For some considerable time I have been keeping track of Schneebaumhooft. There is a map of the world on the wall of my study, into which I have stuck many many pins. They are colour-coded – pinky-red for possible sightings, reddy-red for probable sightings, and blood-red for definite and incontrovertible sightings. In certain lights, particularly towards evening, the reds look identical, and this gives me a certain comfort.
Each of the blood-red definite sightings of Schneebaumhooft is accompanied by a photograph, usually a snapshot taken hastily with a concealed camera. These are pinned up on the wall next to the map of the world, with a post-it note attached to the edge of each photograph giving details of date and location and, where known, the name of the agent who took the snap. Many of my agents are unwilling to divulge their identities. I used to make use of a system of aliases based on an alphabetical list of seaside entertainers of the interwar years, but I became too interested in the entertainers, and spent far too much of my time tracking down old end-of-the-pier variety theatre ephemera instead of tracking down what I was charged with tracking down, which was Schneebaumhooft.
As far as I have been able to gather, Schneebaumhooft was never employed in any kind of capacity as an entertainer. It is laughable to think of him on stilts, for example, or having a custard pie splurged into his face by an accomplice. And yet that is how he appears to me in my dreams. Sometimes he is singing a humorous song, or doing some business with a couple of napkins and a budgerigar while an audience of working-class day-trippers from grim industrial hellholes roar with laughter or gasp in wonderment before breaking into applause, clapping punctuated with whoops and cheers. When I wake from these dreams I go into my study and gaze at the wall, and I am reminded that there has not been a single sighting of Schneebaumhooft anywhere near the seaside.
For some considerable time I have been wondering why Schneebaumhooft is so terrified of the sea. The sea is never still. It is vast and it is merciless. Perhaps that is why.
The Beacon of Mush (Ambush of the Cone)