Archive for the 'Speak, Memory!' Category

A Mystery Solved

Last April I posted a plea for help. For thirty years I had been incapable of deciphering part of the lyric of Capitalist Music’s titanic masterpiece “Jane’s Gone To France”. Several readers tried, but failed, to work out what on earth the great Steve Bloch was harping on about, and were equally as baffled as me.

Now, out of the blue, someone called Matt has added to the comments on that post, and provided the answer. And of course, when you listen to the song again, knowing what Matt has told you, it seems absolutely clear, and indeed obvious.

I doubt that any of you care very much, but this has made me happy. Thank you, Matt.

On The Latin Mass And Moby-Dick

I remember the Latin Mass. Dimly, dimly, but I do remember it, in all its mystery. It was perhaps made all the more unfathomable because, until I was six or seven years old, we attended Sunday morning Mass in a pub. Not in a function room within a pub, but in the main bar area. Towels were draped over the beer pumps, that I remember. These were the only visits to a pub my family made.

Thinking back, I must have found the world a very confusing place, at least on Sunday mornings. All smartly dressed, we would walk together to this big pub on a crossroads, wherein a man in a black soutane would intone what must have struck me as gibberish, while performing slow ritualistic manoeuvres, against a backdrop of a counter lined with a row of unknown objects hidden under towels, behind which was a glittering array of bottles and glassware. I remember that when Mass ended, many of the parishioners, and the priest, remained behind, eager for the pub to open, but we always left to go home.

There was no Catholic church on the council estate where I grew up, and I assume the parish had persuaded the pub landlord to offer his premises to ensure our souls were saved. In my memory, I date the change to the vernacular Mass, and the longer walk to the parish church proper, as happening at the same time, when I was six or seven. Thus passed forever a curious feature of my childhood. I was old enough for it to have become a familiar, even reassuring, routine, and I recall a vague yet definite sense of disappointment with the new regime. I didn’t mind the longer walk – it took us through a park, with a playground and a duckpond and immense green well-mown lawns – but instead of the wood-panelled gloom of the pub, Mass now took place in a bright, modern church and, worse, I could understand the words. All the mystery was leached out of my Sunday mornings.

It took only a few years of that before, one morning when I was fourteen, I woke up with the clear conviction that the whole Catholicism hoo-hah – actually, no, the whole religion hoo-hah – was absolute twaddle. I have never seriously diverted from this view in the succeeding years, despite a couple of wobbles. My devout yet tolerant parents never made an issue of it, never forced me to attend that ghastly bright modern church against my will, though I remember my father telling me, with a strange admixture of the world-weary and the smug, that the day would come when I would return to the bosom of the church and re-embrace the faith of my childhood. Who knows?, he may yet be proved right.

I find myself wondering if my loss of faith, which really did seem to happen overnight, would have been quite so decisive had the Mass still been said in Latin, had we still celebrated it in the pub. There was something very seductive about those incomprehensible words. I would happily have swapped the pub for a church that was old and stony and cold and gloomy, but knowing the sense of what the priest was saying, and what I was bidden to respond, was fatal.

The name of the pub was the Moby-Dick. It is still there, on the crossroads. Not so long ago, I passed it, on the way to somewhere unconnected with my childhood, and I was pleased to note – for the first time, but also for the first time consciously checking – that the hyphen in the title of the novel is present and correct in the name of the pub. (Just as Orwell’s Nineteen Eighty-Four is often given as 1984, so Moby-Dick loses its hyphen, to my minor irritation.) When tiny, and attending Mass, I was of course wholly ignorant of Melville’s novel. It was not among the many many books on the shelves at home – a huge number of books, the possession of which I thought was commonplace, until I grew a little older and learned that most of our neighbours on the estate had no books at all. But I did know that Moby-Dick was a whale, for so it was depicted, white and thrashing about in the sea, on the pub sign. I cannot remember how old I was when I learned of the existence of the book, though I do recall, as a teenager, buying the copy I still have, the Penguin edition bulked out with Harold Beaver’s remarkable critical apparatus. Years passed before I actually got round to reading it, and I read more of Melville – Bartleby The Scrivener and Typee and The Confidence-Man : His Masquerade – before I read Moby-Dick. Which, of course, if I am to insist on the hyphen, I should also take care to give its proper title Moby-Dick; or, The Whale. And typing that last word reminds me, all of a sudden, that the name of the road on which the pub is situated, one of the four meeting at the crossroads, is Whalebone Lane. I have no idea what possible connection there is between this road, far from the sea, and whales or whaling. No doubt I could find out.

