Organised Fern Hunt

fernhunt

I was much taken with this illustration of a Victorian organised fern hunt, reproduced at the excellent Victorian Era blog. It reminded me that Dobson was a great one for fern hunts. Although he was a pamphleteer decisively of the twentieth century, he had about him something of the Victorian, especially at certain periods of his life, such as the two decades or so he spent blasted out of his brain on laudanum, as were most Victorians most of the time, if some accounts are to be believed. Gladstone, to give but one example, regularly made speeches in the House of Commons with his head swimming in an opiate fog. It makes one wonder if we would  be better governed today were the illiterate thickos in Parliament to have their brains ravaged and jangled a tad.

In spite of his boundless ignorance of the natural world, or perhaps because of it, Dobson developed quite a taste for fern hunting. In a memorable pamphlet, he described the attraction:

Hunting animals is the sport of fools. Nearly all animals run away when pursued. Ferns, on the other hand, stay right where they are, so you can go crashing through thickets with much gusto, a determined jut to the jaw, every so often emitting cries of panic or revelation, or both, all the while safe in the knowledge that your quarry is not dashing away over the fields, vanishing over the horizon, leaving you and your band of fellow adventurers exhausted and stupid and empty-handed.

Dobson did not always grasp the point of an organised fern hunt, however, and would arrive at the appointed gathering-place armed with a net, or a blunderbuss, or sometimes with a geological hammer. It had to be patiently, and repeatedly, explained to him what a fern was, information he had singular difficulty lodging in his skull, whether or not it was doused with laudanum. In another pamphlet, at another time, for example, he wrote this:

What better sport is there than chasing a wild fern across the countryside, watching it dash away over the fields, vanishing over the horizon, leaving you and your band of fellow adventurers exhausted and happy and empty-handed, but refreshed by bucolic air, panting, drugged up to the eyeballs and ready to go home and write dozens of pages of De Quinceyan babble?

To his credit, Dobson never made any attempt to suppress the pamphlet in which he wrote this drivel, but in any case, like all his works it was soon out of print, and forgotten, just as we have forgotten the delights of organised fern hunts.

Planet Of The Cloth-Eared Bears

Indefatigable paperbackist Pebblehead has yet another new book out this week. Planet Of The Cloth-Eared Bears is a sci-fi potboiler featuring heroic spaceman Captain Biffo Melvynbragg.

The story begins with the captain’s spaceship forced to crashland on a remote planet, populated entirely by bears who are hard of hearing. Scorched beyond repair, the spaceship’s engines attract the attention of some of the bears, who communicate with each other by a complex system of paw manipulation. Captain Biffo, who has among his accomplishments a diploma in earth-bear behavioural studies, is beflummoxed when he realises he cannot fathom the space-bears’ lingua franca.

Using his space-spade, the captain digs a pit in the spectacularly gruesome soil of the planet’s surface, hoping to trap at least one of the bears in it. But these are wily space-bears, and they wait for the captain to finish digging his pit before dissolving his space-spade using their exciting rayguns. Then they push Biffo himself into the pit.

Forty pages of the paperback are then taken up with the captain’s musings about his predicament, which include passages of blatant plagiarism from writers such as W N P Barbellion, Stefan Zweig, Sylvia Townsend Warner, and Prudence Foxglove. Pebblehead has either forgotten about the rest of the spaceship’s crew or wishes us to believe that Captain Biffo was flying a solo mission. The latter is highly unlikely, given the nature of interplanetary protocols at the time, described carefully and at length in a prolegomenon, the sort of thing Pebblehead can dash off as breezily as the rest of us would write a shopping list, if we still had shops to go to, in this wasteland.

Eventually, the cloth-eared space-bears haul Captain Biffo out of the pit with a winch, and subject him to a personality profile questionnaire. This is given in multiple choice format, which allows Pebblehead to play around, quite foolishly, with the conventions of multiple choice personality profile questionnaires. It transpires that Biffo is a “drugged-up chaffinch” type, the most dangerous personality profile as far as the space-bears are concerned. They put Biffo back in the pit and hold a bear-moot. Pebblehead has great fun with this, probably more so than his readers.

At the end of the moot, half of the planet’s suns explode, for no apparent reason. Biffo exploits the resulting mayhem and confusion to clamber out of the pit and to sprint towards his hobbled spaceship. Just before he gets there, a cloth-eared space-bear zaps him with a different type of exciting raygun. Biffo does not dissolve, but instead is himself transformed into one of the space-bears. Somehow, his hearing is not impaired by this metamorphosis, and he becomes a valued member of the community, even though he never quite masters the paw manipulation technique.

In the final pages, Pebblehead describes with exquisite dullness the slow rusting and disintegration of the spaceship, over many planet-years, until not a trace of it remains. And then, just as we are thinking what a waste of time the whole book has been, Captain Biffo, or rather the space-bear he has become, goes into a kind of spasmodic fit, sheds his space-bear characteristics in a form of ecdysis, knocks together a brand new spaceship out of space-cardboard boxes and space-twigs and space-gum, weirdly transmogrifies the planet’s atmosphere so the space-bears can hear properly, and blasts off into the boundless firmament, heading for his next adventure.

Word has it that Pebblehead has already written three-quarters of the sequel, but he is keeping under his hat whether it will be about Captain Biffo or about the no longer cloth-eared bears. If you want to know more about Pebblehead’s hat, and what else he keeps under it, you will soon be able to register for a newsletter, in paper form, delivered to your door by the postie once in a blue moon, or when the cows come home.

What Was “The Cruel Sea” All About?

I ought to have explained that the piece entitled The Cruel Sea was simply a list of titles of the books currently being written by bestselling paperbackist Pebblehead. He always has a number of works on the go at any one time, expertly juggling everything in that big baked potato-like head of his. Hooting Yard reader Dr Ruth Pastry tells me that she is drawing a diagram of Pebblehead’s head, or more precisely of the innards of his head, which she wants me to post here when it is finished. That means we will all have a better, and long overdue, insight into the great paperbackist’s fantastic brain, in diagrammatic form, with arrows.

NOTE : Dr Pastry says her diagram will be without arrows.

Old Halob, Ant God

It has taken me a while to catch up with this, but recently at The Lumber Room elberry wrote “Being worshipped by ants is nothing to be proud of”. I can see “where he’s coming from”, as the airheads put it, but he is clearly unaware of the curious case of Old Halob, the coach and mentor of fictional athlete Bobnit Tivol.

During a period in his life when he was not yet as old as he was due to become, Old Halob found his prowess as an egger-on of sporty feats under severe strain. This was in the days before he had turned the spindly, albeit fictional, Bobnit Tivol into a champion sprinter, and to date much of his work had been concentrated in the field of ice hockey puck brandishing technique. His record was patchy, but he had taken more than one raggle-taggle team of amateurs through cup competitions, in one case reaching the quarter-finals. It was his attempt to broaden his scope to the training of racing starlings that shattered his confidence. This was Old Halob’s first and only intervention in non-human, or inhuman, sport, and he quickly realised he was out of his depth. He found it well nigh impossible to communicate his vision of sportiness to birds, despite filling his pockets with millet and curtailing his habit of throwing rocks at swans.

Casting around for tips, he fell in one day, upon a sandbank, with an animal behaviourist of great repute. This fellow, who may actually have been a charlatan, advised Old Halob to start by working with ants, work his way up through stoats and weasels, and only when he knew what he was doing to tackle the starlings. This argument was not without merit, for even a sports coach of genius, as Old Halob undoubtedly was, has to have a full understanding of ants and stoats and weasels, their habits and appetites, their anatomies and peccadillos, before hoping to work effectively with either birds or fictional athletes.

