Archive for the 'Things I Have Learned' Category

Anathema

I don’t know about you, but increasingly I find myself compelled to cast anathemas, often at bus stops, supermarkets, and other sites of close contact with one’s fellow citizens. But getting the tone right can be the devil of a job. One wishes the curse to come across as neither deranged nor weedy, but rather as a considered, cogent, rational, searing, and – above all – unarguable response to the situation.

How pleased I am, then, to have discovered this splendid outburst from Austin Osman Spare:

“Your theology is a slime pit of gibberish become ethics. In your world where ignorance and deceit constitute felicity, everything ends miserably, besmirched with fratricidal blood.”

It is from his book Anathema Of Zos, A Sermon To The Hypocrites (1927) which I am clearly going to have to read, possibly even learn by heart. Further reading here and, enticingly, the opportunity in a couple of months’ time to see an exhibition of Spare’s work.

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The Mystic Woohoohoodiwoo Experience

You would be surprised how often I am asked by readers if it possible to somehow experience the mystic woohoohoodiwoo conjured up by the Woohoohoodiwoo Woman in the deep dense weird woods, without actually having to enter the deep dense weird woods for a moonlit encounter with the Woohoohoodiwoo Woman herself. In part, your surprise would be that anybody could manage to articulate that question on an empty stomach. Until now, my standard answer has been “No, it is not possible to somehow experience the mystic woohoohoodiwoo conjured up by the Woohoohoodiwoo Woman in the deep dense weird woods, without actually having to enter the deep dense weird woods for a moonlit encounter with the Woohoohoodiwoo Woman herself,” although depending on how much time is at my disposal I might just say “No” or even slap the importuning reader about the head with the outer packaging from a carton of smokers’ poptarts.

I say “until now” because, thanks to David Thompson, I have learned of the activities of a certain Erial Ali. Click on this link, scroll down, slowly, slowly, and be engulfed in mystic woohoohoodiwoo!

Lupins?

Discouraging news reaches me about Dennis Beerpint. The weedy poet has, it seems, cast off his beatnik persona. In an interview with the magazine Ex-Beatnik Poets Speak Out! he says:

“People will accuse me of selling out, but quite frankly I am sick and tired of sticking it to The Man, you dig? There’s no money in it. I want to be a people’s poet, like Carol Ann Duffy or Ian McMillan, but I am neither the Poet Laureate nor an irritating professional northerner. So when the Co-op offered me the position of surrealist-in-residence, I jumped at the chance.”

“Surreal” is a much-abused word these days, but it is surely appropriate to describe Beerpint’s first effort on the Co-op’s behalf. He was asked to add an intriguingly madcap line to the allergy advice on their jam doughnuts, and came up with this corker:

These products have been prepared in an area that handles the following ingredients: Celery, Crustaceans, Fish, Lupins and Molluscs.

Clearly, though he may indeed have “sold out”, Dennis Beerpint has not lost his mojo.

NOTE : Many thanks to Gaw for drawing this to my attention.

Neither Dobson Nor Blötzmann Nor Joost Van Dongelbraacke

“He was an expert in many subjects and intervened widely in others. Among his contributions to learned journals were papers on meteorology, navigation, surveying, anthropology, archaeology, painting, photography, the use of spectacles by divers, ultrasonic whistles, diet fads, currency reform, visions, corporal punishment, the ideal length of rope for hanging people, the flashing of signals to Mars, and dozens of other topics. Almost as numerous were his inventions, ranging from advanced scientific instruments to gadgets for personal convenience. At the age of thirteen he designed a steam flying machine, followed by an hour-glass speedometer for bicycles, and, in later life, a periscope for seeing over the heads of crowds. It was used for viewing processions, of which he was particularly fond, in conjunction with a wooden brick, wrapped in cloth and tied to a string so that it could be lowered to the ground for standing on.”

