Actual Size

Before plunging into the ocean, snorkelled and flippered or, as it may be, encased in full body diving gear, it is critically important that you are aware of the actual size of the innumerable life forms that teem within the vasty deep. If you have read Pebblehead’s bestselling paperback The Neurasthenic Aquaperson, you will appreciate the force of my argument. In this book, the author ploughs through a relentless litany of aquatic diving enthusiasts of a nervous disposition who came a-cropper in the water because they feared an encounter with some monstrous sea-being whose picture they had pored over in an album of marine life, without having taken care to read a parenthetical addendum to the caption saying (actual size) or (not to scale).

For the hearty and the reckless, of course, there is no problem. They will topple off the side of their boat and go happily splashing about in the depths with the same gusto they would take to striding across a wild and desolate moor, or tucking into breakfast in a magnificent hotel dining room. But woe betide the mentally fragile diving person, one who suffers from attacks of the vapours, should they jump into the broiling ocean unprepared!

Let us consider an example. Here is a picture of Zoanthus socialis:

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In reality, this is a tiny thing, much magnified in our reproduction, and threatens no peril to the average-sized human diver, whether hearty or neurasthenic. Yet the latter, those whose brains are given to fuming imaginings based upon anatomical inaccuracy, may have understood these wee creatures to be titanic in size. They may fear being sucked into Zoanthus socialis’ hideous maw, helpless and alone. Such timidity in the sea is desperately bad for the moral fibre.

Pebblehead acknowledges that many nerve-wracked oceanic explorers will prepare themselves by swallowing a draught of some brain tonic or emboldening potion before clambering into their wetsuit. He condemns this practice, rightly in my view, in prose of towering vigour. “There can be no substitute,” he writes, “for preceding each dive into the squalid black depths of the oceans with untold hours of study of the actual size of thousands, nay, millions of grotesque life forms that populate those very same squalid black depths into which the neurasthenic aquaperson is due to plunge!”

Some cynics have pointed out that Pebblehead has a vested interest. He owns the rights to a patented mechanism by which the prospective diving person is able to stand before a full-length mirror and watch as, one after another, actual size images of numberless sea-beings are superimposed upon his or her body. An accompanying set of tomes contains colour plates of each creature, fully captioned in English and Latin, which can be consulted during the slide show, or separately. This seems to me to be a wholly admirable enterprise, and it is no skin off my nose if it earns Pebblehead a fortune. Indeed, one might ask what comparable service to humanity, neurasthenic or otherwise, is being provided by other bestselling paperback authors. Perhaps I am being unfair to the likes of Andy McNab, Barbara Taylor Bradford, and Martin Amis, but where oh where are their initiatives to give succour and hope to jangle-brained aquapersons, pig farmers, posties, stamp collectors, bellringers, detectives, pie shop proprietors, and conquistadors? Pebblehead deserves a medal, or at least a tin cup, and I for one will happily campaign on his behalf. I shall be outside the town hall with a placard and a flask of tea at six o clock tomorrow morning, and every morning. Join me.

Take Me Back To Old Plovdiv

This piece first appeared in August 2004. I am posting it again for the simple reason that now, thanks to the indefatigable Salim Fadhley, it can be accompanied by a photograph, and thus be truly inspiring…