Thus the irascible chain-smoking coach took up lodgings at the edge of an ant farm, and spent hours upon hours every day drilling the ants in all sorts of sporty disciplines. So fantastic was his rapport with the tiny insects that they came to worship him as a god, one who wore a Homburg hat and spat out much phlegm. Their weird alien insect brains underwent some kind of Old Haloby modification, and he became their single, simple focus, their one and only, their world.

It was through his work with the ants that Old Halob honed the techniques which would make him a legend, and thus, contrary to elberry’s rash statement, he was always proud to be worshipped by them, as well he might be. Unfortunately, he did not go on to wreak his magic with either stoats of weasels or starlings, for one day he was out walking when he toppled into a ditch and was put in a clinic for a year or two. As the history books tell us, it was in that clinic, from his bed upon the balcony, that Old Halob learned of the existence of fictional athlete Bobnit Tivol. The future was set fair.

Chucking-Out Time At The Cow & Pins

The Cow & Pins was a singularly squalid tavern, much frequented by human scum. Once, long ago, it had been a coaching inn, but the construction of an efficient canal system destroyed the coach trade, and bargees passing by aboard their barges upon the canal were a salubrious lot who drank tea from flasks and read improving literature. The Cow & Pins stood crumbling and forlorn on the lane parallel to the towpath of the canal, and soon only the crumbling and forlorn, the indigent and misbegotten, the violent and the psychopathic ever set foot upon its rotten sawdust-covered floor.

One psychopath who became a tavern regular, the ferocious Babinsky, took over as the landlord after chopping up the existing incumbent with an axe and feeding him to the pigs. The pigs, who lived happily in a pig sty a little way down the lane from the tavern, did not of course know their swill that day contained the ground-up remains of their pal from the Cow & Pins, who used to commune with them, in a hearty man-to-pig way, whenever he got the chance. With Babinsky at the helm, things changed. Babinsky hated pigs, and after that first feeding, he shunned the sty, some said in fear that the spectre of the man he had chopped up and then ground up and then stirred in with the pigswill lay in wait for him there, to wreak revenge from the realm of death. It is more likely, however, that Babinsky was too busy being mad and bad and dangerous in the tavern where he now held sway.

He tore down from the walls the showbiz memorabilia that had most recently adorned them. Gone were the photographs of the previous landlord arm in arm with Rolf Harris and Val Doonican and Edith Sitwell. Gone were the autographed portraits of Ken Hom and Tammy Wynette. Gone were the posters advertising pantos with Keith Chegwin as Buttons and George Galloway as Pol Pot. In their place, Babinsky pinned up his weird, hand-written screeds, pages and pages ripped from the exercise books which he filled with gibberish. Out went the barrels of ale and the bottles of champagne and liqueurs and rare expensive brandies, out went the soft drinks and the mineral waters, and in their place was installed a single vast trough, into which was poured, and out of which was ladled into dented tin beakers, disgusting bilge made of god knows what. Its taste was foul, but it was cheap, and just a beakerful or two sufficed to ravage the drinker’s brain to zombiedom. Babinsky himself allowed no other fluid into his body, which probably accounted for what one might charitably call his eccentricities.

Under his predecessor, there had been a jukebox in the Cow & Pins, well-stocked with the gems of prog rock. Babinsky smashed it up with his axe and sharpened the edges of the discs inside so he could use them as missiles, slicing through the air to hit and sever a jugular or other important vein through which the blood relentlessly pumps. Then he dug a deep, deep pit and fed wires down it, wires at the end of which were microphones that picked up the constant agonised howling and screaming of sinners being tormented for eternity in the pits of Hell, amplified and blaring at ear-splitting volume from speakers placed all around the tavern. It was a rough and raucous place, perilous for the weedy toper who might once have sat in the snug watching coaches rattle by. The snug itself had been demolished by Babinsky and the space it had occupied was now a charnel-ground stacked with the bleached bones of those he slew, when he was in the mood for slaying, which was most days. Sometimes the villain would pole-vault across the canal, like Spring-Heeled Jack, for the sole purpose of setting upon a poor innocent orphan or cripple plucking flowers for a nosegay from the canalside shrub beds. Babinsky carried out his killings with impunity, for a type of amnesia stalked the land, and even the police officers blundered about in a hypnagogic daze.

The one law that was rigorously enforced in this land of efficient canals was that which regulated the licensing hours of taverns. Even Babinsky, yes, Babinsky himself, was terrified of the Tavern Time Trio, three brutes who patrolled on horseback to ensure that every tavern was locked and bolted and dark and silent as the clocks struck the witching hour. Their horses were as brutish as the trio themselves, gigantic fierce beasts with repulsive fetlocks and manes matted with muck, whose merest whinny was a thousand times more hideous than the infernal muzak of the Cow & Pins. Freeman, Hardy, and Willis, the horses were called, but nobody knew the names of their riders, for nobody ever dared to ask, just as no taverner ever dared to let his tavern stay open for one second past closing time. Nobody could even remember when the law had been broken, so nobody knew what punishment would be meted out by the Tavern Time Trio. The sheer size of the horses, and their rank stink, and the thunder of their hooves as they galloped from tavern to tavern, and the brutishness of the trio themselves, in their gold lamé tuxedos and snow white spats, and the piercing whistles they blew as they rode, and the official documents poking out of their pockets, these things were enough to cow each and every tavern keeper, Babinsky included.

So it was that in spite of the clamour and uproar of the Cow & Pins, easily the most exciting part of the day was chucking-out time. Human scum, their brains and bodies jangled by whatever it was they’d been gulping down from Babinsky’s trough, would be startled by the sudden cessation of the amplified agonies of the netherworld, their ears assailed instead by Babinsky’s hooter. Those of you familiar with this contraption will know that it was the most powerful hooter that ever existed on earth, or on any other planet in any other universe, a hooter par excellence, the ne plus ultra of hooters, a hooter the like of which we shall never hear again, for which, in truth, we should be thankful. Babinsky parped his hooter just once, to signal that the Cow & Pins was closing for the night, and once was all that was needed. To imagine hearing that hooter hoot twice in succession is more than the mind can bear, whether the mind is sane and sober or blasted to fuddlement by dented tin beakerfuls of disgusting bilge. Not that the sane or the sober would be found among the human wreckage who, hearing the hooter, drained the last drops of bilge from their beakers and tossed the beakers into the trough. Then out of the tavern they tumbled, a jumble of chaos, many of them toppling into the canal, others falling and lying flat on their backs where they fell, in the mud, where they would remain insensible until the Cow & Pins opened its doors the next morning.

And inside the tavern, Babinsky, who never slept, filled with bilge all the beakers that had been tossed into the trough and lined them up on the counter. He put on his superloud Bang & Bangbangbang quadrophonic headphones and switched his subterranean microphones back on. As he listened to the shrieks of the sinful, he worked his way through the line of beakers one after another, and when he was done he wrote one of his weird screeds and pinned it to the wall, and then he lumbered out into the dead of night in search of something to slaughter.

