Curtains For Blavelpang, Episode One

Plump, crumpled, costive gumshoe Smedley Blavelpang was in a proper fix. It was the sort of fix private detectives tend to find themselves in. The wind had blown his hat clean away and his gun was jammed and he was trapped behind some bins in an alleyway and the rough tough thug he had been pursuing was closing in on him armed with an unjammed gun full of bullets. It looked like curtains for Blavelpang.

He could hear distant sirens, but the cops would be speeding to a different crime in a different part of the picture-postcard country village where Blavelpang plied his lonely trade, a trade which often filled him with disgust at the iniquities of his fellow villagers. Sometimes he was actually physically sick.

Ping! A bullet zipped past the bins and struck a piece of municipal statuary which had been uprooted from its spot outside the butcher’s shop and dumped in the alleyway. It was a steel and lead representation of Laika, the pioneering Soviet space dog. The statue was unpopular with the villagers, most of whom loathed the Soviet Union and canine life-forms and space travel in equal measure, probably because of the curriculum taught in the village community education hub. From infancy they were brainwashed by the fierce pedagogue who ran the place with, it was said, an iron fist in an even more iron glove. This man was as plump and crumpled and costive as our imperilled detective, a resemblance not accidental, for he was Blavelpang’s papa.

The relationship between the two was fraught. The papa had always opposed Smedley’s decision to set himself up as a private eye, wanting him instead to join an anti-Soviet dog-strangling spacerocket-sabotaging pressure group. But the son followed his own lights, and now they had brought him to this dingy alleyway where he was likely to perish in a hail of bullets fired by the unjammed gun-toting rough tough thug.

Is it really curtains for Smedley Blavelpang, or will he escape an undignified death behind some bins? Will this crisis force him to reconsider his life-choices and to conclude that his papa had been right all along? Will the thug’s gun suddenly jam too? Find out in the next episode of our exciting serial story!

The Glass Man

“The Glass Man came in a variety of forms. He might be a urinal, an oil lamp or other glass receptacle, or else he might himself be trapped within a glass bottle… [There is] a sudden plethora of literary Glass Men. One of these is Cervantes’ Glass Licentiate, Tomàs Rodaja. Obsessed with the idea that he is made of glass, and traumatized by any physical contact, he refuses to wear shoes or any restrictive clothing. He eats only fruit offered to him in a urinal-pouch (vasera de orinal) on the end of a stick, and drinks fresh water with his hands. He sleeps outdoors or huddled in some hayloft, takes refuge in the country during a storm, and walks in the middle of the street to avoid injury from falling roof tiles.”

From An odd kind of melancholy: reflections on the glass delusion in Europe (1440-1680) by Gill Speak

The invaluable Fed By Birds provides a link to the article, which is Mr Key’s  recommended reading for today. I left a comment on the post saying that I was sure there was a quotation buried in the 2003-2006 Hooting Yard Archives about a delusionist who believed his legs were made of glass. And voila!, here it is:

“The other case, as related by Van Swieten, in his commentaries upon Boerhaave, is that of a learned man, who had studied, till be fancied his legs to be of glass: in consequence of which he durst not attempt to stir, but was constantly under anxiety about them. His maid bringing one day some wood to the fire, threw it carelessly down; and was severely reprimanded by her master, who was terrified not a little for his legs of glass. The surly wench, out of all patience with his megrims, as she called them, gave him a blow with a log upon the parts affected; which so enraged him, that he instantly rose up, and from that moment recovered the use of his legs.” – Anon (“An Oxonian”), Thaumaturgia, Or Elucidations Of The Marvellous (1835).

My Country, ‘Tis Of Thee

The flag is black and white, symbolising the whiteness of snow and the darkness of Arctic areas. 

flag_of_valtiosvg

The Defence Minister is the most successful female boxer in Finnish history. The Foreign Minister has a photo gallery on his website which is, er, startling. The Head of State “plays songs that are usually considered bad”.

I speak of the Kingdom of Valtio. This seems to me the kind of place where Hooting Yard, rather than being an obscure internet blog, would be a daily newspaper. I note that applications for citizenship are accepted from all and sundry. I shall be applying today, and I suggest that all my readers do likewise.

Discovered via Mr Eugenides.

 

Modified From The Original

Three years ago, I drew your attention to William Hope Hodgson, a strangely compelling writer. To see that post, go to the archive here, and scroll down to February 13th and Breakfast Of Hideousness!

I have just read Hodgson’s 1909 novel The Ghost Pirates, and though I could witter on about its peculiarities of narration, language, and even punctuation, there is one particular point that struck me and which I wish to share with you. Note that the copy I was reading was a first edition. On page 181 we find this:

The ropes were foul of one another in a regular ‘bunch o’ buffers.’ *

The asterisk alerts us to the following footnote:

* Modified from the original.