I know what you’re thinking. Did Dobson and Blötzmann spawn some kind of love-child (perhaps using a technique concocted by the latter)? But no. Apart from anything else, that would be chronologically incoherent, like a leech doctor with a brain scanner. It is in fact Francis Galton, as described in Eccentric Lives And Peculiar Notions by John Michell (1984). There is a touch, too, of Joost Van Dongelbraacke, the suburban shaman. Michell notes that Galton

“was strongly religious, but the only type of worship that appealed to him was the spontaneous variety he had seen among the Africans. He considered that their chants, dances and fetish worship expressed the genuine religious spirit of the natural man. As usual, he put that belief to practical test. Looking round for the least worshipful object he could find, he hit upon the comic figure of Mr Punch, and forced his mind into believing that it possessed divine powers. The experiment succeeded. He came to experience ‘a large share of the feelings a barbarian entertains towards his idol’, and for a long time he was unable to look at Mr Punch’s grotesque features without a feeling of reverence.”

603px-Galton_at_Bertillon's_(1893)Photograph and Bertillon record of Francis Galton (1893)

Victorian Cut ‘n’ Glue

Kristan Tetens, at The Victorian Peeper, has a postage about an exhibition (in North America, alas) entitled Playing with Pictures: The Art of Victorian Photocollage. Splendid stuff, and I recommend you read, look, follow the links, and learn.

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Kate Edith Gough, Untitled page from the Gough Album (1870s)

Proper Mustard

A Very British Dude * explains proper mustard:

“Listless and radioactive yellow, [American mustard] does not add to the celebration of all that is good and holy in your mouth. The “Actions on” ingesting Proper Mustard are as follows. Your sinuses should clear instantly; your brain should be invigorated and you should develop a nose bleed. English Mustard delivers and it is thus the correct Mustard.”

* I am charitably assuming this is a deliberate oxymoron. The alternative is too horrifying to contemplate.

A Couple Of Germans

From Harper’s New Monthly Magazine, Volume 2, Number 12, May 1851

Physico-Physiological Researches on the Dynamics of Magnetism, &c., by Baron CHARLES VON REICHENBACH, translated from the German, by JOHN ASHBURNER, M.D., is a scientific treatise, showing the relations of magnetism, electricity, heat, light, crystallization, and chemism to the vital forces of the human body. It is founded on an extensive series of experiments, which tend to bring the mysterious phenomena of Mesmerism within the domain of physics, and in fact to reduce the whole subject of physiology to a department of chemical science… The investigations, of which the results are here described, are of a singularly curious character, exhibiting the most astonishing developments, with a philosophical calmness that is rare even among German savants.”

“In the album presented to the King of Bavaria by the artists of Münich, is an admirable composition by Hübner. It is an expression of the feelings of a large portion of Upper Germany. It represents a female prostrate upon the ground, with the arms crossed, the face entirely hidden, in an attitude of the deepest despair. The long hair floats over the arms, and trails along the ground. The whole figure is a mixture of majesty and utter abandonment. The simple title of the piece is – Germania, 1850.”

Books I Haven’t Read, No. 3

levelThat fellow on the cover bears a striking resemblance to the noted mezzotintist Rex Tint, during one of his “episodes”.

Stranded Amid Flowers

Speaking of sea monsters, I am indebted to Transpontine for drawing to my attention this fearsome creature of the deep which has somehow become stranded on Tooley Street in London SE1:

nessie

Father Ninian Tonguelash is on his way…

Sibthorp

Last week I quoted the views of Colonel Sibthorp, M.P. for Lincoln, on the Great Exhibition of 1851. And lo!, now I have come across him again, for Colonel Charles de Laet Waldo Sibthorp has a chapter entire to himself in the late John Michell’s splendid book Eccentric Lives And Peculiar Notions (1984).

“During his many years in the House of Commons, Colonel Sibthorp made his name as the most conservative Member of Parliament ever known, setting a standard of reaction, nationalism and xenophobia unrivalled in parliamentary history. He opposed every change and innovation, regarding even the mildest reform as a fundamental attack on his idol, the English Constitution of his youth.”