I do know, incidentally, that close by, for many years, lived Eva Hart (1905-1996), one of the longest-living survivors of the sinking of the Titanic. There is a local pub named after her too.

On My Father

Today would have been my father’s 87th birthday. In a change of tone from the usual Hooting Yard guff, here is a remembrance of him. Following Georges Perec’s Je me souviens (1978) and Gilbert Adair’s Memories (1986), I have written, in no particular order, a set of sentences each beginning “I remember…” There are fifty-eight in all, one for each year of his life. I wrote them at one sitting, as they bubbled to the surface. On another day I might write a different list of memories.

1. I remember he smoked a cheap brand of cigarettes called Carlton Premium.

2. I remember the Evening Standard ringing him up after he made disparaging remarks about Dr Rhodes Boyson, though I don’t remember the context, or how the paper knew.

3. I remember his love of crime fiction.

4. I remember his love of football, and that – uniquely among aficionados of the game? – he did not support any particular team.

5. I remember his hip-flask of Scotch.

6. I remember seeing him cry only once, when talking about his father.

7. I remember him using the nickname “Brucie” for my mother.

8. I remember when his choice of hat convinced some of our neighbours that he was a Russian spy.

9. I remember he read The Guardian and the Morning Star.

10. I remember he always called The Guardian The Manchester Guardian

11. I remember him wandering around the house with a tea-towel over his shoulder calling out “Any more pots?”

12. I remember he called Ready-Brek Fairex.

13. I remember precisely the style of his spectacle-frames.

14. I remember the way he referred to Norman St John Stevas as “Ste-VASS”.

15. I remember that he subscribed to a Soviet propaganda magazine called Sputnik.

16. I remember him dusting individually the books on the bookshelves.

17. I remember his habit of cutting off the corners of dust-jackets where the price was shown.

18. I remember him saying “The whole point is…”

19. I remember his afternoon naps on the sofa.

20. I remember his loud snoring

21. I remember him saying “It’s like Blackpool Illuminations” when a light was left on in an empty room.

22. I remember his psoriasis.

23. I remember him telling me that when he played football as a young man he was nicknamed “Twinkletoes”.

24. I remember his hatred of Reginald Maudling but also his insistence, when Maudling died, that one should never speak ill of the dead.

25. I remember his sentimentality.

26. I remember that Random Harvest (Mervyn LeRoy, 1942) was his favourite film.

27. I remember him taking me to a Manchester United match (at Upton Park?) and how his Manchester accent became unconsciously exaggerated when speaking to other fans.

28. I remember him saying “daft as a Toc H Lamp”.

29. I remember his puritanical streak.

30. I remember his dismissal of anything other than the plainest foods as “foreign muck”.

31. I remember him telling me how he had gone to the Chinese embassy to be given a free copy of Mao’s Little Red Book (which I still have).

32. I remember his fierce attachment to his mother.

33. I remember him polishing his shoes.

34. I remember that the bottle of Guinness he drank with his evening meal was “medicinal”.

35. I remember kicking a football around in the garden with him.

36. I remember when he wore a shirt with a collar that made him look like a priest.

37. I remember his collection of cigarette cards.

38. I remember the time he bought a hideous plastic rose in a glass globe as a birthday gift for my mother.

39. I remember him as an educator.

40. I remember him taking me to summer garden parties at the home of his colleague Mike Gibbs.

41. I remember learning that he had been very ill and almost died shortly before I was born.

42. I remember his brilliantine.

43. I remember him mowing the lawn.

44. I remember learning that he had all his teeth extracted at the age of thirty and had dentures fitted.

45. I remember his friend Jim Spraggins.

46. I remember him pontificating.

47. I remember him showing me the “grooves” on his hands that were the first signs leading to a diagnosis of motor neurone disease.