I am suffering from a spiritual malaise. I am soul sick. I have not eaten any breakfast. I need to darn a hole in the sleeve of my jumper, but I have no further wool that matches. I feel inconsequential and abandoned and remote. My cheeks blush furiously with an embarrassment born of pity. Every last pencil I have is blunt. I am being driven crackers by my landlord’s drooling hound. My senses are atrophied, like a muscle unexercised. Pots and pans are strewn haphazardly in my kitchen. My legs have given way. I have an evil taste in my mouth. Hope is something for other people, not for me. My teapot is cracked and the cosy is stained and threadbare. Nervous spasms contort my features. I keep to the shadows if I have to move in the street. Do you hear that sound? It is my groan of despair. I have extinguished all the lanterns and I know in my cold, base heart that they will never be lit again. The air is heavy with menace and all I can hear is the screaming of desolation and ruin. Insects swarm about my face but I cannot summon the energy to swat them away. I have sprained my ankle. Dust lies everywhere, ashes and dust. Desire, ah, desire for me is not even a memory. Feral cats hiss at me and extend their claws. Even my poultry is contaminated. All sense of urgency is lost and yet I cannot relax. My head is swimming. My shoes let in rainwater and my socks are soaking wet. The washbasin is cracked. The taps no longer work. Even the most innocent and cherubic children spit at me. I gag on my own wretchedness. And then with a mighty effort, I pull myself up, and I trudge across Bulgaria like a whipped cur, and I go the Central Post Office building in Plovdiv, and I look at Georgi Bozhilov’s mural. Yes, that Georgi Bozhilov, whose nickname was Slona, or Elephant, a member of the so-called Plovdiv Fivesome. I gaze at the post office mural and somehow I am pulled back from the brink, and I embrace life again, wholeheartedly, blissfully. Here… here is a photograph of the mural, so you too can gaze upon it, and experience revelation!

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Celebrity Flibbertigibbet Attic

Dobson could be a very prescient man. Imagine for a moment a world where the magazine racks in newsagent’s shops contain titles like Nunc Dimitis and Look, Cogitate & Learn and The Weekly Cranium, rather than Pap! and Fluffyhead! and Tat! It was like that once, in the middle of the last century. And it was in such a world that Dobson woke up one morning, went downstairs and ate bloaters for breakfast, and polished his Montenegrin hunting boots, and walked out into the rain with a surprising sense of purpose. He had had one of his bright ideas, and he was going to act on it without delay.

He did not pause by the illegal butcher’s shop, nor by the Tundist Owl Library, nor at the lido nor the pie shop nor the allotments, but strode onwards to a pond at the very edge of town where a fledging television programme making unit had set up cameras to record a documentary about swans. A Quaint, Black And White Look At Some Swans Near A Pond was planned as a primetime series for later that year, and would prove to be the most popular show of the decade. It was that sort of world.

Elbowing his way through a security cordon, Dobson identified the producer, seized him by the collar, and dragged him off to one side.

“I have an idea for a television series,” he shouted at the pipe-smoking, cardigan-wearing weakling who crumpled in awe of the out of print pamphleteer.

“I suggest,” continued Dobson, “That you immediately stop filming these confounded swans and instead take up my brilliant idea, which is as follows. You gather together roughly a dozen well-known persons, all of whom tend to be flibbertigibbets by nature, and you lock them in an attic for two months. You then film them, being flibbertigibbets in an attic. The programme would be called Celebrity Flibbertigibbet Attic, and I have absolutely no doubt that it will be a hit, a palpable hit!”

The scrawny television producer squirmed free from Dobson’s importunate grasp, and thumped back through the mud towards where his team was filming over one hundred and twenty hours of swan footage. He paused only to re-light his pipe, which had gone out after a fleck of Dobson’s spittle landed slap in the middle of the bowl.

At this point several swans who had wandered away from their allotted places set upon Dobson, whooping at him and pecking at his trousers, and he fled. On his way home, he stopped in at the early morning skiffle club milk bar, and became obsessed with the rhythmic bashing of washboards, an interest which utterly consumed him for several weeks, by the end of which time he had completely forgotten about his ground-breaking television concept. He could be, as I said, a very prescient man, but he was far too easily distracted.

Further reading : inadvisable.

My Brother’s Cistern And My Sister’s Cistern

Today I would like to tell you about cisterns. Specifically, I would like to talk about my brother’s cistern and my sister’s cistern. They are two very different cisterns. My brother’s cistern was manufactured by Pastewick & Co, an old family-run firm, whereas my sister built her own.