The Cow & Pins was, of course, Dobson’s preferred tavern, but by the time the out of print pamphleteer came to patronise it Babinsky was long dead, and it was once again the kind of place where a weedy toper could sit in the snug and scribble a pamphlet. Not that Dobson was weedy, exactly. He occasionally got into fights, and acquitted himself with aplomb. As for Babinsky’s hooter, when the new landlord took over the tavern he had it dismantled by specialists from a hooter dismantling squadron. To be on the safe side, they buried the parts separately, in deep lead-lined wells, unmarked, and scattered across six continents. Foolishly, though, the captain of the squadron made a map pinpointing the locations, to keep as a souvenir, and last week it was reported in The Daily Hooter that the map had been stolen. Yes, friends, it is a horrible possibility that even now, somewhere out there, a madcap genius is hard at work putting Babinsky’s hooter back in one piece! You may well say “Eek!” I know I did.

Scenes From The Past Lives Of Tiny Enid

During one of her thrilling adventures – it may have been the time when she rescued some ducks from a toxic puddle – Tiny Enid suffered a clonk on the head. Thereafter, every so often, she began to have visions, and she became convinced that she was seeing tableaux from her previous lives. It had never before occurred to the plucky tot that she might have lived before, under other guises, and that “Tiny Enid” was but one character her Gaar, or essence of being, had inhabited. Her mysterious mentor, whom we have a very vague picture of from earlier Tiny Enid adventure stories, pooh-poohed her visions and recommended that she eat heartier breakfasts, but Tiny Enid was wedded to her morning milk slops and had an independent spirit. Although she valued her mysterious mentor’s sage counsel, she also thought him a bit of a doddery old foolish person, and she picked and chose which pieces of advice to follow. In many ways Tiny Enid’s personality was akin to that of Charles Lindbergh, the aviation ace, daring and reckless and with a fascist bent. Chronologically, of course, it was impossible that Tiny Enid could be the reincarnation of Lindbergh, and in any case, in all her past life hallucinations she was a girl. Most of the time, too, she was tiny.

Contemporary fans of the heroic infant, those who keep her memory alive, often seem embarrassed by this aspect of Tiny Enid’s character. They prefer to think of her as level-headed and no-nonsense and gritty, and of course she was all these, but drawing a veil over her post-head-clonk belief in various types of ethereal woo does her a disservice. To see Tiny Enid in the round is to accept that she thought her Gaar was as real as a pebble she could hold in her hand and as important as a telegram alerting her to the imperilment of some ducks in a toxic puddle.

One Tiny Enidist who is keen to pay due attention to this sort of guff is Basil Groove. The name may be familiar to those of you who grooved to the fab sounds of the sixties, for Basil was a member of the psychedelic pop group Turquoise Eye Of The Lobster King. Having hung up his plectrum, Basil Groove has been scouring the world’s picture libraries seeking illustrations which depict figures who may be Tiny Enid avant l’Enid, as it were. He has compiled these into an album to be published later this year, entitled Scenes From The Past Lives Of Plucky Tot Tiny Enid, and it is with great pleasure that we are able to show one of the drawings here. It shows a small female child, armed only with a pin-cushion and a pencil sharpener, confronting a dreadful knight. She may not have a club foot, but, as Basil Groove says, “who else could this possibly be than the fearless infant heroine whose venturesomeness delights us all?”

Lars Porsena Of Clusium

Lars Porsena of Clusium, by the Nine Gods he swore that the great house of Tarquin should suffer wrong no more. Over in Rome, Lucius Tarquinius Superbus had been overthrown, and he asked Lars, as a fellow Etruscan, for help. Lars thought about it for a bit, and it was when he decided to march to Tarquinius’ aid that he did the sweary bit with the Nine Gods. That took a good deal of time, as some among the Gods demanded that when they were sworn by, the swearing had to be an elaborate invocation of rolling phrases, complex rhymes, and repetitive beseeching. Lars Porsena was well-prepared, taking a packed lunch and a big flask filled with a foamy hallucinogenic potation up into the Etruscan hills where he planned to do his swearing.

There has been some debate about the precise identities of the Nine Gods. E Cobham Brewer has them as Juno, Minerva and Tinia, or Tin, or Tina, the three chief Etruscan Gods, joined by Vulcan, Mars, Saturn, Hercules, Summanus, and Vedius. But his list finds no place for such exciting Etruscan deities as Catha and Usil, Selvans, Turan and Laran, nor Thalna, Turms and Fufluns, sometimes known as Puphluns. It seems scarcely credible that a king like Lars Porsena would leave Fufluns out of his swearing on a hillside. We might want to consider the alternative godly roll-call given by Pebblehead in his bestselling paperback Lars!, where he gives pride of place to Tina and Fufluns, and chucks in seven others mentioned above. It is true that his book is a novel rather than a history, and that he veers off into a subplot about Tina and Fufluns canoodling in the Etruscan forests, but Pebblehead has studied these things and has the benefit of a number of scholarly works published since Brewer’s day, including Dobson’s pamphlet The Sane Person’s Guide To Swearing By The Etruscan Gods (out of print).

So there was Lars, a few days before he set out for Rome, up in the hills under a louring sky. He ate some bite-size cottage pie-style snacky chunks and washed them down with several gulps from his flask, ensuring that his brain underwent preliminary dislodgement. Then he gathered some sticks and tied to each stick a colourful ribbon he had brought with him in his kingly Etruscan pippy bag, and he poked the sticks into the hillside muck to form a magick pattern, nine sticks in all, one for each God. He took a few more swigs from his flask, further shattering his reason, and then he sprawled in front of the stick tied with a beige ribbon, representing the God Usil, and began screaming his head off.

“Usil, Usil, Usil!” he bawled, “Ooooo! Sil! Ooooo! Sil! Grant me the will to kill, Usil! Let me not dilly dally nor be ill, Usil! If I catch a chill, Usil, up in these hills, give me some pills, Usil! Oooo! Sil!”

And so it went on, for hours, with an occasional pause for more foaming hallucinogenic potation from the flask, until Lars Porsena was completely cracked and exhausted. The God Usil let it be known that it was satisfied with the king’s swearing by sending a shower of sparks to dance around his head and half-blind him. Lars Porsena fumbled about, untying the ribbon from the Usil stick, and burning both the ribbon and the stick, and stamping unsteadily upon the embers, and he ate another bite-size cottage pie-style snacky chunk and gulped from his flask, and then he took a nap. One God down, eight more to swear by.

We shall not bother to run through in detail the other swearings, although it has to be said that when it was Fufluns’ turn Lars Porsena outdid himself. It took the best part of a day to complete what was the sweariest of the swearings by any stretch of the imagination. So wild and loud and crazed did the king become that he attracted the attention of a little knot of Etruscan peasants who were heading down the hillside after a hike. They recognised Lars Porsena by his kingly garb and were shocked to see him in so demented a state, alternately screeching fantastic ululations at a stick in the ground and shovelling mouthfuls of soil down his gob.

“One wonders what will become of Clusium, ruled by such a king,” said one peasant.

“I fear that it may be swallowed up by the nascent Roman republic and vanish from history,” said another peasant.

The third peasant in the knot chivvied his colleagues to continue down the hillside into downtown Clusium so that they were home in time for their Etruscan supper.

There was no such comfort for Lars Porsena. He still had two more Gods to swear by, and, having eaten the last of his bite-size cottage pie-style snacky chunks, had to grub about in the muck for barely edible roots before taking his next nap. By now, of course, his brain had been bent and cranked to such an extent by his potation, of which much still remained in his huge flask, that his naps were accompanied by strange and terrible dreams. He dreamed he was a pair of ragged claws scuttling across the floors of silent seas. He dreamed he saw his head, grown slightly bald, brought in upon a platter. He dreamed he was in rats’ alley where the dead men lost their bones. And he dreamed twit twit twit jug jug jug jug jug jug.