Prior to his election, asked if he would support reform, he replied:

“On no account would I sanction any attempts to subvert that glorious fabric, our matchless Constitution, which has reached its present perfection by the experience of ages, by any new-fangled schemes which interested or deluded individuals might bring forward, and those who expect any advantages from such notions will find their visions go like a vapour and vanish into nothing.”

“As his indignation flourished,” says Michell, “so did his powers of oratory. His emphatic speeches against anything new or foreign delighted the House of Commons and made him their popular favourite. The things he disapproved of were always ‘Humbugs’ , and his repetitions of this and other familiar terms of abuse were greeted with roars of parliamentary laughter. His dress was as old-fashioned as his opinions, usually consisting of a bottle-green frock-coat and wide white trousers hoisted high above his top-boots in the Regency manner. His wispy beard, tall white hat and antique quizzing glasses on a cord distinguished him from all other Members…

“Colonel Sibthorp was obviously very loyal to the Monarchy, but in his eyes Queen Victoria had committed one terrible blunder: she had married a foreigner. He always referred to such people as ‘hypocritical foreigners’, implying that they were not merely unfortunate but in some way sinister through having been born outside Britain. Prince Albert, he allowed, had some admirable qualities, but his character was permanently impaired by the fact of his foreign birth…

“The coming of the railways provided Colonel Sibthorp with the subject which grew obsessive during his later years. Beginning with the announcement that he had no intention of ever riding in the ’steam humbug;, he opposed all railway bills in principle and detail. The new ‘degrading form of transport’, he foresaw, would bring all sorts of disasters to its patrons, from moral ruin to wholesale slaughter. He kept an eye on the newspapers for reports of railway accidents, and accused the steam companies of playing down the gory details of crashes…

“Christopher Sykes, who has written affectionately about Sibthorp, says that Dostoievski used to read English parliamentary reports, and took Colonel Sibthorp as his model for Lebedev, the character in The Idiot who proclaimed that the network of railways spreading across holy Russia was the baleful ’star called Wormwood’ prophesied in the Book of Revelation.”

Swoons, Shudders, Convulsions & Dread

Here is a further enlightening snippet from Hargrave Jennings’ Curious Things Of The Outside World, Last Fire (1861) :

“Amatus Lusitanus relates the case of a monk who fainted when he beheld a rose, and never quitted his cell while that flower was blooming. Orfila (a less questionable authority) gives the account of the painter Vincent, who was seized with violent vertigo, and swooned, when there were roses in the room. Voltaire gives the history of an officer who was thrown into convulsions and lost his senses by having pinks in his chamber. Orfila also relates the instance of a lady, of forty-six years of age, of a hale constitution, who could never be present when a decoction of linseed was preparing, being troubled in the course of a few minutes with a general swelling of the face, followed by fainting and a loss of the intellectual faculties, which symptoms continued for four-and-twenty hours. Montaigne remarks on this subject, that there were men who dreaded an apple more than a cannon-ball. Zimmerman tells us of a lady who could not endure the feeling of silk and satin, and shuddered when she touched the velvety skin of a peach : other ladies cannot bear the feel of fur. Boyle records the case of a man who experienced a natural abhorrence of honey ; a young man invariably fainted when a servant swept his room. Hippocrates mentions one Nicanor, who swooned whenever he heard a flute ; and Shakespeare has alluded to the strange effect of the bagpipe. Boyle fell into a syncope when he heard the splashing of water ; Scaliger turned pale on the sight of water-cresses ; Erasmus experienced febrile symptoms when smelling fish ; the Duke d’Epernon swooned on beholding a leveret, although a hare did not produce the same effect ; Tycho Brahe fainted at the sight of a fox, Henry III of France at that of a cat, and Marshal D’Albret at a pig. The horror that whole families entertain of cheese is well known.”