48. I remember his uxoriousness.

49. I remember his infuriating habit of tidying that which was already tidy.

50. I remember his insistence that one should always have an up-to-date atlas.

51. I remember, when I boasted that I had dodged my bus fare, how he reprimanded me for my dishonesty, his clarity about right and wrong.

52. I remember his supper of boiled egg and bread mashed into a pulp.

53. I remember how he hated Monty Python but loved Fawlty Towers.

54. I remember how he loved the Carry On films.

55.I remember his postcard collection.

56. I remember him supporting me academically.

57. I remember that he always wore a vest under his shirt.

58. I remember clearly the last time I saw him, sitting at his desk, reading the paper, drinking whisky, on the morning of Monday 16 May 1983. He died two days later.

Mr Key, When Tiny

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Ghoul

A ghoul from the 1994 Hooting Yard Calendar

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Nisbet Spotting Addendum

Dear Mr Key, writes Dr Ruth Pastry, I read yesterday’s piece about nisbet spotting and put two and two together. I think the “hapless enthusiasts” of the Nisbet Spotting Society were seeking high and low for that odd being depicted in the Hooting Yard “implausible” emblem, as shown in the heading of your website and on those fetching lapel accoutrements. My unpaid intern research assistants tell me that the emblem first appeared, in black and white, on the cover of an edition of the ReR Quarterly magazine in the late 1980s, cheek by jowl with several other emblems. If this is the case, then in terms of simple chronology it would have been impossible for nisbet spotters of the early 1970s to spot it, as it did not yet exist. Had you had a bit of stamina and kept up regular production of the Official Journal of the Nisbet Spotting Society, those hapless enthusiasts would not, with the passing of time, have been quite so hapless. Yours indefatigably, Dr Ruth Pastry.

Implausible circle

Dr Pastry is correct about the provenance of the emblem. If any reader has a copy of the magazine in question, perhaps they would be good enough to scan both front and back covers and send them to Mr Key. On the question of whether or not the “odd being” is indeed a nisbet, I think it best to reserve judgement until a panel of experts has been empanelled to consider the matter with due diligence.

In Praise Of Nisbet Spotting

Reading a couple of blog postages today led me to cast my mind back to the heyday of nisbet spotting in the early nineteen-seventies. In The Dabbler, ZMKC fondly recalls an absurd and pointless exchange of correspondence with a schoolfriend, while BlackberryJuniper And Sherbet apologises (unnecessarily) that she is “thinking aloud about nothing in particular”.

Absurdity, pointlessness and “nothing in particular” as one’s subject matter all dovetail neatly into the theory and practice of nisbet spotting. I earlier gave some account of this exciting activity here. To recap, aged around ten or eleven, I created a newspaper or magazine which purported to be the Official Journal of the Nisbet Spotting Society. Written by hand, illustrated with drawings and collages, the pages carefully stapled together – though not with fairy staples – the contents of the Journal chronicled the failure of the Society’s members ever to spot a nisbet. Indeed, I made it a conscious point never to explain what a nisbet was. I suppose it was my version of the Snark or the Boojum, though I don’t think I had read Carroll’s “Agony In Eight Fits” at the time.

Did the nisbet even exist, or were those seeking to spot one on a futile quest? We shall never know, for before I faced up to deciding one way or another, I abandoned the Journal after five or six issues and discovered other enthusiasms. I continued to write, though I don’t remember what. Then soon enough I entered the dread world of teendom, and became very serious and earnest, as teenpersons will do, and my writing suffered accordingly. I had an important message for the world, if only it would listen. It did not.

It took about ten years for me to regain my mojo, and to realise that the absurdity and pointlessness and “nothing” of nisbet spotting showed the way forward. To a large extent, everything I have written over the past quarter of a century, since the first Malice Aforethought Press booklet in 1986, has been a sort of hommage to those hapless enthusiasts of the Nisbet Spotting Society.