What in the name of heaven can this mean? What was the original version of ‘bunch o’ buffers’? Why was it modified? This being the first edition, ‘the original’ must presumably refer to the manuscript. Is it the only change from the manuscript to find its way into the printed book? And why tell us, in any case, given that if we were not told we would never know?

I am both perplexed and inspired by this footnote. My perplexity I have explained, my inspiration is something readers may well encounter at Hooting Yard in the near future – the inexplicable or paradoxical or gratuitous or tangential or bonkers or winsome or wilful footnote.

Dax Pod Clad In Umber

Dax Pod clad in umber. Dax Pod Uberperson. Atop a large building, as he so often is.

“I am Dax Pod,” he says, “King of standing atop large buildings, declaiming.”

He declaims that he is Dax Pod and he is clad in umber and is an Uberperson.

Dax Pod fans gather in the street below, peering at their hero through binoculars.

Some fans have lorgnettes. Some fans are bluestockings. Dax Pod appeals to them because he knows his Milton, he knows his Sir Thomas Browne, he knows his Sylvia Townsend Warner. Sometimes as he stands, clad in umber, in his cape, atop a large building, he holds in one hand a literary work by one or other of this trio. He can, it is said, recite the entire works of Herman Melville from memory, including Pierre, or The Ambiguities.

He is a man to be reckoned with.

He swoops, from atop the large building, wherever and whenever he is needed. It may be a postal  delivery error, or a dog pound incident, or a planetary cataclysm. Whatever it is, Dax Pod swoops.

Dax Pod swoops in his one-piece umber costume, for he is Dax Pod and must swoop in umber to placate his fans.

They profiled him in Gack! Readers saw Dax Pod at home, clad in umber, with umber-clad Mrs Dax Pod and the Dax Pod kiddies, all clad in umber too, at their farmhouse, with their pigs.

The pigs were snorting, wallowing in muck, filthy, filthy, filthy, and cloven of hoof.

The Thumping Of Tubs

The chief characteristic of a tub-thumper is a mania for thumping tubs. What this means, irrespective of the tub-thumper’s particular preoccupation, is that they must have within handy reach a thumpable tub.

One might be deluded into thinking that any old tub can be thumped once it has been up-ended, so that the base of the tub is uppermost, and it rests upon its top, which may or may not still have its lid attached. This fancy, for a fancy it is, is quite wrong, for reasons which I hope to demonstrate. I say “hope to”, because I fear my attempt may bite the dust, distracted as I am by the presence, directly outside my window, of a tub-thumper who is thumping his tub with such vigour that birds have scattered from their perches and the very earth is trembling!

You will note that I ended that last sentence with an exclamation point. I did so to drive home, in the only way I know how, the sheer volume of the din being thumped by the proximate tub-thumper. His tub is an empty tub, giving his thumping noises a hollow, booming tone. It is not unlike the noise beloved of those odd people who drive their cars through cities with the windows down, sharing their choice of bass-heavy thumping racket with pedestrian passers-by. I have never understood why such people wish to advertise their monumental stupidity and lack of even a modicum of taste. Be that as it may, one can at least say of them that they are mobile, and therefore, if one remains rooted to the spot, like a growing carrot or parsnip, the volume of their thumpings fades away soon enough.

The same cannot be said of the tub-thumper outside my window, who is not inside a moving car, but encamped, next to some placards, on the path. Thump thump thump, he thumps, thumping his tub, and at the same time he is shouting. I am not sure what he is shouting about, but at a guess he will have taken as his subject either Jesus or Mohammed or carbon footprints. Currently these are the favoured topics of tub-thumpers. Go back twenty years and you will find something else compelling their attention, although the thumping of the tub itself will be identical.

Boffins at a research lab have tried to show a correlation between tub-thumping and teenagedom, where the teenagedom can be either chronological – the thumper actually is a teenager – or mental, where the thumper is long past teenagedom but still has teen-associated cerebral characteristics. This lapse of the brain is often occasioned by a deep interest in people and places far, far away, of which the thumper is ignorant in the profoundest sense.

As with the thumper outside my window who is making this piece such a trial to write, the thumped tub is often accompanied by a brandished placard. The best placards are those which are misspelled, ungrammatical, or incoherent. “Behead those who insult the Prophet” is a delightful example of the latter type, where the perceived insult is the assertion that Mohammed was a violent maniac fond of, er, beheading people.

Speaking of Mohammed, it is not true that in order to be an effective tub-thumper one must have a beard and wear a pair of sandals. In the past, at a time when, say, vegetarianism rather than carbon footprints was among the thumpers’ chart-toppers, beards and sandals were commoner than they are today. Fashions change, but thumping carries on, unstoppable.