A Snippet About Haddock & Cows

“The haddock… amongst marine animals, is supposed, throughout maritime Europe, to be a privileged fish : even in austere Scotland every child can point out the impression of St Peter’s thumb, by which, from age to age, it is distinguished from fishes having, otherwise, an external resemblance. All domesticated cattle, having the benefit of man’s guardianship and care, are believed, throughout England and Germany, to go down upon their knees at one particular moment on Christmas Eve, when the fields are covered in darkness, when no eye looks down but that of God, and when the exact anniversary hour revolves of the angelic song, once rolling over the fields and flocks of Palestine.”

Hargrave Jennings, Curious Things Of The Outside World, Last Fire (1861)

Mephitic Odours & Perverted Telegraph Boys

Further to the critical responses to Ulysses and Infelicia, here are extracts from four contemporary reviews of Oscar Wilde’s The Picture Of Dorian Gray:

“If Mr Wilde can write for none but outlawed noblemen and perverted telegraph boys, the sooner he takes to tailoring (or some other decent trade) the better for his own reputation and the public’s morals.” – The Scots Observer

“This is a tale spawned from the leprous literature of the French decadents – a poisonous book, the atmosphere of which is heavy with mephitic odours of moral and spiritual putrefaction.” – The Daily Chronicle

“The book is unmanly, sickening, vicious and tedious.” – The Athenaeum

“I would rather give my daughter a dose of prussic acid than allow her to read this book.” – ‘Paterfamilias’ in Uplift

ADDENDUM : Apropos Oscar Wilde, here is Gertrude Atherton explaining why, having seen his photograph, she declined an invitation to meet him : “His mouth covered half his face, the most lascivious, coarse, repulsive mouth I had ever seen. I might stand it in a large crowded drawing-room, but not in a parlour, eight by eight, lit by three tallow candles. I should feel as if I were under the sea, pursued by some bloated monster of the deep.”

Time Capsule

“Following the approved practice, two large vases, containing ‘a representative sample of contemporary items’, were deposited in the pedestal [of Cleopatra's Needle, on Thames Embankment]. ‘The mere list of these objects,’ declared the Saturday Review, ‘must provoke a smile.’ It was certainly well-calculated to have this effect, for, among them, were a Bible, a translation of the hieroglyphics on the column, a portrait of the Queen, a standard set of weights and measures, a Whitaker’s Almanack, a Bradshaw’s railway-guide, a Post Office directory, a ‘Mappin’s shilling razor’, an ‘Alexandra feeding-bottle, as used in the Royal nurseries’, and ‘photographs of twelve pretty Englishwomen’. Altogether, a mixed assortment.”

Horace Wyndham, This Was The News : An Anthology Of Victorian Affairs (1948)

Is all that stuff still there, entombed in vases beneath the Needle?

A Wilderness Of Rubbish

Many a moon ago, back in February 2004, I provided a couple of examples of the kind of invective to deploy when writing an unfavourable book review. The book in question was Ulysses by James Joyce – he invariably pronounced it “Oolissis”, by the way – and these were the passages I found so diverting:

“An immense mass of clotted nonsense” – Teachers’ World

“The maddest, muddiest, most loathsome book issued in our own or any other time… inartistic, incoherent, unquotably nasty … a book that one would have thought could only emanate from a criminal lunatic asylum.” – The Sphere

I can now recommend a couple more such tirades, though in this case the book is less well-known. Adah Isaacs Menken (1835-1868) was an actress, painter, poet, possible bigamist, and bareback circus equestrienne, and in the last year of her life she published a volume of poetry entitled Infelicia. In order to drum up sales, the rumour was spread, perhaps by Menken herself, that some, or all, of the poems were in fact written by her pal Algernon Charles Swinburne. However, all of them had previously appeared in various American magazines before she even met Swinburne. Infelicia’s lack of success may have been due, at least partly, to reviews such as these:

“A wilderness of rubbish and affected agonies of yearnings after the unspeakable, which achieve the nonsensical.” – The Athenaeum

“A bleared panorama of deaths and sighs and blood and tears and fire and general gloom and watery ghastliness.” – The Saturday Review

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