but I drank an entire gobletful. Shortly afterwards I lost touch with reality.

My name is William Tell, and that is my statement. I cannot vouch for its accuracy, as the potion is still coursing through my veins. I must now go and tell everything I know about Switzerland to a man named Ruskin, who says he is writing a book about this fair country.

Epigone

According to the art critic Cosmo Hoxtonwanker, “few things boost the ego of the great artist as much as the emergence, and failures, of their epigones, talentless imitators whose own work never cuts the mustard, but clearly owes everything to the example of the master. The opportunities for preening are legion.”

One might have hoped that the egos of the truly great would need no such puffing up, but Hoxtonwanker is surely right in this (as he rarely is in anything else). One thinks of the out of print pamphleteer Dobson, convinced at an early age that he would bestride the twentieth century like a colossus, but at the same time forever riven by doubts and insecurities. Marigold Chew has recalled how happy Dobson would be when some neophyte pamphleteer would blunder onto the scene, publishing a handful of hand-stitched copies of a tract with a title like Gosh, How I Wish I Was Dobson!, in prose that curdled as one read it. The bestselling paperbackist Pebblehead is reported to be equally gleeful when he sees the shelves stacked with pathetic imitations of his own tremendously thick glossy potboilers, so much so that he invites their authors round to his “chalet o’ prose” for cocktail parties, lording it over them and taunting them, often physically, by poking at them with a stick and dropping beetles into their drinks.

It is, of course, only the supreme talents, in any creative endeavour, who provoke the slavish and witless efforts of epigones. The rest of us must continue to plough our lonely furrows, keeping our spirits up as best we may, our egos fragile and subject to the vicissitudes of a world of pap.

Until now. For it is with possibly preposterous overexcitement that I can report the latest innovation from Blodgett Global Domination Cyber Enterprises GmbH. For the past couple of weeks, this brand new company, operating from an allotment shed near Sawdust Bridge, has been seeking ways to crush the likes of Google and Microsoft under its singularly decisive boot. Their first product is designed to appeal directly to persons of a creative bent who wish like hell they had an epigone, for just the kind of ego-boost Hoxtonwanker identifies.

The E-Pig One is a tiny robot pig that can be plugged in to your computer with a USB cable or a bit of fusewire knotted to a magnet. Once initialised, synched, and prinked, the circuit boards in the E-Pig One start buzzing away, creating copies of your most recent creative projects – whether they be novels or paintings or three-hour slabs of improv racket – and then cleverly draining all the spark out of them (if any). The resulting mess is then belched out on to the E-Pig One’s so-called “sty”. It has all the hallmarks of your own work, as it might have been imitated by a lesser being without access to the empyrean peaks of creative genius you inhabit. So you can bask and preen, while the E-Pig One whirrs to a standstill, charging up for its next task.

Such has been the industry buzz, Apple are apparently already working on an iPig. It won’t succeed. The beauty of the E-Pig One lies almost entirely in its spelling. That is what the punters will pay for.