When he woke up, in the hills, it was raining. Hard fat drops of Etruscan rainfall hammered upon the king’s head. It did not take him long to swear by Turms, for Turms was an easily-assuaged God. Lars Porsena remembered with brilliant clarity the words he had learned as an infant at his Royal Etruscan Faith-Based Community Education Hub. He had had an excellent teacher, a beardy robed figure with a squeaky voice and a genius for arresting similes. “The God Turms,” he had said, “Is like a silken girl bringing sherbet and at the same time like a camel man cursing and grumbling.” Lars had never forgotten that, it had been beaten into him with a stick, a stick rather bigger than the stick he now burned upon the hillside together with the ribbon he had unfastened from it. He had one more God to go, and when all nine sticks and their ribbons had been burned to nothingness he would be ready to follow the peasants’ trail down the hillside and march off in aid of Lucius Tarquinius Superbus.

As he glugged another draught of foamy hallucinogenic potation, Lars wondered if, in ages to come, he too might be known as Superbus. Lars Porsena Superbus. Or even Lars Porsena Ubersuperbus. It had a ring to it. He imagined that there might come a time when a future princeling, preparing to wage war upon a foe, might come to these very same hills and swear by him, by Lars, and burn a beribboned stick in his name, and be thus emboldened and blessed. It was not beyond the bounds of Etruscan possibility that he might become a God. Would Clusium be a fit stamping ground for a deity? He would have to ensure when he made the transformation from mortal to divine that his bodily remnants were placed in an elaborate tomb in or under the city he ruled, with a fifteen-metre high rectangular base and sides ninety metres long, adorned by pyramids and massive bells.

He polished off the sweary stuff with the final God, burned the final ribbon and the final stick, and emptied what was left in the huge flask down his throat. And then Lars Porsena stumbled away down the hillside, rain-battered and brain-bedizened, leaving behind him a pile of ashes. Soon he would hasten to Rome, and come face to face with heroic one-eyed Horatius Cocles, and make history.

Curiously, in his bestselling paperback Lars!, Pebblehead has absolutely nothing to say about this history. The novel ends with Tina and Fufluns doing goddy things in the ethereal realm, the eponymous king quite forgotten, and not remotely Superbus.

The Cosmological Blurtings

And the sea too will vanish, it will boil and seethe and become vapour, just as I foretold, Dobson wrote. It is the final sentence on the final page of the final pamphlet in the notorious series of so-called “cosmological blurtings” he composed during the Space Age. Upon publication, these essays met with a level of derision comparable to the reception given to Philip Gosse’s Omphalos (1857). But at least Gosse – the “father” of Father And Son (1907) by Edmund Gosse – had a coherent, if preposterous, argument to make, trying to reconcile his scientific observations of the fossil record with his Christian beliefs as a member of the crackpot Plymouth Brethren. Dobson, on the other hand, in his blurtings, makes no sense whatsoever. It is as if he is issuing a series of grand statements about the nature of the cosmos, past, present and future, which are wildly contradictory, bonkers, and incomprehensible. Even his prose loses its shine in some of these pieces, where he chunters on about, say, stars and gravel, endlessly repeating himself and, it seems, quite forgetting the niceties of grammar and punctuation.

Marigold Chew tried to dissuade the pamphleteer from making a complete fool of himself. Fearing that what reputation he had would be damaged irreparably by the blurtings, she hid all his pencils in her mysterious cabinet. Dobson outwitted her by ingratiating himself with a charcoal burner, who gave him a couple of sticks of charcoal with which he scribbled away until Marigold Chew discovered them and ground them to obliteration with a pestle and mortar. Dobson hurried back to the declivity in the hills where he had come upon the charcoal burner, but the man had vanished, and in his place was a sparkly-eyed dwarf all dressed in green, with bells upon his cap and a startling affinity with rabbits and hares. He was like a figure from a folk tale, and Dobson wondered if, in that case, he might be persuaded to magick up some writing instruments out of thin air, perhaps as a reward for answering a riddle or three. But the dwarf was merely a dwarf, albeit a flamboyant one who was fond of rabbits and hares, so the pamphleteer trudged back home in a foul temper.

Entering the kitchenette, he rifled through the cupboards, poured all the breakfast cereals out of their cartons into a sack, and retreated to his study. With scissors and a tube of Brian Eno’s Proprietary Extra Sticky Gum For Pasting Purposes™, Dobson painstakingly cut out words from the cereal packaging, arranged them into sentences, and stuck them into his notebook. Not surprisingly, the sections of the blurtings which resulted are particularly dimwitted. He quickly exhausted his supply of cardboard words, and thumped his head repeatedly upon his escritoire in the ravages of despair.

At this stage, Marigold Chew tried to tug Dobson’s head out of the clouds and to fix his attention upon other, mundane topics.

“Why don’t you give these cosmological blurtings a rest, Dobson, and write a pamphlet about an everyday subject? Think what you could make of something like, oh I don’t know, a sack full of mixed breakfast cereals, or a dwarf with rabbits and hares. Those are the sorts of topics that are screaming to be written about, I would have thought. And who better to address them than you?”

Dobson merely banged his forehead upon his desk again.

That night, the pamphleteer lay on his back in the middle of a field, staring up at the stars. The mania was still upon him. He had come to the field, towards dusk, armed with a paperback botanical guide, wondering if he might find a clump of Isatis tinctoria, or woad, or glastum, from which he could eke some blue dye to daub further blurtings. But he had left it late in the day, and there was not light enough for him to identify with certainty any of the clumps of foliage in the field. And so he stared up at the stars all night, barely blinking, transfixed.

They found him in the morning, flat on his back, soaked in dew. There were four of them, togged out in the apparel of hikers, each of them beardy and bug-eyed and carrying rucksacks packed with enigmatic cargo – measuring instruments and metallic meters with dials and Coddington lenses and bakelite blocks from which dangled wires and clips and hooters and Mackenzie beams and scanners and nozzles. They had maps, too, and big fold-out diagrams, and logbooks of full of arcane jottings. And they had pencils.

Dobson woke up.

“Good morning,” he said, to the quartet of lanky eccentrics looming over him, “And who might you be?”

“We, sir,” said the lankiest, beardiest, most bug-eyed one, “Are the Brethren of Plymouth. Not to be confused, I hasten to add, with the Plymouth Brethren, a sect of Christian crackpots. We are men of science, men of parascience, of superscience, of uberscience! Our project is to untangle the knot of nature, to lay bare the secret workings of the universe! That is why our rucksacks contain an array of paraphernalia the likes of which will not be found in the rucksacks of ordinary, mortal hiking persons. Here, take a look.”

And so saying, he plumped his rucksack on the ground and unfastened its flaps and gave Dobson a glimpse of wonders.

“This is all very interesting,” said the pamphleteer, addressing the four of them as one, for now they were huddled so close together that they might have been a single beast with eight legs and four beardy heads, “I am Dobson, the pamphleteer, and I am currently engaged in a series of blurtings which tally uncannily with the aims of your project. Perhaps we should join forces. I see you have pencils.”

Thus it was that, rather than returning home that morning, Dobson threw in his lot with the Brethren of Plymouth. For three weeks he lived with them at their encampment a stone’s throw from the declivity where he had met both the charcoal burner and the dwarf, and with the aid of borrowed pencils, he completed his cosmological blurtings. When his work was done, he went back to Marigold Chew, in triumph.

Of course, when the pieces were published and comprehensively demolished by the pamphlet-reviewing critics, Dobson’s reputation suffered just as Marigold Chew had said it would.