Pastewick cisterns are admired for the simple elegance of their design, which still relies on a chain rather than a lever or push button. The founder of the firm, Alonzo Pastewick, who cut a sort of Scaramouche figure, was what is known as a “chain cistern man” in the trade. In contrast to the simplicity of the cistern itself, Pastewick chains tend to be rococo. My brother’s cistern’s chain, for example, is a wonder of metalwork, knotty and swirling and embedded with floral motifs, at the end of which is a wooden handle carved in the form of a Naiad, the Greek fresh water nymph. Neither chain nor handle is a Pastewick original, for these – made before 1911 – are now much-prized and highly expensive. What my brother has is a modern reproduction, made by Pastewick & Co themselves, and still fairly pricey. When he bought the house in which the cistern lurked, like a porcelain treasure, it had one of the postwar ‘Suspension Bridge’ chains the company favoured at the time. It had been ill-treated by the previous occupants – God knows how! – and was buckled and rusting. My brother devised a foolish tale about the chain having been used to weigh down a corpse thrown into a lake, then subsequently recovered, and even tried to sell a short story based upon his idea to Madcap Potboilers! magazine. The editor sensibly refused it and the manuscript ended up as fuel for a bonfire.

I have never been entirely clear how my brother raised the money to buy the Naiad reproduction. Arrested an extraordinary four times in connection with the Sausage Factory Affair, no charges were ever levelled against him and so I suppose he must be innocent. He was also able to prove that the snapshots of him in a conspiratorial huddle with Soapy Binglegloom were faked, which presumably means he had nothing to do with the Pointy Town Killings. Anyway, however he raised the cash, my brother was able to replace his chain and handle within two years of moving in. He even threw a party to celebrate the occasion, which as far as I know is the only time he has ever hosted a party. Certainly it’s the only one I have ever been invited to. I was astonished at all the celebrities who were there. I had no idea my brother had even heard of DeForest Kelley, Nikolaus Pevsner, or Olivia De Havilland, let alone that he was on back-slapping terms with them. Of course we all had to troop into the bathroom at one point to admire the Pastewick reproduction, while my brother brayed. That was the night of the Squirrel Sanctuary Horror, so he had a perfect alibi.

My sister wasn’t at the party, though she had been invited. She had a good excuse, having slipped a disc while doing the final digging for her home-made cistern. Hers is a huge tank with a cement floor and dirt walls coated in plaster. There is a lid, of course, to prevent mud, creepy crawlies, small creatures such as otters or weasels, or her seven children from getting into the water. She pooh-poohs Pastewick and all his works. “The man was but a Scaramouche chain cistern man,” she wrote in her latest letter to me, from her cell in the Big Grim Prison at Vug-On-The-Ack, where she is on remand as the chief suspect in the Choctaw Guide Dog Scandal. I have no idea whether she is innocent or guilty, but I promised her I would keep an eye on her cistern, and that I shall.

Licking A Tainct

Sir Thomas Browne tells us, in Pseudodoxia Epidemica:

There is found in the Summer a kind of Spider called a Tainct, of a red colour, and so little of body that ten of the largest will hardly outway a grain; this by Country people is accounted a deadly poison unto Cows and Horses; who, if they suddenly die, and swell thereon, ascribe their death hereto, and will commonly say, they have licked a Tainct. Now to satisfie the doubts of men we have called this tradition unto experiment; we have given hereof unto Dogs, Chickens, Calves and Horses, and not in the singular in number; yet never could find the least disturbance ensue. There must be therefore other causes enquired of the sudden death and swelling of cattle; and perhaps this insect is mistaken, and unjustly accused for some other. For some there are which from elder times have been observed pernicious unto cattle, as the Buprestis or Burstcow, the Pityocampe or Eruca Pinnum, by Dioscorides, Galen and Ætius, the Staphilinus described by Aristotle and others, or those red Phalangious Spiders like Cantharides mentioned by Muffetus. Now although the animal may be mistaken and the opinion also false, yet in the ground and reason which makes men most to doubt the verity hereof, there may be truth enough, that is, the inconsiderable quantity of this insect. For that a poison cannot destroy in so small a bulk; we have no reason to affirm. For if as Leo Africanus reporteth, the tenth part of a grain of the poison of Nubia, will dispatch a man in two hours; if the bite of a Viper and sting of a Scorpion, is not conceived to impart so much; if the bite of an Asp will kill within an hour, yet the impression scarce visible, and the poison communicated not ponderable; we cannot as impossible reject this way of destruction; or deny the power of death in so narrow a circumscription.