The Blind Man As Poultry Inspector

Jorge Luis Borges’ tenure as a blind inspector of poultry, while brief, was not without precedent. We recall the case of Pimty, two decades earlier and far, far from Buenos Aires. It may be an exaggeration to dub him, as did Pebblehead in the title of his bestselling paperback biography, The Illustrious Pimty, but that there was a lustre about him cannot be denied, unless you want to start a punch-up. Pimty’s blindness was more Blunketty than Miltonic, he was the sort of man who enraged cows, when he trespassed in their fields, at weekends, carrying a picnic basket, under a thunderous sky, escaping the poultry market with its tin roofs and yelling merchants, his prison in the week, the inspector’s hut, the braille calendar hanging tattered from a nail and the nail rusted, pricking him if he wasn’t careful, blood on his fingers as his hands fumbled delving into a hen’s croup, prodding, inspecting, as he was paid to do, oh and more than generously, he got a fair whack, and he spent it on booze and floozies, they haunted the poultry market, like figures from an early Kirchner, gaudy, angular, themselves sozzled on bathtub gin, sometimes they clucked just like the hens, particularly in the early afternoon, poor Pimty fuddled but up to his duty, tape measure round his neck like a tailor shifting schmutter, god knows why, it wasn’t his job to measure the hens, nor their eggs, they joked he thought it was some kind of loose cravat, as if being blind he wouldn’t know, they should have learned from their failed tricks, those mischievous poulterers, shoving a ball of dough stuck with feathers on the inspector’s table, his rage was as terrible as the cows when he opened the gate of the field with one hand, holding tight to the picnic basket with the other, out in the mist, oblivious of it, but not of the cows that bore down on him, on Saturdays and Sundays when the poultry market was closed, shuttered, a deserted patch of concrete and cement, stray feathers scattered, neglected by the janitor’s broom, the janitor Pimty’s pal, some said his half-brother, deaf as a post where the inspector was blind, they made quite a pair even without the blood tie, always playing card games at lunchtime, rummy and spite and my lady’s bonnet and Croesus, no money ever changing hands, the table rickety, sawdust everywhere, the stove in the corner, rain on the roof, birds pecking grain from the floor, shadow in the hut door of the inspector of inspectors looming, come for the rent and a check up, Pimty defiant, spitting out his words, hair standing on end as if he’d seen a ghost, half these hens are sick, man, what do you expect me to do, have a tot of gin while you tally my ledgers, I have to go and have a word with a man about a Buff Orpington and a Dutch Hookbill, and off Pimty goes, weaving across the familiar yard, sniffing the air, a storm brewing, better put on his sou’wester, yellow as a duck in a nursery book, shiny cardboard pages, stiff, buckled here and there, as you’d expect, he remembered gazing and gazing, rapt, when still so tiny with eyes that worked, before the operation, the surgeon cutting the useless withered nerves and then the blur black, the new life, the hard study, the Poultry Inspection Board, such an easy examination, what’s this, what’s that, this is this sir and that is that sir and a badge for merit, he still wears it, polishes it and buffs it, daily, after breakfast, kippers or bloaters, Schoenberg cassette, Transfigured Night, day too, thinks Pimty, day too, transfigured and transformed, weekday poultry market and weekend picnic, when he gets out, humming as he approaches the gate in the field, beyond which angry cows await him, and he pacifies them, sweet nothings, try the same thing on the hens and there would be mayhem, that much he discovered, one awful Thursday, it was raining then too, and he slipped on straw or grease and gashed his leg, you won’t find a better tourniquet than a tape measure, believe you me, still there was much blood spilled before it was taut, Pimty’s gore, like a rare expensive wine, metallic bouquet, and something in it irresistible to ducks, dozens of them falling upon it like starvelings, splashing about in his blood, the inspector deafened by clucking, thinking I better find out exactly what it is that’s in my veins, I may be a miracle of medical science, who’d have thought, hens maddened by the blood-splattered ducks, shrieking tangles, add in the sirens from the emergency services and you have complete havoc, but Pimty back at the poultry market next morning, behind his table, sticking his fingers up a duck’s fundament, the sense of touch unerring, even through the rubber glove, bright yellow like the rainhat, like the ducks in the nursery book, so much yellow, it was Pierre Bonnard who said you can never have enough yellow, no more yellow for Pimty but the yellow in his brain, remembered yellow, bright enough when he strains the synapses, you can almost hear them ping and twang, if you listen carefully, and Pimty does, he’s all ears, that’s why he hears the enraged cows in the field even before they are enraged, before his thumb clicks open the gate, on picnic days, in sunshine or mist, or once, when his watch stopped, in the middle of the night, high wind, cattle in slumber, owls hooting, Pimty with his rug and hamper, jam sandwiches, fishpaste, cocoa, a drowned beetle in the flask, the janitor never joins him, Greb the janitor, he goes instead on organised picnics for the hard of hearing, to the grounds of castles and stately homes, not cow-strewn fields, always in daylight, light Pimty doesn’t see and hasn’t seen for years, though he senses it on his eternally closed lids, heat and cold, damp and haze, he no longer bothers with the sunglasses he used to sport, frames too heavy on the nose, he smashed them underfoot in a temper, drunk to hell at the time, swigging as he smashed, at the poultry market but off duty, on a Tuesday afternoon, with a floozie on his arm, giggling, egging him on, a bit batty if truth be told, or dotty, that’s the word, fond of the poultry, too fond maybe, in an unseemly way, kept trying to abduct a hen or a duck or a goose, take it home as a pet, oh go on Pimty nobody will miss it, I can call it Flopsy or Clytemnestra and make a pond for it in my bathtub, feed it grain or whatever it eats, I know a grain supplier, a man with a silo, oh pretty please, but for all he was drawn to grandiose debauch Pimty was as conscientious a poultry inspector as the market ever had, and he foiled her kidnaps, every one of them, using his lustre, really quite mysterious, but absolutely effective, going by results, the inspector of inspectors always had a good word for him, back at headquarters, that man Pimty is a bloody marvel, never a day goes by that his poultry inspections aren’t a masterclass in the art, even when he’s sozzled, there is a lustre about him that makes my jaw drop, Pimty never heard any of this, they never invited him to HQ, not even to the cocktail parties, a stuffy bunch, and him shall we say difficult, haphazard in certain settings, liable to break things, jugs, plates, toasters, he was a devil with toasters, rarely invited anywhere, hence the lonely picnics, Pimty in a field beneath the enormous sky, placating angry cows, sprawled on his rug, away from the poultry, maybe that was when he worked at his lustre, it was as if he emitted rays, no, a sheen, unearthly, when he chose to switch it on, which he certainly did when Pebblehead came calling, he’d heard rumours, bustled into the poultry market first thing Monday morning, in cape and spats, entourage of bodyguards, so where’s this blind inspector I’ve been hearing about, tell me dammit, I have a paperback to write, ah good day to you sir, gosh, Pebblehead dumbstruck, slumps in a chair, an assistant takes notes, Pimty all the while inspecting geese and hens and ducks, even a swan, mute, he doubles up on rubber gloves, uses some sort of beam, strange miniature torch, works its controls so so deftly, but the swan is dead, they prosecute the merchant, huge pile of legal papers, even bigger pile of braille for Pimty, big thick sheets, untold thousands of dots, he knows the whole thing backwards, fantastic witness, visits the swan killer in prison, dank cell, no smoking, repent, repent, but we can never have you back at the poultry market, you crossed a line and I drew that line, yes, and it’s indelible, like all my lines, wherever I draw them, he’s babbling, Pimty, making it up as he goes along, to strike the fear of god into the convict, before he’s shipped away, over the sea, to a penal colony, one specially built for bird-killers, rocky and remote, blasted by gales, screeching gulls, auks, guillemots, sky cold and grey and hopeless, place of penitence, prising barnacles from stone for food, all in Pimty’s mind, vengeful, eaten away with hatred, teeming visions, the hen in the brain, oh yes, lustrous, Pebblehead saw that, but he had no idea of Pimty in the round, the whole man, duck messiah, goose god. It is certainly worth reading the biography, soon to be a film, but much of what Pebblehead writes is nonsense. For one thing, Pimty looked absolutely nothing like Anthony Burgess.