“I am not an ‘I told you so’ sort of person, Dobson,” she said one morning as she was spreading marmalade substitute on a potato-based snacking treat, “But have you seen what it says in today’s Daily Keep Up To Speed With The Latest Pamphleteering Shenanigans? No? Let me read it to you. ‘Dobson’s reputation will take a long time to recover from the plunge into the uttermost depths it has taken since he published his so-called cosmological blurtings. These witless works are evidence of a weak brain. The best thing Dobson can do is to go into hiding for a decade or so, perhaps by taking up a janitorial post in some farflung place like Winnipeg.’”

Of course, that is exactly what Dobson did do. Marigold Chew did not join him. She stayed to hold the fort. It was a big fort, with delightful crenellations, and many flags, and it had the shiniest portcullis outside of Navarre.

Two Jaunts With Uncle Lars

It is a frozen place, where I come from, and very far from the sea. The first word I ever spoke was “icicle”, and I was in my late twenties before I ever heard talk of tugboats and barnacles and offshore gas fields. The idea that solid ice could simply melt away was so foreign to me that when I first saw it happen it really fried my wig, Daddy-o, as the hepcats would say. Not being a hepcat, I screamed and swooned.

My ghoulish Uncle Lars grabbed me by the mitten one day and dragged me off with him on one of his jaunts. We wore snow-shoes to negotiate our way across the freezing frozenness. Resting awhile in the shadow of an immense ice mountain, Uncle Lars clamped his pipe in his jaws and took from a pocket of his enswaddling furry wrappings a box of matches. After lighting his pipe, he held the still-lit lucifer against a crag of ice and I watched as it melted and dripped and vanished away, as if it had never been there at all. It was as if the world I had grown to understand had no underpinnings, was mere figment, and so my brain collapsed and I screamed and swooned.

So severe was my trauma that I was chained up in what we called a “mad cabin” for months on end. My recuperation was slow, but I gradually began to understand the concept that ice and water and steam were but different forms of the same substance. I cannot overestimate the importance to my recovery of a pamphlet I was given on the day when one of my chains was removed. It was called Child, Be Thunderstruck As Your Tiny Brain Copes With The Notion That Ice And Water And Steam Are But Different Forms Of The Same Substance! The author’s name, I learned, was Dobson. Sadly, the pamphlet has long been out of print.

Such was my first encounter with the twentieth century’s titanic pamphleteer, an encounter which led from initial enthusiasm to wild overexcitement to monomania. I became so demented about Dobson that I risked being kept in the mad cabin for years and years. Fortunately, on a visit one day, Uncle Lars taught me to hide my light under a bushel, not literally of course, for that would have been a very foolish thing to do and despite his clumping weirdness, Lars was no fool. But I learned to temper my Dobson-zest when the warders were lurking, and went so far as occasionally asking to take delivery of works by other writers, such as Zadie Smith and Colm Tóibin. Needless to say, I never actually read such unDobsonist trash, but made use of the books as pamphlet-camouflage or as handy things to chuck at the wall with my free hand. Chucking things at the wall was my other great leisure activity in those days, and remains so. It is a great pity that Dobson had so little to say on the subject.

And yet there were so many, many topics to which the pamphleteer turned his attention. I found that, as I worked my way through the canon, I became obsessively interested in whatever Dobson was writing about, to the exclusion of anything else, even of the subject of the pamphlet I had been reading the day before. That being so, I often wonder how different my life might have been if, on the day I was eventually unchained and ejected from the mad cabin into the frozen wastes of my homeland, I had been reading something other than Dobson’s short, strange, brilliant pamphlet Why Those Let Loose From Mad Cabins Should Immediately Up Sticks And Settle At A Seaside Resort.

Before I upped sticks and settled at a seaside resort, I said farewell to Uncle Lars. For old time’s sake, we went on a jaunt. He was more ghoulish than ever, and had exchanged his pipe for some sort of newfangled smoking contraption into which he crammed fistfuls of disgusting blackened vegetable matter and sent out blooming coils of miasmic fug. We stopped again beneath the great ice mountain, and Uncle Lars again struck a match for his smoke, and again he held the match against the ice and I watched it melt away. But I neither screamed nor swooned, for I had read my Dobson, and I knew what was afoot. Uncle Lars knew that I knew, and he flashed me a conspiratorial grin. For an instant I thought I might scream at that, for the Grin of Lars, seldom seen, is never forgotten, and has sent many a poor gibbering grinee to the mad cabins. I quailed at the sight of it, certainly, but it did not utterly undo me, not only because I had seen it once before, and was thus inoculated against it, but also because yet again I could call on Dobson, having read his pamphlet on terrifying facial expressions. I grinned back at Lars, as best I could, knowing that I might never see him again, and he puffed the match out and handed it to me, as a memento.

Look, there, on the mantelpiece of my seaside chalet. Between the toy binnacle and the heap of sand, you see that half-burned match? That is the match that was my parting gift from Uncle Lars. Sometimes I put it in my pocket, and I go down to the promenade, and I lean upon the railings and stare out to sea. As I stare I hold the match delicately in my fingers, and the whole world makes sense. I know that all the water I can see was once ice, until it was made hot by untold billions of matches lit and aflame, whereupon it became the sea. And the sea too will vanish, it will boil and seethe and become vapour, just as Dobson foretold.

Inky Puck Stampings

In his later years, Blodgett amassed a collection of inky puck stampings, kept in an album bound in the starch-stiffened fleece of a lamb. The fleece was spotted with unexplained bloodstains which Blodgett made no attempt to remove. He could have used a patent bloodstain eradication spray goo as manufactured by Don Federico’s Royal And Ancient Portugese Spray And Paste Company, but he chose not to. Boffins in a lab were recently given the opportunity to scrape minuscule quantities of the blood off the binding. When they subjected it to tests, they were able positively to identify it as the blood of a fruitbat. Curious indeed, but no more curious than much else about Blodgett’s later years.

In his new television series The Pitiful Whimpering Of A Soul In Torment, celebrity historian Simon Sebag Stimmungbag examines in detail the final decade of Blodgett’s life, and unearths some starling facts. I’m sorry, that should read startling facts, although among them are a number of Blodgett-starling collisions. If it seems unlikely that a man could collide with a starling on repeated occasions, as per being struck by lightning, Stimmungbag has at his fingertips a mass of convincing evidence, including ornithological records, accident reports, and ticket stubs from showbiz bird displays.

He also gives us a remarkable account of the time Blodgett decamped to a loggia, neglected to keep a log of his stay there, and upon returning home spent some six weeks dementedly chopping logs with a very sharp axe, despite being over eighty years old. He then carted the entire supply of chopped-up logs back to the loggia, dumped them outside the door, and kept a log in his journal of their gradual depradation through theft and rot.

There are other distinctively Blodgettesque glimpses: hen harrying, bricks on the brain, tormented scribblings on parchment regarding soup, starling collisions, misted glass obscuring a decisively important bus timetable, things chewed and spat out, intimations of mortality, imitations of Christ, intimacy with a mute milkmaid, delusional vampires, card games, ditch digging, reading aloud A Fiery Flying Roll by Abiezer Coppe to an audience of stunned potters, other potters encountered in hospital corridors, smashed-up lobster pots, a zest for crumpled things… the historian takes us through it all, at a pace sometimes gentle and at other times hectic, and occasionally incomprehensible unless one is already familiar with the material. That is Stimmungbag’s way, as viewers have come to expect from his previous documentaries on topics such as collisions in the sky and on starlings.