It is apparently unstoppable outside my window. Much as I would like to give you a thorough taxonomy of tubs thumped, I am afraid I am at the end of my tether. And tethers, their lengths and limits, are a different subject altogether, one to which I shall turn when I have sprawled on a pallet in a darkling chamber, plugs inserted in my ears and a damp cloth covering my eyes.

Dobson’s Kitchen Groanings

I was mistaken, yesterday, to suggest that Dobson wrote a pamphlet entitled Kitchen Groanings, like the late eighteenth century work of the same name penned by an angry cook-wench or discontented housemaid. I was sure there was some kind of Dobson connection, and leapt to the most obvious thought, that it was yet another out of print pamphlet by the out of print pamphleteer. Unable to place it, however, I knitted my brows and set the tiny engines a-whirring in my pea-sized yet pulsating brain, and eventually, in the middle of the night, I realised I had been thinking of a radio programme made by Marigold Chew in the dying days of 1953.

Invited by the visionary producer Doug Hammarskjöld – no relation to the then Secretary General of the United Nations Dag Hammarskjöld – to create a piece of sound art for his fledgling long wave station Radio Doug Hammarskjöld, Marigold Chew rummaged in the broom cupboard where she alit upon her vintage Blattnerphone, a modified wire recorder that was the precursor of the mid-twentieth century tape recorder. The brief she had been given by the producer was precise.

Dear Marigold Chew, he wrote to her in his spidery handwriting, Here at Radio Doug Hammarskjöld we are on the lookout for pieces of belligerent, combative, confrontational sound art of between six and ten hours in length. Usually, the stuff we are sent consists of a lot of guttural shouting, often in German, which is fantastic as far as it goes, but it would be nice to bombard listeners with something a little more challenging. I know you used to sweep across the fields outside Pointy Town twenty years ago with your Blattnerphone, recording cows and peasants, and I wondered if you would rummage around in your broom cupboard for the vintage machine and make a programme for us, which we would broadcast every day for months on end, or at least until our licence comes up for renewal.

Marigold had fond memories of the bucolic field recordings she made in her younger days, and looked forward to heading out to her old haunts, armed with the Blattnerphone, mindful that there would be new cows in the fields and older peasants digging the ditches. She was already putting a sound collage together in her head, deciding to add the noises of rutting badgers and babbling brooks to the mix. She took the Blattnerphone from the broom cupboard and put it on the kitchen table and went upstairs to dig out the bus timetable and a map from her bedside bus and train timetable and map and chart and diagram cupboard. Alas, on the landing she tripped over a pile of Dobson’s out of print pamphlets, fell, clonking her head on a hard thing, and lost consciousness.

Meanwhile, down in the kitchen, the pamphleteer himself had just returned from a pointless errand. He was exhausted and rancorous. Carrying the kettle across the room, from its place of boiling, on a counter, to its place of filling, at the sink, he bashed it inadvertently against the Blattnerphone and in so doing flicked the switch which set the machine recording.

For the next six hours every noise that Dobson made was picked up and preserved for posterity on the thin steel tape of the Blattnerphone. Most of these noises were groans, for Dobson sat slumped at the kitchen table with his head in his hands, shifting only to make and then to drink copious cups of tea. If, by his groaning, he was trying to gain Marigold Chew’s attention, he was staring failure in the face, she being splayed flat on the landing away with the fairies. Indeed, she later recalled that during her swoon, which lasted the same six hours as Dobson’s groaning in the kitchen below, she had visions of fairies and elves and peris and aziza and nymphs and satyrs and tien and leprechauns and sprites and duendes and pixies and goblins. It was not often her head was cluttered with such twaddle, and when she awoke she was mightily discombobulated.

“Mighty is my discombobulation, Dobson,” she said, as she staggered into the kitchen, and she told the pamphleteer of her trip and fall and clonk and swoon.

Dobson groaned.

“The worst of it is,” she continued, ignoring him, “That my head is now so fairy-filled, presumably as a direct result of the clonk, that I am having the devil of a job trying to remember what I was doing. Or indeed why on earth I might have rummaged in the broom cupboard for that dear old Blattnerphone, which I see is perched on the table, whirring away.”