Cuxhaven

This is the coat of arms of Cuxhaven:

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In Cuxhaven, there is a tower built of concrete which is inaccessible to the public, which means to you and me, as well as to native Cuxhavenites. The significance of this inaccessible Cuxhaven tower for denizens of Hooting Yard will become apparent quite soon.

There is a beach at Cuxhaven, too, which is the setting for Pebblehead’s bestselling paperback The Beach At Cuxhaven, which I wouldn’t recommend, as it is a mere potboiler, with wooden characters, leaden imagery, and a pewter plot.

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Vagrant Goat God

I have been asked to write some further words about the golden key to the secret fortress of the mysterious Adepts of the hidden tower of the invisible goat deity. This key is referred to in Emboldened, In Gumboots, where it is suggested that obtaining it, and bringing it back to HQ, was the object of the no longer weedy volunteer brevet cadet’s dangerous mission.

Rather than babbling on about the key, however, I think readers would be better served if I said something about the invisible goat deity itself. This goat god was not only invisible, but more significantly it was vagrant, in the sense that it was forever wandering around, hither and thither, without any apparent purpose. It was for this reason that the Adepts had constructed a tower in which to pen it. They let it out to go a-wandering on special ceremonial days, and were able – as Adepts – to track its aimless scurrying because the deity left a unique carbon footprint wherever it went. Perhaps ‘carbon hoofprint’ is the apposite phrase. The mark of a true Adept was an acutely honed skill at offsetting the goat god’s carbon hoofprint. So few people had even the glimmer of an idea what ‘offsetting the carbon hoofprint’ actually meant that there was only ever a handful of Adepts. Easily recognisable in their huge blue conical hats, waving their wands, and weighed down by necklaces of bones and teeth and jewels and stones and dough, the Adepts spent most of their time in their secret fortress, writing lengthy and learned texts about the deity.

Careful never to reveal how they offset the goat god’s carbon hoofprint, they had two objectives. As their god was invisible and vagrant, they felt it necessary to compile a thorough account of its character, personality, likes and dislikes, temper, cogitations, diet, sensibility, and speech-patterns, or rather grunt-patterns. Their second aim was to convince the ignorant peasants who lived in the bailiwick of the fortress and the tower that the invisible goat was their Creator, and had ultimate power over their miserable lives.

Pebblehead’s bestselling paperback Goat! is a fictionalised account of the exciting day when the goat outwitted the Adepts and locked them in the tower, then scampered off to the secret fortress and, in the company of a number of other goats, both visible and invisible, munched its way through their collected writings, leaving nothing but a clotted, chewed-up mass of spittle-soaked scrap paper. No one knows what became of the goat after that, for it resumed its vagrant ways, invisible. So ended its goatgodly Dominion, which had lasted for just six weeks, in the year of straw, long ago, but not so long ago as all that.

Hunched & Rickety

From The Likes Of Us by Michael Collins:

Edwin Pugh was a slum novelist who attempted to insert a layer of sympathy between the hooliganism and the hangings. A former city clerk, Pugh was notable for lighting up the nether worlds of which he wrote with pathos and humour, even when the subject is a child with a hunched body, rickety legs, a flute-playing, philosopher father who seldom works, and a mother who drinks herself into oblivion, or at least the nearest kerb. Such is the content of Tony Drum, A Cockney Boy (1898).

Emboldened, In Gumboots

The tale is told of the volunteer brevet cadet who, in spite of his shocking weediness, was sent on a dangerous mission. He had to travel, alone, through a hostile environment – think belching volcanic gases, creeping tendrils and suckers, fierce slavering beasts with razor sharp fangs, turbulent rivers, turbulent skies, turbulent storms.

On the fourth day the volunteer brevet cadet arrived at a field station. By this time he was pallid, fearful, and all a-whimper. The field station commander tried to inject some vim into the puny little fellow. He sat him down with a canteen of hot Sumatran Breakfast tea and gave him a good talking-to, explaining that brevet cadets, whether or not they were volunteers, were expected to be doughty and tough and resolute, to jut their jaws in determined fashion, sometimes while clenching a pipe between their teeth, and to laugh with hilarity in the face of peril. The brevet cadet sipped his tea in a weedy way, and tried unsuccessfully to stop whimpering. Eventually, the field station commander issued him with a pith helmet, clapped him on the back, and sent him off for the next stage of his mission.