For most of us, though, whether or not we are students of Blodgett, it is the attention paid to the collection of inky puck stampings that is truly revelatory. Indeed, I had no idea that Blodgett maintained such a collection, nor that he kept it with such uncharacteristic care in a starch-stiffened lamb’s-fleece-bound album stained with the blood of a fruitbat. Again, one has to admire the way Stimmungbag marshals the evidence, a particularly difficult task when one considers how many similar collections were destroyed after the coup which brought the new regime into power. There will be younger viewers who have never known about inky puck stampings, let alone that people used to collect them. Of course, few were kept in albums as magnificent as Blodgett’s, it being far more common in those days to shove them haphazardly into cardboard pouches or discarded agricultural sacks. What shines most brightly in this excellent television series is the almost inhuman concentration with which Blodgett attended to his collection, peering at the stampings for at least three hours every day no matter what else was going on in his life or in the world at large. It is remarkable that on the day “Lovin’ You” by Minnie Riperton hit number two in the British singles chart, Blodgett spent at least nine hours not only peering at his inky puck stampings but rearranging them within his album, getting through an entire packet of stampings hinges, each one torn in half as was his usual habit. I think it says something about the man that he did not even collide with a starling that day. And it says something about Simon Sebag Stimmungbag that he has crafted such a long, blurry, black-and-white television documentary series with a deafeningly loud yet simultaneously muffled soundtrack to which one must listen with one’s ears pricked up and one’s mouth hanging open, drooling into a pewter pot held by one’s unpaid companion on the balcony of a sanatorium upon which the snow falls, and does not melt.

Old Farmer Frack’s Haircut

Old Farmer Frack usually cut his own hair, hacking at it with a pair of shears, but one day he left his cows in the care of a hired urchin and strode to the nearest village to seek out a barber. There was no barber in the village, so Old Farmer Frack carried on along the lane until he came to another village. Here he found, not a barber, but a hairdresser. Unlike many hairdressing establishments, which are fond of punning names such as Hair Apparent or A Cut Above and so on and so forth, this one was called simply Rudimentary Hairdressing For Peasants, which suited Old Farmer Frack down to the ground.

He crashed in through the door, threw himself into a chair, and as the mildly startled hairdresser tucked a sheet around him, he bellowed that he wanted a “chop suey”.

The hairdresser had no idea what this mad old farmer was talking about and tried to explain that the only haircut available was a rudimentary one suitable for a peasant.

Old Farmer Frack shouted that as far as he was concerned, a “chop suey” was a basic haircut, and commanded the hairdresser to get on with it.

Hairdressers are not cows, however, and are much less tractable. This particular hairdresser took much pride in her work, and was not about to embark upon a haircut the lineaments of which she was ignorant. So she asked Old Farmer Frack to describe the “chop suey”. As farmers go, Old Farmer Frack was a highly intelligent man with an acute visual sense and a more than serviceable vocabulary, but he was also mad, so in reply to the hairdresser he blathered a scarcely intelligible farrago of nonsense. So persuasive was his tone of voice, however, that the hairdresser was spellbound and convinced that she actually had some understanding of what he was saying. No sooner had he shut his trap than she hacked at his hair with a pair of pruning shears, for all the world as if she had been practising the “chop suey” for years.

Old Farmer Frack was well pleased with the result, gave the hairdresser a generous tip in addition to the cost of the haircut, crashed out through the door and wended his way jauntily back to his cows.

Several days later, stories appeared in the local newspapers reporting that “an apparition of the late novelist Anthony Burgess has been seen stalking the lanes of our bailiwick”.

For the awful truth was that Old Farmer Frack’s “chop suey” could easily be mistaken for the preposterous Mancunian polymath’s haircut, memorably described by his biographer Roger Lewis as follows: And how are we going to describe his hair? The yellowish-white powdery strands were coiled on his scalp like Bram Stoker’s Dracula’s peruke, not maintained since Prince Vlad the Impaler fought off the Turks in the Carpathian mountains in 1462. What does it say about a man that he could go around like that, as Burgess did? Though he was a king of the comb-over (did the clumps and fronds emanate from his ear-hole?), no professional barber can be blamed for this. I thought to myself, he has no idea how strange he is. What did he think he looked like? He evidently operated on his own head with a pair of garden shears.

Tiny Enid And The Dustbin Of History

One misty morning, Tiny Enid was reading the latest issue of her favourite comic, The Ipsy Pipsy Woo, when, in a speech bubble hovering over the head of a character called the Very Reverend Prebendary Septimus Widdecombe, she came upon the words “the dustbin of history”. Specifically, she learned that every now and then there were people or institutions or events that were consigned to this dustbin. Tiny Enid thought this was a very sad state of affairs, but she was not a mawkish weepy kind of girl, so she did not sob into a napkin.

A helpful footnote in the comic explained that the existence of the dustbin was first revealed by a beardy bespectacled Russian revolutionary who ended up with an ice-pick in his head. Such a gruesome fate did not bother Tiny Enid one iota, for she could herself be ruthless as occasion demanded. She was alarmed, however, to read that the dustbin might not be a dustbin but a mistranslation of ash heap. If that which was consigned to it was incinerated, she reasoned that it would be beyond salvage. For already, you see, being the impetuous infant adventuress she was, Tiny Enid had decided to find the location of the dustbin of history and to rescue its contents. This seemed exactly the kind of mission for a plucky youngster who had been twiddling her thumbs in idleness for an entire fortnight, without a single daring escapade to speak of.

Casting The Ipsy Pipsy Woo aside, Tiny Enid took down an atlas from the bookcase. It was such a huge atlas that it probably weighed more than she did, but she managed to slam it down on to her lectern. The lectern was a full size one, donated to Tiny Enid by a grateful vicar whom she had rescued from the jaws of death in the jungle where he had a bit part in a Werner Herzog film, and she had to saw off part of the base to make it just the right height for her diminutive stature. Deciding not to worry overmuch about whether the dustbin was actually an ash heap, she skimmed hurriedly through the atlas looking for places where a pretty large dustbin or ash heap might be concealed. Although neither the speech bubble nor the footnote in her comic suggested that the dustbin of history was hidden away somewhere, Tiny Enid intuitively felt that must be the case, and she often relied on her intuition, which, as she explained to those who asked her, was not feminine intuition so much as heroic club-footed infant intuition, a different kind of intuition entirely, and far more accurate. It was, after all, her intuition which led the brave tot to track down the vicar on location in the jungle with Werner Herzog rather than, say, elsewhere with a director such as Jean Luc Godard or Guy Ritchie.

Pinpointing a large, flat, windy and uninhabited area on one of the continents, Tiny Enid packed her pippy bag with supplies and vroomed off in her jalopy towards the aerodrome, terrifying geese and ducks and roadside mendicants as she drove pell-mell along the winding country lanes. Hopping into her bi-plane, she roared away, out of the mist and up into the immense blue firmament, begoggled and begloved and chewing on a radish. She thought it would be a good idea to contact her mysterious unseen mentor to let him know what she was up to. We first encountered this mentor in an earlier story where he was introduced for intricate plotting purposes, without any clear idea of his identity. No need to worry about that now, however, for when Tiny Enid reached for the pneumatic speaking funnel she realised it was clogged with dust and pebbles. Even if she did manage to get a signal, all her mysterious mentor would hear from her would be mangled mufflement. She threw the funnel aside and revved her engines with renewed derring-do.