Dobson’s groaning had been so terrific he had not even noticed the modified wire recorder, perched like a miniature science fiction windmill between a packet of cornflakes and the tea strainer. But before he could speak, a hammering was heard at the door, like the knocking at the gate in Macbeth. Dobson ceased groaning and went to see who it was who could be paying a visit at so ungodly an hour. It was visionary producer Doug Hammarskjöld, who shoved the pamphleteer aside as if he were so much chaff, and bounded into the kitchen, where he babbled at Marigold Chew as if in an ungodly frenzy. Ungodly hours and ungodly frenzies can often come in twos, and, like magpies, even in threes, and as if to prove this last point an ungodly magpie came swooping through the sky and smashed into the kitchen window, clonking its small birdy head and falling into a swoon not unlike that from which Marigold Chew had just awoken. Such are the furious interconnections of the known universe.

“Marigold, Marigold!” babbled Hammarskjöld, “I see you have been making your tape of  belligerent, combative, confrontational sound art of between six and ten hours in length, albeit in your kitchen rather than out in the field. Thank heaven you have done so! I must snatch the tape immediately from the Blattnerphone and take it to the studio, for we have a suffered a calamity involving carpet beetles and the chewing clean through of wiring and other dramatic events, worse than the worse things that happen at sea, and if I do not have a field recording to broadcast right now, my fledgling long wave station will be shut down by the radio police!”

Thus it was that, later that evening, listeners to Radio Doug Hammarskjöld were treated to six hours of Dobson’s kitchen groanings, and the station was saved for another day. The programme caused a short-lived brouhaha, and the column inches of obscure avant garde sound art magazines were filled with guff about it. Marigold Chew herself disowned the recording, and rightly so, for it was not the tape she meant to make. Although, since the dying says of 1953 when all this happened,  Brian Eno has taught us to honour our errors as hidden intentions, Marigold Chew never counted herself as an Enoist, and forever regretted that she had not caught up with the cows and peasants, the badgers and brooks, for which, as far as she was concerned, the Blattnerphone had been invented. In any case, as she wrote in a letter many years later:

I had to listen to Dobson’s kitchen groanings day in, day out, for as long as they lasted,  and I did not consider them to be sound art. If I want sound art, like any sensible person I will listen to ill-tempered Germans shouting their heads off, or to cows and peasants and rutting badgers and babbling brooks. Dobson’s kitchen groanings, like all his other groanings, were to me merely the groanings of an out of print pamphleteer. He ought to have been writing, not groaning in the kitchen with his head in his hands as the Blattnerphone whirred and hissed, and the stunned ungodly magpie lay on the windowsill, away with whatever fairies clutter the tiny heads of birds.

blattnerThe Blattnerphone

Kitchen Groanings

“Kitchen Groanings addressed to the Parlour : a pamphlet so called, published fifty years ago. It is the spirited remonstrance of some angry cook-wench, or discontented housemaid, against lazy footmen with their ruffles, their canes, their bags, and powdered heads, who run away with the pecuniary perquisites, or, as they were at that period called, vails, without having their due proportion of the hard work of the house. This publication is said to have been actually produced by one of the sisterhood, whose cause it pleads; and, considering the quarter from whence it issued, is not badly written.”

From Anecdotiana; or, A Library of Anecdote. Facts and Opinions, Historical, Biographical, Critical &c. Collected and Recorded by An Eminent Literary Character (I. J. Chidley, London 1841)

I am not quite sure, but I think Dobson may have produced a Kitchen Groanings pamphlet of his own.

Soft And Hairy Coverings

Pansy Cradledew has been reading The Law And Customs Relating To Gloves, Being An Exposition Historically Viewed Of Ancient Laws, Customs, And Uses In Respect Of Gloves, And Of The Symbolism Of The Hand And Glove In Judicial Proceedings by James William Norton-Kyshe (Stevens & Haynes, London 1901). Among the fascinating material in this book, she has drawn my attention to these glove-related nuggets of interest:

Musonius, a philosopher who lived at the close of the first century of Christianity, among other invectives against the corruption of the age, says “it is shameful that persons in perfect health should clothe their hands and feet with soft and hairy coverings”. (page 4)

About Queens, we read that Anne Boleyn was marvellously dainty about her gloves. She had a nail which turned up at the side, and it was the delight of Queen Catharine to make her play at cards without her gloves, in order that the deformity might disgust King Henry. It is also an historical fact that Queen Elizabeth was extravagant, fastidious, and capricious in the extreme about her gloves, and used to display them to advantage in playing the virginal. (page 55)

It was considered unbecoming if not undignified in olden days to wear gloves when visiting the royal stables. The reason given seems strange, but it is an ancient established custom in Germany, that whoever enters the stables of a prince, or great man, with his gloves on his hands, is obliged to forfeit them by a fee to the servants. (page 83)

The Big Metal Fence

Here is another much-requested piece. Although I have read it, more than once, on the radio, it has never appeared in written form anywhere. I was planning an anthology of stories in 1993, just before the Wilderness Years, of which this would have formed a part, but that book never did see the light of day. As with The Book Of Gnats, if I were writing the story today it would be different, here and there, but I have left it in its original state, more or less.