Obsequies For Lars Talc, Struck By Lightning

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This is the cover of Obsequies For Lars Talc, Struck By Lightning. It was published in an edition of twenty-five copies in 1994, under the Hooting Yard Press imprint and – save for a brief, rewritten, extract posted here some years ago – has never again seen the light of day. It was the last piece of prose I completed before my descent into the maelstrom, or the Wilderness Years, or whatever one wants to call that period of ruination from which I eventually emerged with the launch of the Hooting Yard website in 2003.

I am planning to republish Obsequies, with the original text unaltered, as the second volume in the Out Of Print Pamphlets Reprinted series, later this year. Meanwhile, I have decided to read the whole thing on the radio, starting with this evening’s episode of Hooting Yard On The Air on Resonance104.4FM, continuing next week, and possibly the week after. (I’m not sure how long it will take.)

Turn on, tune in, pin back your ears, and listen.

Young Mr Key, Ensashed

Further to yesterday’s photograph of my mother, here is another snap from yesteryear. Click for a (slightly) larger version.

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Lydia Stephania, 1925-1994

Today would have been my mother’s eighty-sixth birthday. Here she is circa 1951 with my sisters.

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Your Capitalist Music Cuttings For Today

No luck as yet with the decipherment of the great Steve Bloch’s lyrical sally in “Jane’s Gone To France”. But for those of you keen to see the resurrection of perhaps the most important beat combo ever to mention Marshal Petain in a song, here are some cuttings culled from distant outposts of Interwebshire.

First, two reviews of the magnum opus itself, from a couple of local rags. Please note that a young Mr Key did not write either of them.

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Second, unfortunately as low in resolution as he was high in importance, Bloch himself, on stage.

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The Land Of Cheese And Wine

I have been called many things in my time – “Mr Key” and “a Diogenesian recluse” are two that spring to mind – but the one I particularly treasure is “the anti-Capitalist Music journalist”. Alas, the tiny speck of Interwebshire where these words appeared has vanished. Let us hope it pops up again somewhere one day.

Capitalist Music were an endearingly preposterous band, based in Norwich, in those heady post-punk days circa 1979-1982. Their chief characteristic, as I recall, was an almost boundless self-importance. For the crime of having given them a so-so review in a local rag, I earned my immortal epithet. Not “an” anti-Capitalist Music journalist, note, but “the” (as if they were otherwise universally adored), and the implication that my opinion of them was the defining fact about me. I may have been scribbling reviews of other bands, and of films, and bashing out a cartoon strip, but what did that matter? Surely everybody knew me as “the anti-Capitalist Music journalist”.

But was I, truly? After all, here I am writing about them thirty years later. The reason for doing so is basically a plea for help. For me, the band’s finest work was the ludicrous “Jane’s Gone To France”, with its rousing lines “It’s the land of cheese and wine / It’s the land of Marshal Petain!” Yet no matter how efficiently I sluice out my ears with Dr Baxter’s Ear-Sluicing Preparation, I have never, ever been able to work out what on earth the great Steve Bloch is singing in the next line. So in a desperate attempt to solve this puzzle that has haunted me for three long decades, I am posting the song here. Have a listen, and when you have calmed down sufficiently, and stopped giggling, do let me know what you think that line is.

Jane’s gone to France

It’s the land of cheese and wine

And it’s the land of Marshal Petain

And it’s the land of [what, for God’s sake?]

She was a good girl

But now she’s gone for good

Capitalist Music – Jane’s Gone To France

from the 1981 compilation album “Welcome To Norwich A Fine City”

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Overseas Jesuit

Mention of Dr Charlotte Bach’s tragically unrealised Aztec board game summoned to memory a family favourite from my childhood. Overseas Jesuit was a board game in which one rolled the dice and moved one’s counter across various dark and benighted continents, converting the heathen hordes by fire and sword. So simple were the rules that the game was suitable for even the tiniest young Catholic.

Arschloch

For no particular reason, Vogel with the late Ivor Cutler. Genius at work.

Arschloch (click to listen)

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Thunderbolt!

Waspish playwright Maud Wasp, holding a tin trident atop Pilgarlic Tor, struck by a thunderbolt.

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A drawing, like almost all my drawings, from the last century. It is a detail from the 1992 Hooting Yard Calendar, wherein Maud Wasp hid behind a pseudonym.