There was much turbulence during the flight, and much turbulence too inside Tiny Enid’s head. We think of her as a self-possessed and unflappable heroine, and she was, but often that resolute exterior masked inner turmoil. Like any of us, Tiny Enid was subject to entrancements and ecstasies, to sloshes of despair and to cranial hullabaloo. Weirdly, rather than planning what she would do if the dustbin of history turned out, after all, to be an ash heap, and an ash heap in a flat windy area where the ashes would be blown and scattered, she was instead mulling over something else she had read in that week’s Ipsy Pipsy Woo. In his weekly column, Father Ninian Tweakling had set a moral conundrum. Faced with the choice, which would you save from a burning tower – a half-starved yet impossibly cute puppy, or the horned and cloven-hooved incarnation of the Devil himself? This was precisely the kind of daring rescue Tiny Enid could imagine herself making one day, but she had to discount her immediate response, which was that she would cleverly extinguish the fire, carry the puppy directly to a dog hospice, and return to save the Devil, but bind him in chains and make him promise to mend his ways. Father Tweakling made plain that there was a choice to be made, between puppy and Beelzebub, and a great moral lesson to be derived from the making of it. Tiny Enid had been turning it over in her mind for a couple of days now, and it continued to busy her brain as she soared through the sky towards where she hoped she would find the dustbin of history.

She had still not come up with an answer when she brought the bi-plane down on to a landing strip attached to an apricot pericarp testing station. From here, she would have to hike across the plains, but first she stopped in at the station and asked the fruit scientist based there to give her a cup of tea.

“Tell me,” she asked in her shrill, fearless way, “Am I right in thinking that about fifty miles west of here across the plains I will find an enormous dustbin?”

The fruit scientist paused in his tea making, fixed the plucky tot with a watery gaze, and said, “Ah now, miss, some say as there is and some say as there ain’t. And me, I wouldn’t rightly know neither way. Milk?”

“You speak more like a bumpkin than a fruit scientist, sir!” shouted Tiny Enid, “And yes please, milk in my tea, thank you.”

Even though she was irritated by the fruit scientist’s semiliterate drivel, Tiny Enid never forgot her manners.

“Why might you be looking for a big dustbin all the ways out here then, little one?” asked the fruit scientist.

“Because, O man of apricot pericarps, I am resolute and intrepid,” replied our heroine.

And soon enough, as good as her word, Tiny Enid was on her way across the plains. As she thumped her way westwards, she wondered if the fruit scientist had been putting on an act in a misguided attempt to warn her off. Could the dustbin of history be a dangerous dustbin? If it was, Tiny Enid would be not cowed, she would snub her nose at it and carry on regardless, for she was frightened of nothing. She stopped at a place that was a bit less flat and windy than the rest of the plains and sat and smoked a cheroot, taking from her pippy bag the gazetteer she had packed earlier. Consulting the index, she saw that there were entries for neither Ash heap nor Dustbin but under History she found an illuminating survey of everything that had happened upon the plains for the last thousand years, from the battle of the boppityheads to the hunting to near extinction of the lopwit to droughts and floods and windiness to the establishment of the apricot pericarp testing station. It was all very interesting, and Tiny Enid lodged it in her memory banks. One day, she knew, she would no longer be tiny, and adventure would lose its allure, and she pictured herself grown and a bit dotty, sitting in a cottage writing her memoirs, and she wanted to forget nothing, for she was determined that she herself would never be dropped into the dustbin of history.

And then she sat up with a start. It suddenly occurred to her that, when she found the dustbin, and peered down over its edge, she might lose her footing and topple into it! Perhaps it had a greasy rim, or lethal uneven patches where it had been gnawed by wild animals. She rummaged in her pippy bag and blasted the heavens that she had not brought a goodly length of mountaineer’s rope and clambering hooks. Well, she had faced peril before and would face peril again. Stubbing out her cheroot and crushing it under her corrective boot, she pressed on into the west.

The sun was sinking when Tiny Enid arrived at a compound surrounded by a security fence. She smiled to herself at the thought that, though she may have neglected to bring mountaineer’s rope and clambering hooks, she never went anywhere without her razor sharp security fence slicing shears. Dipping into her pippy bag to get them, she read a sign affixed to the fence. Large Flat Windy Uninhabited Plains Municipal Hygienic Waste Disposal Chute Compound, it said. Tiny Enid stamped her club foot and let out a shrill cry. The dustbin of history was neither a dustbin nor an ash heap but a chute! This put an entirely new complexion on her adventure. To salvage those things that had been deemed historical irrelevancies, she would have to find where the chute terminated, somewhere subterranean, and she had not brought a spade. One option, of course, was to fling herself recklessly down the chute, but that would be like toppling over the edge of the dustbin. She put the shears back in her pippy bag and sat down to think. She wondered if the lesson to be learned from the answer to Father Tweakling’s moral conundrum could help her now. A burning tower, a starving puppy, the Devil incarnate, and now add a hygienic waste disposal chute…

All of a sudden, Tiny Enid knew exactly what to do. She raced back to the apricot pericarp testing station, felled the fruit scientist with a few well-aimed kicks to the head and the stomach, clamped a bleeping tracker device around his ankle, shoved him into a wheelbarrow, pushed him west across the plains, disabled the municipal compound alarm system, sliced a hole in the security fence, and dumped the fruit scientist down the chute. Popping a radish into her mouth, she snapped open the tracker device palmpod, and watched as the fruit scientist’s avatar, a cartoon head bearing a striking resemblance to Ringo Starr, tumbled, beeping, deeper and deeper down below the windy plains, tumbling and beeping, until at last it came to rest at what the coordinates told Tiny Enid was the earth’s core. So this was the dustbin of history.

Tiny Enid had attended enough geology lectures to know that the centre of the earth is a ball of ferociously hot boiling burning magnetic rock, and that pretty much anything tumbling out of a chute on to it would not survive for a moment. She knitted her brows, fretful that her daredevil mission looked set to end in failure, a word, of course, the diminutive adventuress neither acknowledged nor understood. Turning on her heel, she clumped back across the plains to the landing strip, and steered her way across the skies until she was home, and she sat at her table scoffing down a bowl of milk slops, resting her club foot on a dimity cushion. By the time she had drained her bowl, she had a plan. Part of it would have to wait until the next issue of The Ipsy Pipsy Woo came out, wherein she was sure a moral conundrum from Father Ninian Tweakling would lead her on the correct path, once she had solved it. But the other part of her plan could be set in motion immediately. Lurching over to the desk upon which her metal tapping machine sat polished and gleaming, she transmitted a message to her mysterious unseen mentor.

I must journey, Jules Verne-like, to the centre of the earth, she tapped, and clearly such an expedition will cost a bob or two. Please start a fundraising appeal immediately. Yours sincerely, Tiny Enid.

And thus did the venturesome mite’s next hectic and compelling adventure begin.

What Dobson Did On Boxing Day

[This piece first appeared in December 2004. How things change. Four years ago it appears that a contraption called the telephone was still in use at Hooting Yard, rather than the more familiar, and much groovier, metal tapping machine.]

Throughout his life, Dobson ignored Christmas, but he loved to celebrate Boxing Day. Every year, he made a point of marking the occasion differently. Here is his journal entry for one year during the 1950s.

Ah, Boxing Day at last! What a glorious day it is. This year there is snow on the ground, robin redbreasts hopping about, and Dickensian scenes of wassail and carousing over by the old thatched tavern. That being the case, I have nailed fast the shutters and am sitting in the gloom. I wired up a microphone next to the indoor wasps’ nest, so hectic buzzing drowns out the intolerable sound of carol-singing and suchlike torments.