Freakishly tall, draped in a soutane, my brain pounding, I found myself standing before a trench full of sludge. In each hand, I discovered I was holding a bucket of pungent goo. My feet were encased in sturdy plastic bootees and at least two pairs of socks. I squelched across the trench, each step expelling from the sludge noisome fumes that wafted in the air behind me, shimmering and stinking. After some minutes, I clambered on to the other side, and rested the buckets upon the ground. Sulphurous fires ablaze within my skull, I had made the crossing from LIFE into DEATH. Eternity was before me.

That was six weeks ago, and I have now prepared this preliminary report of my impressions. I do not doubt that as further aeons pass, what follows may appear naïve, churlish and inaccurate. I shall file a more detailed report in ten billion years or so, and it will be instructive for scholars to compare the two documents. I repeat: these are very much first impressions.

In marshalling my material, I have plunged the majority of my notes into the Chute Of Rack And Ruin, which is on the mezzanine floor of the larger of the Two Damp Buildings. First, because to include everything would make this report too long and unwieldy. Second, because I have come to enjoy the whirring and clanking noises emitted by the Chute when it is put into operation. It is my fondest hope that, however limited and fragmentary the material, my readers will nonetheless gain a useful insight into what awaits them after death.

So far I have discovered four pubs: The Butcher’s Vest, The Consumptive Stalinist, The Tenth Chaffinch, and The Smouldering Maw. To get into the latter, you must be in possession of a special ticket issued by the River Police, whose headquarters is in a small hut at the bottom of a flight of stone steps a few hundred yards north of the Moribund Dam. To get into the hut, however, you need a licence from the Buffed-Up Shield Committee, which meets only once every four thousand years. It is typical of my luck that it met just two days before I arrived here. From what I have heard, The Smouldering Maw has the very best drinks in the afterlife, and what’s more they are free. My friend Ringchock, who has been here for untold centuries, recommends a peculiar brew they serve called The Hoist. It is effervescent, curdled, of a startling lavender tinge, and after four pints you get to join Captain Snap’s Committee, of which more later.

I have been able to get in to the other three pubs mentioned, none of which has any restrictions on entry. The Butcher’s Vest is the only one worthy of repeated visits. Its landlord, a bat-eared titan whose name is unpronounceable, comes from the same village as me, although he lived there many centuries before I was born. We have had many little chats, although his speech is hard for me to follow, as he is toothless, and slobbers uncontrollably. The range of drinks is somewhat limited, but the landlord provides enticing snacks for his regular customers. Each of the tables has a bowl of boiling hot custard on it, into which one can dip a staggering selection of biscuits, crackers, buns, tarts and pastries. Often these are stale, but when moistened with sufficient custard they are quite palatable. The tables are rickety, though, so one must be careful to avoid spillages, which enrage the landlord to the point where his hair stands on end, his face turns purple, and he gets his cronies to hurl the offender into an open sewer which runs past the back door.

You may find it difficult to believe, but absolutely everyone here is dressed from head to foot in corduroy. When I made the crossing, you will recall I was wearing a soutane. I have no idea why. At Reception, however, I was ushered into a little cubicle and given a set of corduroy apparel to change into: hat, shirt, jerkin, underpants, pantaloons, socks and moccasins. The soutane was taken away and I have not seen it since. Later, when I was taken to my quarters, I discovered a wardrobe full of corduroy clothing.

Ah yes, my quarters. What is accommodation like on the other side of the grave? Well, pokey. The population is, of course, ever-increasing, so overcrowding is a seemingly insoluble problem. Contrary to popular belief, as far as I can remember, we do not have unlimited space. Those who have been here for an unimaginably long time can only dimly remember when they had a small room all to themselves.

I share my tiny cabin with seven others. Binns was a whaling captain. Al Aqbuz ran a luxury hotel. Rosemary and Lettice, who perished together in one of the earliest railway accidents, were distressed gentlewomen; they still are, come to that. Scrut was some sort of hill-peasant. Nugg, our longest-serving resident, appears to have been a caveman as far as any of us can tell. He smells astonishingly unpleasant. Min Toc Thing babbles endlessly about her glorious life in an imperial palace of the Orient, and treats the rest of us with contempt.