The field station commander was a man of unparalleled experience in this hostile environment, and he was confident that the brevet cadet would be emboldened by wearing a pith helmet, and that his whimpers would soon be a thing of the past. It pained him, then, when, six days later, he received a message by pneumatic funnel from the next field station along the line that the puny volunteer had tottered into the hut sobbing and wailing and quivering and generally lacking in resolution, bravery, and grit. The commander of the second field station bid him lie in a hammock and cranked up a gramophone player, hoping to increase his gusto by having the brevet cadet listen to stirring tunes played by the finest brass bands and dance orchestras. One recording in particular that was likely to do the trick was Enrico Pepinger’s version of “Hurrah Boys, Let Us March With Sprightly Tread Through Wild Lands Where We Fear Not The Buffets Of Those Who Would Cause Us Harm”.

After taking a nap and downing a canteen of hot Burmese Lunchtime tea, the volunteer was sent off on the next part of his perilous mission, enjoined by the second field commander to fear no buffets. But buffets came soon, for the brevet cadet now headed into territory more dangerous still. Here were huge plants oozing poison, earth tremors, the roaring and howling of unimaginably terrible monsters, magnetic anomalies, and many another sort of sight and sound and phenomenon that had the poor puny cadet piddling in his pantaloons.

By the time he reached the third field station, nine days later, he was feverish, shivering and shaking uncontrollably, half blind with terror, and calling out weakly for his Mama. He slumped against the door of the field station hut and begged for death to end his misery. And then, out of the hut came, not Death, but heroic adventuress Tiny Enid, who had flown in on her biplane just minutes before. She plucked the weedy cadet up and shoved him into the hut, where she poured four canteens of piping hot Batavian Twilight tea down his gob, wrenched off his standard issue dangerous mission footwear, and presented him with a pair of gumboots.

“Listen, puny cadet,” she said, not unkindly, “You have volunteered for this dangerous mission, and you will succeed! By wearing these gumboots, you will be emboldened, and one day you will return to HQ as a hero, a credit to your trooplet. Off you go!”

And so stirred was the brevet cadet by these words, and by the emboldenment he felt as he slipped his feet into the gumboots, that he strode off into even more hideous terrain, brave and strong and wholly free of fear, no longer with even a trace of weediness about his puny frame. And every word spoken by Tiny Enid was true, for six years later he came thundering back to HQ astride a huge rhinoceros, a pipe clamped between his teeth and a jut to his jaw, and the golden key to the secret fortress of the mysterious Adepts of the hidden tower of the invisible goat deity tucked in his saddlebag, and they festooned him with flowers and blew upon trumpets and pinned medals upon him and he was shipped homeward in great luxury, and was famed forever after as the no longer weedy volunteer brevet cadet.

Bird Observation

Pansy Cradledew reports that a pigeon, or possibly a cumulet, has become a regular visitor to her sixteenth-floor windowsill. The curious thing about this pigeon is that it spends all its time on these visits standing on one leg. Pansy wonders if this is normal pigeon behaviour, or if her visitor is some sort of avian Ian Anderson, legendary fish farmer and flautist of Jethro Tull, who was of course noted for playing his flute while perched on one leg. I suggested that the best way to test this theory was to whittle a twig into a rudimentary bird flute, lodge it in the bird’s beak, and wait to hear what mellifluous sounds may emerge. I shall keep readers apprised of the results of this important experiment.

Duggleby Bins

You don’t often come across a Duggleby Bin these days, more’s the pity. In its time it was a revolutionary new type of waste paper basket, the fad for which led to scenes reminiscent of the South Sea Bubble or tulipomania. Duggleby Bins would exchange hands for outrageous sums of money, or be bartered for grand houses, farmyards, entire fleets of ships, or, in one celebrated case, the monarchy of a mountain-girt kingdom shrouded in mystical mists. And then, as suddenly as they had become fashionable, so Duggleby Bins were shunned, discarded, abandoned, broken up with hammers, and ownership of one became a social gaffe, the cause of mockery and disgrace. Nowadays, you can trawl for weeks or months or years through junkyards and rubbish tips and never set eyes upon a Duggleby Bin. Rag and bone men who will happily clasp to their bosoms the most noisome detritus will look askance and pass on to examine something filthy and worm-eaten rather than hoist a Duggleby Bin on to their cart.