I breakfasted upon a platter of boiled leeks and steamed viper-heads. I will spend much of the day in the kitchen, boiling more leeks and steaming more viper-heads for my supper. I had a new telephone installed last week, and I intend to take a break from boiling and steaming to call the police. I am going to read out my new pamphlet to the desk sergeant, or whoever answers the telephone, for it concerns police matters, specifically the legal position regarding the theft of leeks from the greengrocers’ and of vipers from the zoo. In the pamphlet, which I wrote in pig Latin, just to show off, I make a full confession to having used thievery to obtain my Boxing Day foodstuffs, and justify doing so with reference to certain historical and/or mythological figures, including Hildegard von Bingen, Sir Herbert Beerbohm Tree, and the Warrior King Anaxagrotax. I also make mention of the prince-electors of the Holy Roman Empire as a way of throwing the coppers off the scent, should they determine to prosecute me.

At sixty pages, it may take some time to read the complete text to the police officer, so I will attach an extension cord to the telephone and drag it into the bathroom, and make my call while nestling in a tub of hot milk of magnesia. Over the past year I have bought a couple of those little blue-glass bottles every week, and should have enough to fill the bath. I will heat the milk of magnesia using Professor Tadaaki’s Submerged Iron Filament contraption, the label on which claims it can boil a few gallons of any known liquid within thirty seconds. Of course, I do not need to boil my bath, far from it. Tadaaki does not provide a thermometer, but I have one somewhere, in a cupboard, and as soon as I have completed this journal entry I shall go in search of it.

After the telephone call, the bath, and my supper, I will put the thermometer back in the cupboard and set a roaring fire in the grate. As I have no coal, nor wood, I will burn the beheaded vipers, for there are many of them and I suspect they will ignite well. I dried them thoroughly by putting them in the airing-cupboard under a pile of blankets. The blankets, incidentally, were not stolen. I wove them myself, when I was a child, and capable of weaving at the loom for hours upon end, humming old Latvian folk tunes to myself. In those long ago days I could never remember the words to the songs, except for one, and that only partially. In papa’s translation, it went like this: “There is a shepherd in the hills / There is a [something] green / But black is the crow in the [something] tree / And lightning blasts the sky / The shepherd’s lass has golden hair / She [something something] milk / But the crow has flown away, my love / And the ducks have left the lake”.

It’s time I made that telephone call.

Some of the prince-electors of the Holy Roman Empire, gesticulating.

Hospital Barge

Dotted along the entire length of the canal there are villages and hamlets. It is said that most have been sites of human settlements for thousands of years, which is a bit perplexing, as the canal itself was only dug two centuries ago. The hospital barge plies up and down the canal constantly, turning when it gets to Mudberth and heading straight back to Muckfield, never stopping except at locks. There are many locks. When a villager or hamleteer is sick, they are carted to the canalside by their neighbours and hauled aboard the hospital barge by a steam-powered crane-and-stretcher-and-pincer contraption. Once they have been cured, if they are cured, they are dumped ashore at the next village or hamlet, and have to make their own way home by land, unless, as is common, they choose to remain in the village or hamlet where they have been dumped, and thus do the canalside communities intermingle.

The hospital barge is staffed by a gaggle of homeopaths and healers and fraudsters and quacks, and the dispensary holds shelf after shelf packed with pointless potions such as Bach flower remedies and Beethoven weed remedies and Bruckner nettle remedies. There is not a single bottle of Baxter’s Sour But Invigorating Syrup to be found, let alone any cranial integument soothers or antibiotics. It is a wonder that any of the patients are ever cured, but in fairness it must be said that those dumped ashore at a village or hamlet miles up or down the canal from where they were winched aboard the barge show remarkable perkiness, and in many cases appear to be immortal. In the village of Filthwick, for example, no one has died in the last sixty years, and the gymnasium is filled with sprightly one-hundred-and-fifty-year-olds jumping about and springing and bounding and hopping and somersaulting and otherwise engaging in decidedly energetic calisthenics.

This being the canal along the towpath of which Dobson often trudged, the out of print pamphleteer could hardly resist writing about the hospital barge. But he wanted more than the view of a disinterested observer, and waited to fall sick so he could go aboard the barge as a patient. Alas, Dobson had the constitution of a large, sinewy, more or less rectangular animal with no known predators, and never suffered illness. He became impatient, standing on the canal towpath watching the hospital barge pass him by, occasionally witnessing the winching on of an agued wreck or the dumping of a revivified Pointy Towner. Eventually, the pamphleteer could wait no longer, and he took the fateful step of injecting himself with an experimental serum concocted by one of his pals down at the Cow & Pins. The fizzing hissing dapple-dun fluid smelled of rust and blood oranges, and was meant to cause harmless shuddering with all the appearance of a death rattle. In Dobson it had an alarmingly different effect, in that it provoked a mental imbalance making him petrified of boats and ships and yachts and barges, so much so that at the sight of water, even of a duckpond, he ran away screaming.

A fortnight later, when the serum wore off, Dobson learned through an article in the Canalside Gazette that the hospital barge had been rendered invisible. It, and its crew of homeopaths and healers and fraudsters and quacks, and its on-board patients, were never seen again, and nor were the many, many dead who had never been cured upon the barge, and whose final resting places are an unutterable mystery.

Pebblehead’s Christmas Annual

The latest victim of crunchy credit conditions is Pebblehead’s Christmas Annual, due to be published tomorrow but now indefinitely postponed. The bestselling paperbackist has been issuing his annuals every Christmas Eve for as long as anybody can remember, so this is what is known, in the language of his potboilers, as a bitter blow. Indeed, one of the features of this year’s annual was to be an exciting tale of polar tragedy called “Captain Jarvis And His Starving Huskies Are Pressed Flat Against A Glacier By The Bitter Blows Of An Antarctic Blizzard”. I am sorry I am not going to be able to read that to my grandchildren as a bedtime story, nor indeed to act it out in the community hub frolicking compound, if necessary using bags of flour as a snow substitute should the weather continue balmy.

As ever, the annual was to contain dozens of stories Pebblehead dashed off this past year in between writing his tremendous novels. According to the publisher’s blurb, we were promised such gems as “Vanessa Redgrave And The Revolutionary Space Cadets”, “The Six Million Dollar Goat”, and “Ooh La La, As He Sinks Beneath The Waves, Captain Jarvis Recalls What Bliss Was It In That Dawn To Have A Mild Headache”. It is something of a mystery why Pebblehead has yet to write an entire novel about this Captain Jarvis character, who gets into all sorts of exciting scrapes in all sorts of locations, exotic and otherwise. Last year’s story, “Captain Jarvis Topples Out Of A Hot Air Balloon Piloted By Richard Branson” was particularly thrilling.

We could also have expected many pictures of bees, ducks, gaping chasms, weasels, kitchen utensils, frogpersons, eggs, Ludwig Wittgenstein, cardboard boxes, giraffe heads, and tweezers. Pebblehead has been criticised for retaining the same picture categories year after year, every single annual containing three cack-handed pencil drawings of each subject, all crammed into the endpapers, but I think this says a good deal about the man. He is reliable, he is consistent, he is a bestselling paperbackist, and he can’t draw for toffee.

This year’s factual articles were to include a potted history of potted fishpastes, an analysis of sulphurous woozy barbershop quartet demons, an annotated diagram of Christ’s wounds, and a reprint of Pebblehead’s classic pig paragraph.

Add to that the quiz and the cut-out board game and the coating of scum upon the dust jacket, and it is clear we shall all be bereft at this time of otherwise unbridled jollity.