Thrown together with dead people whose lives were so different, it might be thought that the afterlife is one long round of fascinating conversations, broadened horizons, and limitless opportunity to compare ideas, feelings, throbs, pangs, perceptions and beliefs. Would that it were so! Unfortunately, language acquisition (and, indeed, any kind of mental development) simply does not happen here. Thus, Nugg is locked in his strange and distant world, goes out of his mind with confusion when he sees a wheel, for example, and spends most of his time grunting, hammering his fists on the floor, and defecating where the fancy takes him. Binns told me an uproarious story about how he once took Nugg with him to The Butcher’s Vest and forced eight pints of grut down the poor wretch’s throat. In the resulting mayhem, Nugg smashed the pub to smithereens before passing out quite happily in the sewer, where he spent the next year or so recovering.

The fact that we all wear virtually identical corduroy clothing also makes things difficult. You simply can’t tell whether the person lounging by the bus stop is a thirteenth century Mongolian warlord, a Victorian entomologist, the murdered heir to the throne of Finland, a milkman from Wivenhoe, an arch-druid, a CIA assassin, a Baltic potato farmer, one of Hannibal’s mahouts, Ethelred the Unready, or an ex-pope. The chances are that any attempt you make at light conversation will be doomed from the start through mutual unintelligibility, so after a while you don’t even bother to try. I have only been here for six weeks, and am already affected by this social lethargy.

Our cramped living conditions are intolerable, and it is not surprising that fights and squabbles are common. I try to spend most of my time out and about, going back home only to sleep. In my first week, I made inquiries about changing cabins, but to do so is apparently impossible. They have a massive ledger at Reception, and they pencil in your name against whatever accommodation is available, and that’s it, for ever and ever and ever.

I have been given a job at the dairy. We have thousands of cows, an efficient bottling plant, good refrigeration facilities, and a delivery system that runs like clockwork. Buttermilk is increasingly popular, and we also produce sour cream, cheeses, yoghurt, and very nice little cartons of whey. Of course, fresh milk forms the bulk of our production, and although we no longer do home deliveries, we make sure that the milk-kiosks are always fully stocked. After a month in the single cream department, I was promoted. I am now Captain Of The Churns, and I wear a special badge.

The spiritualists among you will be pleased to hear that this place is fairly riddled with ectoplasm. Viscous, refulgent, and shimmering, it hovers above the rooftops, curls in wisps in every room, darts hither and thither in the air wherever one cares to look. What purpose it serves is a mystery. There are scholars here, of course, and many of them are using Eternity to puzzle over this enigmatic substance. Books roll off the presses in frightening quantities. On a visit to the library last week, I noted the following titles, all of them published since my arrival: The Ectoplasmic Gazetteer; The Lustre Of Ectoplasm; Two Noddles On A Bight; Ectoplasmus – Essays In Hieratic Crumpling; Heaven’s Porridge; Ectoplasmic Phantasms; and Ectoplasm’s New Hub – An Ibarguengoitian Summary. Learned journals devoted to the subject are piled high in corridors and pavilions. Hot and hate-filled debates are broadcast on the radio, as two or more experts dispute each other’s theories, shouting their heads off and resorting to infantile bickering.

True fanatics spend months at a time in the Ectoplasm Park, near the railway sidings, where the gleaming substance has somehow been corralled and controlled, hanging low in the air above a large circle of verdant lawns. The visitor to the Park is literally enveloped in ectoplasm, breathing it in through every pore. What the effects are of such exposure I do not know, as I have yet to experience them. Needless to say, those who visit the Park come away with wildly different stories to tell. The letters columns of the ectoplasm journals are full of first-hand reports, the writers’ reactions varying from blinding ecstasy to stultifying boredom. I will not bother to reproduce any of this verbiage here. You will have time enough to read it when you are dead.

I have yet to meet Captain Snap, but stories about him are rife. Most of them seem to be about the various high-jinks and scamperies he got up to when he was alive. Ask about his role in the afterlife and there is an ominous, even terrified, silence. No one appears to know which cabin he lives in, if, indeed, he lives in a cabin at all. On a promontory by the Mud Wastes there stands an enormous, misshapen castle, like something out of a child’s nightmare. Some insist that Captain Snap inhabits it, surrounded by minions, but this seems unlikely. Every month there are charabanc outings to the castle, and the tourists, chosen by raffle-ticket, are able to roam all around it at will. Perhaps Captain Snap hides in the broom cupboard, or makes himself scarce, during these visits. Who knows?

Most people are only able to drink half a pint of The Hoist before passing out, so rigorous training is necessary if one aspires to join Captain Snap’s Committee. As with so much else here, the Committee’s function is a mystery. Opinions vary. There are those who accuse the Committee of regulating every aspect of the afterlife. Others say it is merely a drinking club. Binns swears blind that the members are able to return to earth, for short periods, as ghosts, but that for some reason they are only able to haunt desolate, winter-wracked seaside resorts. I am sure he is just making that up.