It was with very little publicity, then, that last week saw the launch of the Duggleby Bin Appreciation Society. Its mission statement says that the Society aims to “revive, preserve, and enthuse about Duggleby Bins”, although a footnote in the inaugural Newsletter reveals that not one of the founding members actually owns one, or has ever seen a genuine Duggleby Bin. The four po-faced individuals in the official Society photograph pose with what appears to be an Etch-a-Sketch rendering of what they imagine a Duggleby Bin might look like. It’s all rather quaint, and sad. Remember them in your prayers.

Pointy Town News

Is Hooting Yard a lopsided version of the world, or is the world a lopsided version of Hooting Yard? Today, news comes in that leads us a little closer to answering that age-old question.

The comments appended here by readers are always worthy of your attention. Occasionally I think it necessary to give a comment a more prominent airing, for even the most assiduous reader might miss a buried gem. Like this one, received today regarding The Heroic Bus Driver Of Pointy Town:

Hi there. With all this discussion of our township I thought it was about time we thanked you for putting Pointy Town on the map. Well, it already is on the map of the Yukon Territory here in Canada, but we don’t get to be in the news much. Pointy Town has just elected a Mayor for the first time, after being recognised as a township, and we have appointed a promotions chief to put us on the Web. The Mayor is Johnny Osikomiwasa (proud of his Inuit roots) and his buzz word this week is ‘promotion’. So that’s what I am doing. So I intend to climb to the top of Pointy Hill (it really is very pointy) and start promoting – well actually I will probably have to do the promoting from my office computer. So keep up the good work and tell the world about our Pointy Town. Hugs, Kelly (very tired, on fire watch)

Now, Kelly Le Cornu, my correspondent, has an email address at pointytown.com.ca, and I have no reason to believe she is a fictional character. Isn’t it marvellous to think that there is a real Pointy Town, with a Pointy Hill? I am looking forward to the promised web presence of this magnificent township, and will certainly link to it. If anyone would like to start planning an outing, let me know. As some wag put it the other day, “it’s like Hooting Yard gone mad!”

Six Lectures On Fruit

Dobson’s Six Lectures On Fruit were among the most highly-regarded of his works, held in an esteem that the contemporary reader finds unfathomable. Revisiting these pamphlets, it swiftly becomes apparent that Dobson has no idea what he’s talking about. The revised view of the Lectures is put best by one upstart young Dobson scholar, who dismisses them as “bloviating and orotund”.

Consider the first lecture, On The Putting Of Fruit Into Pies, in which Dobson challenges the accepted definitions of both ‘fruit’ and ‘pies’, not to mention the usual meanings of the verb ‘to put’. Some critics like to pretend that the essay is a precursor of what would become known as postmodernism or deconstruction, and inasmuch as it is clueless gibberish, they are correct. In his defence, the pamphleteer does not dress up his babble in needlessly complicated pseudoacademic jargon. Indeed, his language is direct, even earthy, and littered with harsh Anglo Saxon expletives, but he betrays depths of almost unimaginable ignorance. The climax of the lecture is supposed to be a recipe for what Dobson calls a ‘prune and lemon pastry explosion’, but the instructions are so befogged by witlessness that, to my knowledge, no one has ever succeeded in making it.

The genesis of the Lectures was an invitation to Dobson from the Orchard Persons Of The Port Of Tongs. Those of you familiar with the geography of this wretched seaside town will know that it is bounded on its eastern landward side by a terrific number of orchards. The Orchard Persons’ Social Club & Community Centre was situated in a clearing between a pear orchard and a persimmon orchard, and the usual entertainments it hosted were nights of oompah oompah music and freakish dancing. Perhaps that is why Dobson chose to deliver his second lecture, On The Cutting Of Grapefruit Into Segments Of Equal Size, in the form of rhyming couplets, to the accompaniment of a glockenspiel. He was not a skilled glockenspielist, nor did he have much understanding of geometry, as those Orchard Persons discovered who went home and tried to cut their grapefruit the Dobson way .