As with ectoplasm, so with grace. There is a vast amount of it here. When I was alive, I remember that Christians used to bang on about grace all the time, but I must admit I never worked out precisely what it was. From what I did gather, however, I can confidently say that, as with most aspects of the afterlife, they were very wide of the mark.

At Reception, they give you a large tub of grace and tell you to look after it very carefully, and not to open it until you get the word. Not that they are trusting. Being a curious sort, I tried to open my tub as soon as I got to my cabin, and discovered that it had a safety catch on the lid, a nasty little mechanism which snapped over my fingers and clamped them tight against the tub so that I howled in agony. Binns, chuckling at my naivety, sent me off to the Tub Inspectors, who freed my fingers, dabbed them with ointment, reset the catch, and gave me a ticking-off.

As for “the word”, upon receipt of which I can open my tub, to date I have not met a single person who has ever been given it. Everybody has their pristine, unopened tub. Some people carry them around with them, although personally I find the pockets on our clothing are not roomy enough. You can buy little wicker baskets, into which the tubs fit quite snugly, and you see those quite often. But like most people, I keep my tub of grace in a tiny wooden locker in my cabin.

The postal system is charming. Rickshaws, stacked with packets and parcels, and pulled along by brightly-uniformed Prussians, career through the streets, if “street” is the correct word for the stinking, muddy channels which criss-cross our domain. For some reason you have to be a Prussian who died during the nineteenth century to get a job as a postal worker. This seems to me rather unfair, and were I not so happy at the dairy I would raise a stink about it. When I first learned about this closed-shop employment practice, I assumed that the Prussians got the jobs because, with their stereotypical passion for order, they ran a tight ship and kept stern bureaucratic control of so potentially chaotic a service. I soon discovered how wrong I was. The great thing about the postal system here is that it is entirely random. You can write a letter, tie up a parcel, shove a few nick-nacks into a packet, and deposit it in a postbox, and you simply never know who the recipient will be. If you waste your time carefully addressing your mail to a particular individual, you are summoned to the Post Office Headquarters and made to do an hour’s stamp-licking duty, while ferocious hounds bay at you from an adjoining room.

There is a big metal fence completely surrounding this place. It is electrified. I have spent long hours peering through its mesh of lethal wires, trying to see what lies beyond it, but all I can make out is an indistinct beige and mauve blur. A distant, mesmerising clamour is just about audible. Those who have tried to cross it have found themselves instantly surrounded by gangs of brutish myrmidons, whose golden helmets are burnished and gleaming. Merciless and inexplicable, they enwrap their captives in grey corduroy shrouds, intone a litany of awfulness and dread, and convey them at hideous speed to the mezzanine floor of the Big Damp Building, whence they are despatched, muffled, stricken and aghast, into the Chute Of Rack And Ruin. As it whirrs and clanks, they are forever swept away, they are swept away and gone.

Victorian Ditch Trauma

I have been much enjoying the Times Archive Blog recently. Old news can be so much more appealing than new news – that is, news – particularly when, as in this case which I belatedly bring to your attention, it features a postie toppling into a ditch, a scene that could come straight from a Hooting Yard story:

About noon on Thursday as a labourer, in the employ of Mr Cooper, of Pyrford – a village about seven miles from Guildford – was passing through Pondfield, in the neighbourhood of his master’s farm, he espied an object in the ditch, which attracted his attention. On examination the object, which was nearly covered with snow, turned out to be a man named Tappin, the messenger who delivers post letters in the outlying districts of which Pyrford and Wisley form part. Mr Cooper was at once communicated with, and he speedily arranged for the delivery of the letters, while with equal promptitude the messenger was assisted from his bed of snow, where he had been for some hours. Tappin’s account is that he got into the drift and pitched headlong into the ditch, when he was too exhausted to extricate himself.

As the Times’ archivist notes, how pleasing it is that the reporter assures us of the safe delivery of the post before mentioning the rescue of the hapless Tappin. I suspect strongly that, almost a century and a half after his ditch trauma, Postie Tappin may be resurrected as a Hooting Yard character.

Glubb Addendum

In quoting H P Lovecraft earlier, I am reminded that someone I know – who occasionally went by the pseudonym Tex Beard – once recorded himself making a sort of half-liquid bubbling noise – “glub… glub… glub” and used it as his answerphone message.

hpl

Pointyhead Closure

Hooting Yard has been threatened with closure by a pointyhead. And no, I don’t mean airhead “closure”, I mean real closure, shutting down, expungement from the web. This is apparently because our risk assessment protocols and strategies lack robustness and transparency. Mr Key asked the pointyhead where we were going wrong, and was told there was an unacceptable risk to “users” that their heads would become blunter and would need to be sluiced out with a whitewash-based fluid, or possibly some kind of gas.

Sticking up for your rights, Mr Key demanded that the pointyhead produce evidence to back up so foul an accusation. This was duly provided in the form of a cupboard full of documents, all of which had been signed by the pointyhead and countersigned by the pointyhead’s own pointyhead person. By skim-reading just one bulging Lever arch file, Mr Key learned that there was a whole hierarchy of risk tsars, risk rapporteurs, risk champions, risk adjudicators, and whatnot. It was like theology.

Mr Key set fire to the cupboard and pushed the pointyhead into a pond. 

Other Glubbs

Maud Glubb, the aviatrix and author of The Book Of Gnats, is just one among a number of Glubbs of note. This ought not surprise us. After all, as H P Lovecraft wrote in The Thing On The Doorstep, It began with a telephone call just before midnight. I was the only one up, and sleepily took down the receiver in the library. No one seemed to be on the wire, and I was about to hang up and go to bed when my ear caught a very faint suspicion of sound at the other end. Was someone trying under great difficulties to talk? As I listened I thought I heard a sort of half-liquid bubbling noise – “glub… glub… glub” – which had an odd suggestion of inarticulate, unintelligible word and syllable divisions. I called “Who is it?” But the only answer was “glub… glub… glub-glub.” (The one-B Glub is a common American variant of the more standard two-B Glubb.) It can be argued that Lovecraft’s “glub” is a repetition of a single Glubb, much as we accept that Edgar Allan Poe was referring to only one person when he shouted the name “Reynolds!” repeatedly as he lay dying in the Washington College Hospital in Baltimore. Yet Lovecraft clearly indicates “unintelligible word and syllable divisions”, which sensible people who have their wits about them will take as hard evidence of multiple Glubbs.

One such other Glubb, if we use that term to distinguish our subjects from the aviatrix, was Old Mother Glubb. This fine upstanding dowager was not the mother of Maud Glubb, by the way. In fact as far as we can ascertain, Old Mother Glubb had no children. She was dubbed “Old Mother” because she was very aged, at the time we learn of her existence, and because she bred moths. It is easy to see how people assumed that “Mother”, to rhyme with “Hiawatha”, should be pronounced to rhyme instead with “brother”. From such tiny presumptions can titanic historical errors occur. Several bright and promising genealogists saw their careers ruined, their health destroyed, and their lives wasted as they tried and failed to track down Old Mother Glubb’s non-existent progeny. Had they known about her revolutionary moth-breeding programme, and the attention it gained from moth experts on two or three continents, things may have been very different indeed. Or perhaps not. Perhaps each of these genealogists had a fatal flaw which sent them chasing phantoms, and had they not driven themselves mad with Old Mother Glubb, they would have alighted upon some other hopeless pursuit. There are many, in the groves of academe.

There is, for example, the case of another Glubb, Binnie Glubb, the man who became Professor of Futile Studies at a large important university. Sometimes called the senile grandparent of postmodernism, Binnie Glubb spent years and years writing incomprehensible twaddle, in unreadable prose, about… well, about god knows what. If we knew what he was writing about it would suggest that occasionally he was both comprehensible and readable, and he was neither, ever. And yet his screeds were typeset and bound and published and sold and stuck upon shelves in libraries across the land, and he had his photograph taken, smoking a pipe, shoulder to shoulder with a French intellectual or a Maoist psychopath, and airheads wrote fawning profiles of him for the Sunday supplements.

No such plaudits for the next Glubb in our set, the one-legged bobsleigh competitor Digby Glubb. He was a sports-mad youth who was nonetheless completely useless at everything he tried. Failing at pétanque, he took up pingpong. Failing at pingpong, he tried vinkensport. Savaged by finches, he turned to curling, and failed again, failed better, as Beckett might say. All this time he had two legs. On his thirtieth birthday, still utterly useless in all sporting events, he toppled into a ditch full of fierce biting ants, which ate most of one of his legs before he was rescued by an ant-killing patrol. Recovering in a superbly sterile clinic, Digby Glubb researched sports he could take part in while sitting down, and decided to devote his life to bobsleigh, in spite of the fact that he did not quite understand the point of it. For two decades he continually crashed any bobsleigh he sat in, whether solo or as part of a team. What drove him on, from one calamity to another? Was it perhaps revenge against the fierce biting ants which had hobbled him? There are those who can be spurred on by often harmful derangements, be they vengeance or jealousy or preening vanity.

Consider the cravattiste Shelvington Glubb. Convinced that, when he wore one of his cravats, he might be mistaken for a young Apollo, this Glubb pranced about the boulevards of Pointy Town watching Pointy Towners gasp and swoon at his beauty. Some of them were blinded, he was so like the sun.

There, you have some Glubbs to be going on with.