For the third and fourth lectures, Dobson resorted to anecdote and personal reminiscence, recounting a series of yarns under the headings All The Plums I Have Ever Eaten, Where I Was, And What They Tasted Like and How I Built A Coathanger Out Of Fig Stones.

Audiences were dwindling by this time, and only three people turned up to listen to what was to become the most notorious of the Lectures, the Dialogue Between A Raspberry And A Tangerine. Even those who are most severely critical of the series are forced to admit that Dobson did a tremendous amount of research for this one. He was barely out of the reading room of the Pointy Town Municipal Library for weeks on end, poring over books on topics as diverse as fruit, philately, biochemistry, aerodynamics, the Peninsular Wars, tugboats, flamenco dancing, and the Diet of Worms. But his claims to have penetrated the very essence of a raspberry and a tangerine are, quite frankly, ludicrous. Marigold Chew told him so as they ate breakfast on a hopeless veranda on the morning before the lecture. Dobson’s response was to weep great racking sobs into his bowl of Special K. He spent all day making revisions to the text, some of which have a certain Jesuitical rigour, and by the time he arrived at the clearing between pear and persimmon orchards he was brimming with confidence. Preposterous it may be, but the Dialogue Between A Raspberry And A Tangerine retains to this day a kind of magnificent declamatory brio. Lengthy extracts from the lecture formed the libretto of a concept album by prog rock titans Gratuitoüs Umlaut.

The published edition of Six Lectures On Fruit contained only the texts of the first five lectures. Some Dobsonists have argued that the sixth in the series never actually existed, that Dobson had some kind of brain spasm and that all knowledge of fruit was wiped from his mind. E V Van Voo did much to spread this story, in a foolish ‘conspiracy theory’ novel, but he overlooks the fact that the pamphleteer was never a man to let ignorance stop him expounding at length on any subject he turned his mind to.

What in fact happened was that when Dobson arrived in the clearing on the final Thursday he found the doors of the Social Club barred and bolted, and no one in sight. Even the birds had fled from their perches on the trees that fringed the clearing. Dobson took one look at the mighty iron padlock on the door, reached into his satchel, took out the notes of his sixth and final lecture – some drivel about bananas, or marmalade – and tore them into confetti, and cast them unto the winds, and then he trudged off into one of the orchards, and shook a branch until pears and persimmons came tumbling to earth, and he sat on a tuffet and gorged himself on fruit until he was bloated, and, bloated, he waddled homewards, along the lane out of the orchard, body and brain with fruit bloated.

True Adventures Of The Child Of Gumption

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Hast thou gumption, my child?

I have oodles of gumption, O mighty Prince!

And hast thou vim?

My gumption is matched only by my vim, O Prince!

Then thou shalt not wilt with weediness when I send thee hence to the huge and terrifying fiery Mountains of Awfulness?

I merely await your word of command, O Prince, and I shall be on my way.

Thou hast gumption and vim indeed, tiny one!

What is it you would have me do when I reach the Mountains of Awfulness, O mighty one?

Come close, small heroic person, and I shalt breathe into thine ear what thou must do. Psst psst psst psst psst.

Gosh! I understand, O ye who command me to go hence to the huge and terrifying fiery Mountains of Awfulness and there to subjugate the legions most foul of terrifying fiery Demons that therein do dwell, armed as I am with the Pin-cushion of Righteousness.

Thou speakest well, my child. Go then hence.

I shall go. I shall bestride my horse that is known as the Big Frightening Horse That Gallops, and you shall watch us vanish in the dust as we ride into the sunset, heading for the huge and terrifying fiery Mountains of Awfulness.

Yea, young tinker, that I shall.

[Next week : More thrills and spills as the Big Frightening Horse That Gallops gets lost in a gulch only half way to the huge and terrifying fiery Mountains of Awfulness.]